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Eva Mantell | Studio

Start with an empty cup. Ventana acrylic and mixed media with magazine pages on canvas 36 x 36″. The Reveal acrylic and magazines on wooden panel 18 x 18″. Flowerpower magazines and acrylic on canvas 24 x 20″. How does a flower know how to become a flower? November 2017: Sarah Stengle’s essay Eva Mantell: Finding Structural Beauty in the Ephemeral. Thank you so much for my friends for being there, and for the artists from the show and gallery for attending. I appreciated you all being there so much.

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Eva Mantell | Studio | evamantell.com Reviews
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Start with an empty cup. Ventana acrylic and mixed media with magazine pages on canvas 36 x 36″. The Reveal acrylic and magazines on wooden panel 18 x 18″. Flowerpower magazines and acrylic on canvas 24 x 20″. How does a flower know how to become a flower? November 2017: Sarah Stengle’s essay Eva Mantell: Finding Structural Beauty in the Ephemeral. Thank you so much for my friends for being there, and for the artists from the show and gallery for attending. I appreciated you all being there so much.
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2 studio
3 news
4 artwork
5 the reveal
6 reliquary
7 resemblance
8 press
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Eva Mantell | Studio | evamantell.com Reviews

https://evamantell.com

Start with an empty cup. Ventana acrylic and mixed media with magazine pages on canvas 36 x 36″. The Reveal acrylic and magazines on wooden panel 18 x 18″. Flowerpower magazines and acrylic on canvas 24 x 20″. How does a flower know how to become a flower? November 2017: Sarah Stengle’s essay Eva Mantell: Finding Structural Beauty in the Ephemeral. Thank you so much for my friends for being there, and for the artists from the show and gallery for attending. I appreciated you all being there so much.

INTERNAL PAGES

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1

Writing about art | Eva Mantell

http://evamantell.com/teaching

Start with an empty cup. My artwork is a series of rule-based projects beginning with simple forms and gestures and testing their tolerance for change. The environment, evolution, the coalescing of accreted marks to form structure, interior life: my thinking is expressed in these works through action, process, doing and undoing. What does the life of a moment look like? What does it look like as it moves to the next moment? Leave a Reply Cancel reply. Your email address will not be published.

2

Press | Eva Mantell

http://evamantell.com/press

Start with an empty cup. Seeing Through the Openings. Ilene Dube, centraljersey.com, Oct 9, 2015. Vote for Art that Heals. Ilene Dube, The Artful Blogger.com, Mar 16, 2012. Puzzles of the Brain. Ilene Dube, The ArtfulBlogger.com, Feb 25, 2012. From Milk to Mascara. Ilene Dube, The Artful Blogger.com, Feb 10, 2012. Adventurous Works from Four Soloists. Victoria Donohoe, Philadelphia Inquirer, May 27, 2011. NJCom, May 26, 2011. Bonnie Schultz, AllPrinceton.com, Dec 26, 2011. Brooklyn Museum Artists Book.

3

Resume | Eva Mantell

http://evamantell.com/resume-2

Start with an empty cup. The Nassau Club, Princeton, NJ, curated by Marie Sturken. Start with an empty cup. Solo Series II, Abington Art Center, Jenkintown, Pa, curated by Laura Burnham. New Jersey Artists Series, Johnson and Johnson World Headquarters Gallery, New Brunswick, NJ, curated by Ashley Atkins. Princeton Windrows, Princeton, NJ, curated by Marta Sebor. The Anne Reeves Studio, Arts Council of Princeton, NJ, curated by Anne Reeves. Art heals the artist. The Politics of Water. Institute of Contem...

4

Resemblance | Eva Mantell

http://evamantell.com/imprintstarburst/works-on-canvas

Start with an empty cup. Magazine pages, acrylic on canvas, 30″ x 40″, 2015. Magazine pages acrylic on canvas, diptych, 60 ” x 40″, 2015 (private collection, NJ). Magazine pages, acrylic on canvas, 30″ x 40″, 2015. Magazine pages, mixed media, encaustic on canvas, each 40″ x 30″ 2011 (private collection, CA). 2015, magazine and acrylic on canvas, 36″ x 36″, 2015 (private collection, PA). Magazine pages mixed media encaustic on canvas, 36″ x 36″, 2013.

5

start with an empty cup | Eva Mantell

http://evamantell.com/sculpture

Start with an empty cup. Start with an empty cup. Paper coffee cup with wax Eva Mantell 2014. Paper coffee cup with wax Eva Mantell 2014. Paper coffee cup with wax Eva Mantell 2014. Paper coffee cup with wax Eva Mantell 2014. Paper coffee cup with wax Eva Mantell 2014. Paper coffee cup with wa, Eva Mantell 2014. Paper coffee cup with wax Eva Mantell 2014. Paper coffee cup with wax Eva Mantell 2014. Paper coffee cup with wax Eva Mantell 2014. Paper coffee cup with wax Eva Mantell 2014.

