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Modern Visual Arts: February 2007
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February 08, 2007. Ulus Baker - Figuran Üzerine II - 19 Oct 2001. Ancak Widerberg'in ve Baudry'nin ona ilişkin yorumunun ötesine de geçebilir ve şunu sorabiliriz: bokun kendi suratına değil "öznel kamerayla" çekilmiş bir sahnede gardiyanların suratına sıvandığı konusunda seyircide uyanan bilinç acaba o kadar masum mudur? Seyirci kendi masumiyetini söküp almak konusundaki doğal eğilimini (bunu ben yapmadım, yalnızca şahit oluyorum) aslında bir "bastırma" şeklinde yaşıyor olmasın? Links to this post. Ulus ...
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Modern Visual Arts: March 2006
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March 11, 2006. Kino Eyes and Agit Trains. Kino Eyes and Agit Trains. The -Soviets considered film the most 'modern' and 'objective' art form and the least encumbered with bourgeoisie associations. 'Of all the arts, for us the cinema is the most important,' Lenin asserted in 1919. As if in response, Sergei Eisenstein, Dziga Vertov and Alexander Dovzhenko (amongst many others) turned from the traditional arts of theatre, poetry and painting respectively, to work with celluloid. From the outset film-makers...
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Modern Visual Arts: December 2006
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December 28, 2006. Deleuze and Guattari - How do you make yourself a body without organs? November 28, 1947: How do you make yourself a body without organs? The Dogon Egg and the Distribution of Intensities. Experimentation: not only radiophonic but also biological and political, incurring censorship and repression. Corpus and Socius politics and experimentation. They will not let you experiment in peace.'. So why these examples, why must we start there? Were you cautious enough? Not wisdom, captio...
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Modern Visual Arts: April 2006
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April 21, 2006. G Agamben - Notes on Gesture. From Giorgio Agamben's book:. Infancy and History - The Destruction of Experience. By the end of the nineteenth century the gestures of the Western bourgeoisie were irretrievably lost. In the cinema, a society that has lost its gestures seeks to reappropriate what it has lost while simultaneously recording that loss. Gesture rather than image is the cinematic element. What characterizes gesture is that in it there is neither production nor enactment, but...
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Modern Visual Arts: June 2007
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June 14, 2007. Pier Paolo Pasolini - Plan-Sekans ve ya Gerçeǧin Semiyolojisi Olarak Film Tartıșması. Kennedy'nin ölüm anını gösteren 16 mm'lik kısa filme bir göz atalım. Bu film, kalabalıǧın arasında bir olay tanıǧı tarafından çekilmiștir ve Kennedy'nin ölüm anını göstermektedir. Bunun bir tür plan-sekans olduǧunu, üstelik tüm plan-sekans türlerinin arasında en tipik özelliǧe sahip olduǧunu anlarız. Çünkü, bir daha asla tekrarlanması mümkün olmayan (tekrarlanmayan) gerçeǧin bir parçası (Kennedy'nin ölüm ...
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Modern Visual Arts: November 2006
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November 07, 2006. G Simmel - How Society Is Possible? HOW IS SOCIETY POSSIBLE. Kant could propose and answer the fundamental question of his philosophy, How is nature possible? I e, what are the conditions which must be present in order that a "nature" may be given, is resolved by him through discovery of the forms which constitute the essence of our intellect and therewith bring into being "nature" as such. Has a wholly different methodological bearing from the question, How is nature possible? Galiba ...
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