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The Workshop of Dionysus | A place to inspire the revival of ancient doublepipes

A place to inspire the revival of ancient doublepipes

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The Workshop of Dionysus | A place to inspire the revival of ancient doublepipes | doublepipes.info Reviews

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A place to inspire the revival of ancient doublepipes

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The Seikilos Song on the Pompeii aulos | The Workshop of Dionysus

http://www.doublepipes.info/seikilos-on-pompeii

The Workshop of Dionysus. A place to inspire the revival of ancient double pipes. Circular Breathing Tutorial 1. Further thoughts on reed making →. The Seikilos Song on the Pompeii aulos. Here is the best-known ancient melody, played, for the first time since antiquity, both on a reproduction of an ancient instrument and in the original pitch (a = c. 480 Hz, so to say). Http:/ www.doublepipes.info/wp-content/uploads/2015/04/Pompeii Brass Seikilos1a.mp3. This entry was posted in Ancient scores. Enter your...

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reed making | The Workshop of Dionysus

http://www.doublepipes.info/tag/reed-making

The Workshop of Dionysus. A place to inspire the revival of ancient double pipes. Tag Archives: reed making. Further thoughts on reed making. This tool makes short work of cutting tubes in batches, all the same length. The end stop is adjustable because the length of reed varies from aulos to aulos. After cutting the tubes, I now use a sharp scalpel blade … Continue reading →. More thoughts on reed making. Protected: The Reeds: Observations Based on Ancient Evidence. Enter your password to view comments.

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Stefan Hagel | The Workshop of Dionysus

http://www.doublepipes.info/author/stefan

The Workshop of Dionysus. A place to inspire the revival of ancient double pipes. Author Archives: Stefan Hagel. After a lot of Louvre and Pompeii on this site, here’s a move towards the Archaic and Classical period: the Dorian aulos I have recontructed from textual evidence in my Ancient Greek Music: A New Technical History, playing the intervals … Continue reading →. A selectively-tongued attempt at Bellermann, DAGM 37. Using Pompeii 2 3 with rather wide reeds. The Seikilos Song on the Pompeii aulos.

4

First working reproduction of a tibia from Pompeii | The Workshop of Dionysus

http://www.doublepipes.info/pompeii-tibia-first-sounds

The Workshop of Dionysus. A place to inspire the revival of ancient double pipes. Lecture on the Roman tibiae on-line. Some sounds from Pompeii →. First working reproduction of a tibia from Pompeii. This tibia has been reproduced from one of several pairs of pipes buried at Pompeii in 79 AD. It was made by Peter Holmes with the help of Martin Sims and Neil ‘Spike’ Melton in a collaboration between the European Music Archaeology Project. This entry was posted in Pompeian tibiae. 1 April 2015 at 18:34.

5

reeds | The Workshop of Dionysus

http://www.doublepipes.info/tag/reeds-2

The Workshop of Dionysus. A place to inspire the revival of ancient double pipes. Further thoughts on reed making. This tool makes short work of cutting tubes in batches, all the same length. The end stop is adjustable because the length of reed varies from aulos to aulos. After cutting the tubes, I now use a sharp scalpel blade … Continue reading →. More thoughts on reed making. Some Trial Reeds for the Berlin Aulos. Making reed caps 1. Toasting and preservation of Aulos reeds. Don't have an account?

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Publications | Barnaby Brown

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Early Gaelic harp music. An Introduction to Playing the Wire-strung Harp a DVD and music book of lessons with Ann Heymann, Javier Sàinz and Bill Taylor. Ed Barnaby Brown and Bill Taylor (Glasgow: Siubhal 2012). Silva Caledonia Scottish Harp Music of the 17th Century. Glasgow: Siubhal, 2008). An edited book with audio CD, no. 3 in the Siubhal series. Early Gaelic bagpipe music. Data underpinning ‘A map of the pibroch landscape, 1760 1841’ (v6). The Highland Bagpipe: Music, History, Tradition. Is an interv...

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The Workshop of Dionysus | A place to inspire the revival of ancient doublepipes

The Workshop of Dionysus. A place to inspire the revival of ancient doublepipes. By Jean Jeltsch, Robin Howell and Barnaby Brown. Reed was photographed by the bassoon reed researcher Jean-Marie Heinrich in the 1980s. It bears a striking resemblance to an aulos reed acquired by the Berlin Egyptian Museum in 1894:. This image is from Stefan Hagel’s study, ‘ Understanding the aulos Berlin Egyptian Museum 12461/12462. Hichiriki reeds are made from. In the video above, skip to 6:56 for the reed-making sequence.

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