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Eva Mantell | overflow conversation

https://overflowconversation.com/evamantell

S series of rule-based projects track variations and test a tolerance for change in the context of the environment and evolution. The everyday materials she works with, such as paper coffee cups, are lavished with attention and become emblems of possibility. Exhibitions include Abington Art Center, PA, The Peekskill Project, NY, The Arts Council of Princeton, NJ, Cortijada Los Gazquez, Spain. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

timbudden.blogspot.com timbudden.blogspot.com

Tim Budden: Through Western Eyes

http://timbudden.blogspot.com/2012/02/through-western-eyes.html

A medley of diverting discussions on all things art but most of all silk and paper cuttings. Thursday, 16 February 2012. My current show of paper cuts at Suho Paper Museum. Here are some general views of the show. There are 20 pieces exhibited. The museum provided a corner where visitors could make their own paper cuts and display them. So far there are more than a hundred made by young and old alike. Fantastic! Earthstar' and shadow. Where does the artwork end and the shadow begin? Butterfly flow. A...

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Tim Budden: May 2012

http://timbudden.blogspot.com/2012_05_01_archive.html

A medley of diverting discussions on all things art but most of all silk and paper cuttings. Monday, 14 May 2012. Inspiration comes to me in all kinds of shapes, forms and experiences. So what’s inspiring me at the moment? There were the rotted leaves with only their veins showing. Nature's own version of paper cutting. While at night the nightriders race their souped up bikes along the streets near here. Could they possibly be doing this! Finally - The Zen of motorcycle riding! I’m not sure how al...

timbudden.blogspot.com timbudden.blogspot.com

Tim Budden: August 2011

http://timbudden.blogspot.com/2011_08_01_archive.html

A medley of diverting discussions on all things art but most of all silk and paper cuttings. Sunday, 14 August 2011. Kirie of the World 2011. Keeping a blog is much harder than it seems. Putting up interesting posts regularly requires the writer to be disciplined and focused. Unfortunately at the moment I am neither! Must be the summer blues! I traveled there to attend the opening a few weeks ago. An awesome experience. Here’s a video. The main building of the Fujikawa Museum. Kirie of the world. As a We...

timbudden.blogspot.com timbudden.blogspot.com

Tim Budden: Elemental Butterflies

http://timbudden.blogspot.com/2012/06/elemental-butterflies.html

A medley of diverting discussions on all things art but most of all silk and paper cuttings. Thursday, 14 June 2012. Butterflies are curious creatures. Do they have any sense of their previous existence as munching, crunching, gobbling caterpillars I wonder? Here are some new painted Butterfly paper cuttings approx A3 in size. These new butterfly paper cuttings incorporate the elements of Earth. Is where they come from and ultimately where they return to when they die. Earth and Fire dancing together.

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Collaborators — Heidi Latsky

http://heidilatskydance.com/collaborators

Music Director, Composer). Musician/Composer) is a multi-woodwind player/composer who has traveled the globe playing and recording with Serge Gainsbourg, David Bowie, Talking Heads, Stevie Ray Vaughan, Duran Duran, Bruce Springsteen, Mick Jagger, Southside Johnny and the Asbury Jukes, Steven Van Zandt, They Might Be Giants and many others. He studied saxophone with Joe Allard, composition with Dennis Sandole, Robert Moevs and Huang Ruo, and orchestration and conducting with Rudolph Palmer. Is originally ...

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Tim Budden: September 2011

http://timbudden.blogspot.com/2011_09_01_archive.html

A medley of diverting discussions on all things art but most of all silk and paper cuttings. Saturday, 24 September 2011. Pink Mist is the fourth paper cut from a new body of work. I’m still trying to figure out why and how this new body of work came about. I think it is a reaction to the highly rigid structure of my paper cuts. For these new pieces my inspiration came from a number of sources -. Friday, 16 September 2011. Summer paper cutting workshop. During the summer I was lucky enough to be invited ...

timbudden.blogspot.com timbudden.blogspot.com

Tim Budden: March 2012

http://timbudden.blogspot.com/2012_03_01_archive.html

A medley of diverting discussions on all things art but most of all silk and paper cuttings. Wednesday, 14 March 2012. The fluttering of a butterfly’s wings can effect climate changes on the other side of the planet. Big Butterfly Flow' is a 100x100cm silk paper cut. Butterflies glide and flutter on breezes of air and cloud. Are they causing the breezes or are they simply taking advantage of them? The Butterfly effect is the idea that a butterfly. Thursday, 1 March 2012. Lost in Forest Wild. There's an i...

timbudden.blogspot.com timbudden.blogspot.com

Tim Budden: Inspiration

http://timbudden.blogspot.com/2012/05/inspiration.html

A medley of diverting discussions on all things art but most of all silk and paper cuttings. Monday, 14 May 2012. Inspiration comes to me in all kinds of shapes, forms and experiences. So what’s inspiring me at the moment? There were the rotted leaves with only their veins showing. Nature's own version of paper cutting. While at night the nightriders race their souped up bikes along the streets near here. Could they possibly be doing this! Finally - The Zen of motorcycle riding! I’m not sure how al...

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Eva Mantell | Studio

Start with an empty cup. Ventana acrylic and mixed media with magazine pages on canvas 36 x 36″. The Reveal acrylic and magazines on wooden panel 18 x 18″. Flowerpower magazines and acrylic on canvas 24 x 20″. How does a flower know how to become a flower? November 2017: Sarah Stengle’s essay Eva Mantell: Finding Structural Beauty in the Ephemeral. Thank you so much for my friends for being there, and for the artists from the show and gallery for attending. I appreciated you all being there so much.

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