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good old neon. theatre.

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good old neon. theatre. | goodoldneon.ca Reviews

https://goodoldneon.ca

Email us: info@goodoldneon.ca. 2014 ALL RIGHT RESERVED.

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good old neon. Our Work.

http://goodoldneon.ca/our-work

Email us: info@goodoldneon.ca. 2014 ALL RIGHT RESERVED.

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good old neon. Blog

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Is this thing on? Good Old Neon is thrilled to finally be able to. Email us: info@goodoldneon.ca. 2014 ALL RIGHT RESERVED.

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good old neon. Contact

http://goodoldneon.ca/498-2

Email us: info@goodoldneon.ca. 2014 ALL RIGHT RESERVED.

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good old neon. Us.

http://goodoldneon.ca/us-2

We are a theatre and performance. Company committed to investigating moral, political, and social paradoxes. By integrating avant-garde aesthetics. Alexander Offord is a writer, director, performer, &c. His written work includes the plays. The Savage God,. As well as numerous essays and articles for publications as diverse as. The Literary Review of Canada,. Checkhov Collective/Berkley Street Theatre), Blanche in Good Old Neon’s. And LeBlanc in Potosí. For InspiraTO and Good Old Neon’s upcoming.

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LINKS TO THIS WEBSITE

alexanderofford.com alexanderofford.com

Past Works | Alexander Offord

http://alexanderofford.com/past-works-3

Writer, director, performer, &c. This is my website. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. Leave this field empty. This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.

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Alexander | Alexander Offord

http://alexanderofford.com/author/aofford

Writer, director, performer, &c. This is my website. Author Archives →. Why did the Theatre Centre Publish this Terrible “Reviewer’s Gaze” Article? August 3, 2016. On March 30, the Theatre Centre released a weird document. Written by one Charles C. Smith, in which the poet/essayist rendered a kind of meta-commentary on the reviews of the Theatre Centre’s November production of Jackie Sibblies Drury’s. We Are Proud to Present. Continue reading →. July 11, 2016. I don’t, however, like to spend any. And Chr...

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The Condescension of “Emerging Artist” | Alexander Offord

http://alexanderofford.com/the-condescension-of-emerging-artist

Writer, director, performer, &c. This is my website. The Condescension of Emerging Artist. Posted in Better Living. February 18, 2015. If you’re on social media at all (and let’s face it, if you’re reading this, you’re on social media), you’ll have been made aware of the cool $25 000 RBC has scraped together (presumably they ran a bake sale) for emerging artists, and we were all invited to vote. For which Canadian art organization we wanted to be given the money. Of professional experience. So for ou...

alexanderofford.com alexanderofford.com

What is the point of negative criticism? | Alexander Offord

http://alexanderofford.com/what-is-the-point-of-negative-criticism

Writer, director, performer, &c. This is my website. What is the point of negative criticism? Posted in Better Living. March 4, 2014. Can I possibly be correct in assuming that I can write a piece about the state of art criticism today without seriously fearing for the future of my career? Like, what is this? Hollywood of the ’40s? But rudeness, vindictiveness, and general derision: not for me, thanks. I leave that stuff to the pros. I hate always feeling reactive in this blog, but I can’t really b...

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Reflections on the #audTO Forum, or, Grumpy Uncle Alexander is Grumpy (edited below) | Alexander Offord

http://alexanderofford.com/reflections-on-the-audto-forum-or-grumpy-uncle-alexander-is-grumpy-edited-below

Writer, director, performer, &c. This is my website. Reflections on the #audTO Forum, or, Grumpy Uncle Alexander is Grumpy (edited below). Posted in Better Living. January 27, 2015. A forum on the Disappearing Act of Torontonian audiences (this post will, like so many others, be a tad Toronto-centric, I’m afraid) in the theatre world played out in the belly of Passe Muraille’s Mainspace. Hosted by producer Derek Chua, producer and arts-marketing expert Sue Edworthy. The event consisted of four-ish umbrel...

