experimentalintermedia.be

xirecords.org

E I : XI 136

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2 cds for the price of 1. 2014) for cello and piano duo. 2013) for string quartet. 2013) for piano trio. Per La Madre e La Nonna. 2012) for string trio. Pasticcio per meno è più. 2014) for piano solo. La Rugiada del Mattino. 2013) for violin and cello duo. Tre Pezzi per Trio di Pianoforte. 2014) for piano trio. Nel Nome di Gesù. 2013) for cello and organ duo. 2014) for organ solo. 2013) for cello solo. Il Mento Tenuto Alto. 2014) for violin solo. 2014) for piano and viola duo. Pupazzo di Neve Partitas.

xirecords.org

E I : P N

http://www.xirecords.org/121.shtml

Didjeridoos and Don’ts (13:29). Ten Auras Live (21:18). A Trombone Piece (22:08). A Third Trombone (20:39). Unmentionable Piece for Trombone and Sousaphone. Many composers have been interested in the idea of making a piece of music by allowing one. Sustained sound or noise to drone on and on with little change. Perhaps the most sensuous and lush drone pieces, however, are those of Phill Niblock. No one has ever made music anything like this. Tom Johnson, composer and former Village Voice music critic.

xirecords.org

E I : XI 116

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Experimenting With Household Chemicals. A Piece in Six Movements. Includes Free Information (17:33). Sung, Played, Heard. In Three Movements (9:54). Mr Zummo's music evokes Minimalism that's just getting up in the morning, still rubbing its eyes; the hard, rational edges and crisp patterns haven't yet come into focus. But while the music sounds relaxed, it also shows a calm, self-effacing intelligence.". Jon Pareles, New York Times. Linda Sanders, Village Voice. Artists 73 - 99.

xirecords.org

E I : XI 119

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Trilogie de la Mort. Disc Two Kailasha (56:08). Eliane Radigue works with electronic sounds on tape to create an ambiance within which sound seems to move in a continual flow around the listener. Her music has been described as "infinitely discreet.next to which all other music seems to be tugging at one's sleeve for attention.". Michel Chion, Les Musiques Electroacoustiques. I'm wowed when abundant work and detail combine for an effortless, natural effect.". Artists 73 - 99.

xirecords.org

E I : XI 135

http://www.xirecords.org/135.shtml

Central Park 1850; Breath Chant; Windsong; Very Slow Gabrieli; Marilyn Monroe Collage; Late Afternoon Chant. Central Park 2007; Chorale Bounce 1; Chorale Bounce 2; Wave Music for 30 Harps; Wave Music for 40 Cellos; Toot 'n' Blink Chicago; A Future Harvest. Book of Hours of Catherine of Cleves; Feather. 3 cds for the price of 2. Morrow's first major work, Very Slow Gabrieli,. A super slow motion performance of G. Gabrieli's Sonata Pian e Forte. For double brass ensemble;. A beautiful polychromatic, almost...

xirecords.org

E I : XI 122

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Partitas For Long Strings. Partita for 16 long strings of equal length. Partita for 16 long strings equally diminishing in length (26'08"). Partita for 16 long strings proportionally tuned. As Panhuysen draws his resin-coated fingers along [the long strings], he conjures up unearthly soundscapes filled with tremuloius, palpitating tones and shimmering timbres. Rahma Khazam, The Wire. Artists 73 - 99.

xirecords.org

E I : XI 125

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40 Years and One. 7 Joyous Flashes (3:45). Short Piano Piece IV (2:51). Short Piano Piece IX (2:07). Short Piano Piece XIII (1:50). Flux and Form No. 2 (solo) (4:01). Flux and Form No. 2. 3 versions mixed) (4:39). Pulse: a ‘Keyboard Dance’/C Major Chord (25:43). Perfect" (on the strings) (21:49). Always there is the presence of touch as play upon, within, around the piano; his playing, the keyboard and frame of instrument singing, of fingers, palms, arms and body, whole. Artists 73 - 99.

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E I : XI 130

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The Animation of Lists. And the Archytan Transpositions. There are any number of ways to hear Warren Burt's music for tuning forks; as many ways as there are listeners, probably. The most immediate one is simply to revel in its beauty and enjoy the music as sound. Or, to be more accurate, as clouds of sound; sonic colors that momentarily hover here and there, as they move slowly across the musical horizon. But what are these sonic differences? And what is a listener supposed to hear? Artists 73 - 99.

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E I : XI 127

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Michael J. Schumacher. Room Piece XI (2002). Piece in 3 Parts. 2002) - (with Jane Henry, violin and Tim Barnes, percussion). 2002) - (with bowed friction sounds by Charles Curtis, cello). Artists 73 - 99.

xirecords.org

E I : XI 134

http://www.xirecords.org/134.shtml

Privacy Issues (droneworks 1996 - 2009). Zen Guilt/Zen Blame (35:40). A Bet on Transcendence Favors the House (16:07). My Veil Evades Detection; My Veil Defies Exhaustion; My Veil and I Divorce (21:43). Tell Tale 2.1 (1:07). The Softening Door (14:53). Pipeline Witness Apologies to Dennis (41:05). 3 cds for the price of 2. Featuring Chris McIntyre and Peter Zummo, trombones; "Blue" Gene Tyranny, keyboards; and The Black Jackets Ensemble. David First is a guitarist and composer who is perpetually fascinat...