drumchant.wordpress.com

Drum Chant

I made a drum machine beat every day of last month. Was it worth it? Well, I noticed pretty quickly I had a style: edgy, syncopated 2- or 4-bar grooves, using both sparseness and intricacy, and obsessed with attractive combinations of sounds. This aesthetic owes a lot to Pearson Sound. If you want to hear 2 hours of great music in that vein, check this seriously good mix. My big discovery during the project was the importance of assembling good sounds. (Not necessarily good sound. In particular I liked:.

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Drum Chant | drumchant.wordpress.com Reviews

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I made a drum machine beat every day of last month. Was it worth it? Well, I noticed pretty quickly I had a style: edgy, syncopated 2- or 4-bar grooves, using both sparseness and intricacy, and obsessed with attractive combinations of sounds. This aesthetic owes a lot to Pearson Sound. If you want to hear 2 hours of great music in that vein, check this seriously good mix. My big discovery during the project was the importance of assembling good sounds. (Not necessarily good sound. In particular I liked:.

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Drum Chant | drumchant.wordpress.com Reviews

https://drumchant.wordpress.com

I made a drum machine beat every day of last month. Was it worth it? Well, I noticed pretty quickly I had a style: edgy, syncopated 2- or 4-bar grooves, using both sparseness and intricacy, and obsessed with attractive combinations of sounds. This aesthetic owes a lot to Pearson Sound. If you want to hear 2 hours of great music in that vein, check this seriously good mix. My big discovery during the project was the importance of assembling good sounds. (Not necessarily good sound. In particular I liked:.

INTERNAL PAGES

drumchant.wordpress.com

1

Ellington’s Interlocking Riffs – Drum Chant

https://drumchant.wordpress.com/2016/04/12/ellingtons-interlocking-riffs

Ellington’s Interlocking Riffs. I got into the 1956 album Duke Ellington At Newport while studying for my master’s last year. It’s a standout piece of work from one of the greats of 20th century music, but what seduced me about it were a few particular things – all kind of related to each other. Not that Ellington’s music is in any way mechanical. Did you know he used to tell his drummers to play with “more sex”? Read more great quotes in Ethan Iverson’s excellent post. With the chord changes. These ...

2

drumchant – Drum Chant

https://drumchant.wordpress.com/author/drumchant

Today a non-music post following on from some other posts: Beats, Windows 98-Style. Are Videogames The New Jazz. And an upcoming piece about how listeners interact with groove music e.g. at house parties. Basically, last night in bed I woke up and started imagining how those communal grooving/listening situations might happen online. 8211; or SFXR. Type customisable synth sounds. Nice stuff to fantasise about. There seem to be a couple. This isn’t a technophobic post. I’ve no problem with...ACII art (bec...

3

Manifesting – Drum Chant

https://drumchant.wordpress.com/2016/01/16/manifesting

I edited this piece on 27/01/2016 to make a stronger start by moving some stuff to the end.]. Today I want to focus on an idea from my first post. I claimed that Gang Starr’s 1993 hip hop track “The Planet”. Of improvisation. Many features of rap are clearly improvisers’ techniques: routines. Which give the rapper time to think, repeating of words. As if correcting a mistake, and free, intuitive association of thoughts or sounds. I believe that hip hop values in particular the willed. These intros repres...

4

Post-Dubstep Aesthetics – Drum Chant

https://drumchant.wordpress.com/2016/01/04/post-dubstep-aesthetics

I’m taking a stylistic leap today to look at David Kennedy aka Ramadanman aka Pearson Sound, a visionary UK dubstep/house producer who came up around 2010. His music shares the obsessions of this blog: timbre and syncopated rhythm. But obviously it’s quite removed from Delta blues. With New York hip hop as well as black London-based artists like Dizzee Rascal and LTJ Bukem, representatives of a British Afro-Carribean musical lineage rooted in Jamaica. 8220; (Thanks to Chris Guilfoyle aka Exit Introvert.

5

Independence and Improvising – Drum Chant

https://drumchant.wordpress.com/2016/04/21/independence-and-improvising

Today I’m returning to some ideas from this piece. I look at how the ability to play two or more different parts at the same time, known as independence, might help with jazz soloing. My overall theme is the gestural side of improvisation – the movements we make on our instruments. This is fraught with the danger of playing stuff you didn’t mean to, as most students know too well. Why even investigate it? Musical motion is, first and foremost, audible human motion. I love the faint off-mic vocalisations ...

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I made a drum machine beat every day of last month. Was it worth it? Well, I noticed pretty quickly I had a style: edgy, syncopated 2- or 4-bar grooves, using both sparseness and intricacy, and obsessed with attractive combinations of sounds. This aesthetic owes a lot to Pearson Sound. If you want to hear 2 hours of great music in that vein, check this seriously good mix. My big discovery during the project was the importance of assembling good sounds. (Not necessarily good sound. In particular I liked:.

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