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Febriblog? | An Appreciation of Neglected Films

An Appreciation of Neglected Films

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Febriblog? | An Appreciation of Neglected Films | febriblog.wordpress.com Reviews
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Febriblog? | An Appreciation of Neglected Films | febriblog.wordpress.com Reviews

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An Appreciation of Neglected Films

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To Sleep With Anger | Febriblog?

https://febriblog.wordpress.com/2011/08/15/to-sleep-with-anger

An Appreciation of Neglected Films. To Sleep With Anger. To Sleep With Anger. Is indeed quite the achievement, but as with many of the truest of independents, the fanfare was fleeting, and the perception stands that the heroic director of. To Sleep With Anger. This is a grand statement, sure, but this unassuming quality of Burnett’s film is exactly what works in its favor, an exterior of a quaint family comedy/drama that contains multitudes lying just beneath its surface. To Sleep With Anger. Is in its e...

2

Fuller on Fuller | Febriblog?

https://febriblog.wordpress.com/2011/02/11/fuller-on-fuller

An Appreciation of Neglected Films. On capturing war on film:. On his feelings of the misconception that he revels in the glorification of violence:. The ‘Third Face’:. Then there’s your third face. No one ever gets to see that one. It’ll never show up in any mirror nor be visible to the eyes of parents, lovers, or friends. It’s the face that no one knows but you. It’s the. From Samuel Fuller’s masterful memoir,. New York: Alfred A. Knopf, 2002. By febriblog on February 11, 2011. Tags: A Third Face.

3

Outer Space | Febriblog?

https://febriblog.wordpress.com/2011/08/08/outer-space

An Appreciation of Neglected Films. Anyways, today I bring you one of the finest experimental shorts I’ve come across lately, a particularly brutal re-appropriation of a semi-forgotten Barbara Hershey-starring horror film titled. From 1982. In this film, filmmaker Peter Tscherkassky assembled found footage, and in the grand tradition of Mekas, following through to the more recent works of Bill Morrison, takes this footage and manipulates it to the point of pure abstraction. Mulholland Dr.,. Address never...

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flickerdrome.blogspot.com flickerdrome.blogspot.com

FLICKERDROME: 12/09

http://flickerdrome.blogspot.com/2009_12_01_archive.html

A cinematic odyssey, one flick at a time. Welcome to the Flickerdrome, a fan blog dedicated to reviewing the latest films and guiding you through the very best of modern cinema. Starting January 2010, we bring you heartfelt and wholly independent reviews of the latest movies. Not all the latest movies mind (we haven't the time, money or inclination for that), but we endeavour to post at least. One review each week. Our main location for screenings is the Phoenix in East Finchley. It's one of the nice...

flickerdrome.blogspot.com flickerdrome.blogspot.com

FLICKERDROME: 02/10

http://flickerdrome.blogspot.com/2010_02_01_archive.html

A cinematic odyssey, one flick at a time. The Road vs. Into The Wild. USA, 2009, 119mins, rated 15. USA, 2007, 143mins, rated 15. Double bill screening at The Phoenix, 28 February 2010. 169; William Thomas. The Headless Woman (La Mujer Sin Cabeza). Argentina, 2008, 87mins, rated 12A. Screening: The Renoir, 20 February 2010. 169; William Thomas. Up In The Air. USA, 2009, 119mins, rated 15. Screening: The Phoenix, 6 February 2010. 169; William Thomas. Subscribe to: Posts (Atom). As far as I'm concerned, th...

flickerdrome.blogspot.com flickerdrome.blogspot.com

FLICKERDROME: 2010 IN REVIEW

http://flickerdrome.blogspot.com/2010/12/2010-in-review.html

A cinematic odyssey, one flick at a time. HOWEVER, I still have plans for this site, and will be recommencing in 2011 with a more realistic (but no less brilliant, obviously) and possibly collaborative approach to bringing you, yes you. The best guide to what’s worth going to see at the cinema. Flickerdrome’s best, and worst, movies of 2010. 2010 started off in big budget Hollywood style with James Cameron's Avatar. 8211; without doubt Flickerdrome’s #1 Best Film of 2010. Unique, uncompromising and utter...