alexanderofford.com alexanderofford.com

Politics | Alexander Offord

http://alexanderofford.com/category/politics

Writer, director, performer, &c. This is my website. Post Category →. Why did the Theatre Centre Publish this Terrible “Reviewer’s Gaze” Article? August 3, 2016. On March 30, the Theatre Centre released a weird document. Written by one Charles C. Smith, in which the poet/essayist rendered a kind of meta-commentary on the reviews of the Theatre Centre’s November production of Jackie Sibblies Drury’s. We Are Proud to Present. Continue reading →. July 11, 2016. I don’t, however, like to spend any. And Chris...

alexanderofford.com alexanderofford.com

Alexander Offord | [Actor] [Director] [Writer] | Page 3

http://alexanderofford.com/page/3

Writer, director, performer, &c. This is my website. A modest proposal for a better way to brand theatre (commissioned by SpiderWebShow). Posted in Better Living. December 3, 2013. The following is an article commissioned by the Praxis Theatre and National Arts Centre joint venture SpiderWebShow. How would you assess the demand for such a program? Whereupon, having no lucid answer, I devolved into inarticulate grunts and rudimentary hand gestures. Later, slogging my way up Spadina, the question’s bri...

alexanderofford.com alexanderofford.com

Alexander Offord | [Actor] [Director] [Writer] | Page 5

http://alexanderofford.com/page/5

Writer, director, performer, &c. This is my website. News round-up for 24.08.2013. August 24, 2013. Tel Aviv has recently announced the creation of racially segregated kindergarten. Designed apparently for Israeli citizens of “sub-Saharan African” descent (ie., Sudanese, Eritreans, &c) after many of the city’s Jewish parents threatened to remove their children from school rather than have them intermingle. Who recently visited them. There is no indication they will be released any time soon. If you&#8217...

alexanderofford.com alexanderofford.com

“Potosí” Showtimes & Ticket Information | Alexander Offord

http://alexanderofford.com/potosi-showtimes-ticket-information

Writer, director, performer, &c. This is my website. 8220;Potosí” Showtimes & Ticket Information. July 4, 2014. Thanks to Eric, who alerted me to the fact that I hadn’t posted any of this information.). July 02 at 10:30 PM. July 05 at 05:15 PM. July 07 at 08:00 PM. July 08 at 03:00 PM. July 10 at 12:00 PM. July 11 at 08:45 PM. July 13 at 05:15 PM. Performer, director, writer &c. Eternal ingrate, snappy dresser. Announcing: “Potosí” at the 2014 Fringe Festival! Leave a Reply Cancel reply.

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Alexander Offord | [Actor] [Director] [Writer] | Page 4

http://alexanderofford.com/page/4

Writer, director, performer, &c. This is my website. W(h)ither a National Theatre? October 17, 2013. The impetus for this post comes from Michael Wheeler (Artistic Director of the politically minded Praxis Theatre Company. Whose new project is called SpiderWebShow. Described as A theatrical space where Canada, the Internet and performance minds intersect (the absent Oxford comma is, I assure you, thoroughly sic. Continue reading →. The time has come, my little friends…. Posted in Better Living. News roun...

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good old neon. theatre.

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G O O D O L D N E O N

2008 THIS IS THE NEWS.

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MSK Exam 101

January 20, 2014. Welcome to a project documenting the musculoskeletal exam, as taught at UT Houston, brought to you by Stephanie Logterman and Bryan Darger, two MS3s at UT Houston. Please contact us if you have any feedback or questions. Thanks! Proudly powered by WordPress.

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Good Old Neon

See, that’s what the app is perfect for. Wahhhh, I don’t wanna.

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Fiction’s about what it is to be a fucking human being. The Apocrypha of Genesis: Part 1 REDUX: Is God who we think he is? Or is he a perv? March 16, 2012. By Good Old Neon. OK I have to go back to something touched upon her. Not only does God say “ooops”, but in order to fix it he creates… the animals? Just picture it…. Adam is lounging around paradise, naked. Alone for like half an eternity and he’s all like “Daaaaaaaa’d! I’m so bored! Make me a companion.”. And God comes in, “what? And thank God right!

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