flickerdrome.blogspot.com flickerdrome.blogspot.com

FLICKERDROME: 03/10

http://flickerdrome.blogspot.com/2010_03_01_archive.html

A cinematic odyssey, one flick at a time. 2001: A Space Odyssey. USA, 1968. Director: Stanley Kubrick. I am putting myself to the fullest possible use, which is all I think that any conscious entity can ever hope to do. Also ran: Citizen Kane, Apocalypse Now, Dr Strangelove. 169; William Thomas. USA, 2010, 138mins, rated 15. Screening: Notting Hill Coronet, 14 March 2010. 169; William Thomas. Ireland/USA, 2010, 111mins, rated 12A. Screening: Paramount screening room, 2 March 2010. 169; William Thomas.

flickerdrome.blogspot.com flickerdrome.blogspot.com

FLICKERDROME: 04/10

http://flickerdrome.blogspot.com/2010_04_01_archive.html

A cinematic odyssey, one flick at a time. The Father of My Children (Le Père de Mes Enfants). France/Germany, 2009, 112mins, rated 12A. Screening: The Renoir, 6 March 2010. In my February review of Lucrecia Martel’s tense and engrossing The Headless Woman. 169; William Thomas. Subscribe to: Posts (Atom). Is a blog by William Thomas about cinema – not just films, but the whole experience of losing yourself in the big screen. There was an error in this gadget. Evan E. Richards.

flickerdrome.blogspot.com flickerdrome.blogspot.com

FLICKERDROME: Flickerdrome's 'Top 10'

http://flickerdrome.blogspot.com/2010/03/top-10-films.html

A cinematic odyssey, one flick at a time. 2001: A Space Odyssey. USA, 1968. Director: Stanley Kubrick. I am putting myself to the fullest possible use, which is all I think that any conscious entity can ever hope to do.". Also ran: Citizen Kane, Apocalypse Now, Dr Strangelove. France/USA, 2002. Director: David Lynch. Now, you will see me one more time if you do good. You will see me two more times if you do bad. Good night.". Also ran: Inland Empire, Hidden, Taxi Driver. I Am a Fugitive From a Chain Gang.

flickerdrome.blogspot.com flickerdrome.blogspot.com

FLICKERDROME: 12/10

http://flickerdrome.blogspot.com/2010_12_01_archive.html

A cinematic odyssey, one flick at a time. HOWEVER, I still have plans for this site, and will be recommencing in 2011 with a more realistic (but no less brilliant, obviously) and possibly collaborative approach to bringing you, yes you. The best guide to what’s worth going to see at the cinema. Flickerdrome’s best, and worst, movies of 2010. 169; William Thomas. Subscribe to: Posts (Atom). There was an error in this gadget. Evan E. Richards.

flickerdrome.blogspot.com flickerdrome.blogspot.com

FLICKERDROME: 01/10

http://flickerdrome.blogspot.com/2010_01_01_archive.html

A cinematic odyssey, one flick at a time. A Prophet (Un Prophète). France, 2009, 155mins, rated 18. Screening: The Phoenix, 22 January 2010. 169; William Thomas. Labels: A Prophet review. The Road, 2. USA, 2009, 119mins, rated 15. Screening: The Phoenix, 8 January 2010. That Hollywood has finally discovered Cormac McCarthy is a timely honour to this great American writer; but what took it so long to see the cinematic potential of his work? 169; William Thomas. The Road, 1. USA, 2009, 119mins, rated 15.

flickerdrome.blogspot.com flickerdrome.blogspot.com

FLICKERDROME: 02/11

http://flickerdrome.blogspot.com/2011_02_01_archive.html

A cinematic odyssey, one flick at a time. Ok, here's the deal: I just can't find the time for in-depth Flickerdroming at the moment. The sad fact is, I gotta work! BUT, there is always my Tumblr blog: http:/ flickerdrome.tumblr.com/. Where I log what I've watched at the cinema (and at home) and remark (briefly) my reactions. It's not much, but it's something. Watch this space. (just not too intensely). 169; William Thomas. Subscribe to: Posts (Atom). There was an error in this gadget. Evan E. Richards.

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Febriblog? | An Appreciation of Neglected Films

An Appreciation of Neglected Films. To Sleep With Anger. Bull;August 15, 2011 • 1 Comment. To Sleep With Anger. Is indeed quite the achievement, but as with many of the truest of independents, the fanfare was fleeting, and the perception stands that the heroic director of. To Sleep With Anger. This is a grand statement, sure, but this unassuming quality of Burnett’s film is exactly what works in its favor, an exterior of a quaint family comedy/drama that contains multitudes lying just beneath its surface.

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