sharpsandflatirons.com
Final weekend at CMF includes the sweet and the sour | Sharps & Flatirons
https://sharpsandflatirons.com/2015/08/10/final-weekend-at-cmf-includes-the-sweet-and-the-sour
Classical Music in Boulder and Environs A blog by Peter Alexander. August 10, 2015. Final weekend at CMF includes the sweet and the sour. Composer Hannah Lash is 2016 Click Commission winner. The 2015 Colorado Music Festival. CMF) came to a solemn conclusion last night (Aug. 9) with music from Handel’s. Ode for St. Cecila’s Day. Part of a final weekend that had its ups and downs. Or as CMF board co-president Jane Hossière said before the final concert, it was a sweet and sour occasion. Overture. It i...
sharpsandflatirons.com
10 | August | 2015 | Sharps & Flatirons
https://sharpsandflatirons.com/2015/08/10
Classical Music in Boulder and Environs A blog by Peter Alexander. Daily Archives: August 10, 2015. August 10, 2015. Final weekend at CMF includes the sweet and the sour. Composer Hannah Lash is 2016 Click Commission winner. The 2015 Colorado Music Festival. CMF) came to a solemn conclusion last night (Aug. 9) with music from Handel’s. Ode for St. Cecila’s Day. Part of a final weekend that had its ups and downs. Hossière also announced that Hannah Lash. And the Overture to Bernstein’s. The concert opened...
thecityoftomorrow.org
Tour — The City of Tomorrow
http://www.thecityoftomorrow.org/tour
April 6, 2017. 1 pm Trinity Wall Street Concerts at One. St Paul's Chapel, New York, NY. April 7, 2017. 7:30 pm. Opensound. With Marti Epstein and Variant State, Third Life Studio, Union Square, Sommerville, MA. Residency at the Vermont College of Fine Arts,. 9 pm, Spectrum. New York, NY, tickets available here. 8:15 pm, Bezanson Concert Hall, University of Massachusetts Amherst, Amherst, Massachusetts, free. Residency at the University of Massachusetts Amherst, Amherst, Massachusetts. October 9 2015 -.
musicxfestival.blogspot.com
MusicX Musings: June 2010
http://musicxfestival.blogspot.com/2010_06_01_archive.html
A weblog about the Music11 Festival of New Music held at the Hindemith Music Centre in Blonay, Switzerland from June 20 to July 1, 2011. Wednesday, June 30, 2010. The vielle à roue. Editors Note: On Monday we had Nissim Schaul. Give a demonstration of a hurdy-gurdy. I asked him to write about the instrment. (Fortunately he didnt have to travel with this instrument on a plane.)]. So, to start with, I’m not talking about an organ-grinder. . But a monkey could never play the vielle à roue . That allows a ...
loboeproject.blogspot.com
Loboe Project : October 2012
http://loboeproject.blogspot.com/2012_10_01_archive.html
The Future of the Oboe Starts with an "A". Tuesday, October 30, 2012. Three Romances by Schumann. By Robert Schumann is one of the finest works that oboists have from this period which so sorely neglects the double reeds. While the simple, elegant lines may sound effortless to the audience, this piece takes an extraordinary toll on the performer’s endurance. As a former teacher instructed me once –. Originally for violin, oboists have adopted this piece and will fiercely defend it as really. Three Romanc...
loboeproject.blogspot.com
Loboe Project : August 2012
http://loboeproject.blogspot.com/2012_08_01_archive.html
The Future of the Oboe Starts with an "A". Thursday, August 30, 2012. Unyazi Electronic Music Festival - South Africa. For solo oboe and electronics. It is a beautiful piece and is particularly well written for the oboe, though not surprising since Harris is an oboist himself. It may be a brief moment, but the work does delve into the Loboe range. I have included the program notes and bio for Cameron Harris:. For solo oboe and electronics. 3) A serpentine question. 4) Metamorphosis: bells and birds.
loboeproject.blogspot.com
Loboe Project : December 2013
http://loboeproject.blogspot.com/2013_12_01_archive.html
The Future of the Oboe Starts with an "A". Friday, December 20, 2013. Loboe Project - Video Recordings. The following two works were premiered at the 2013 IDRS convention - I recorded them in October and feel that both works truly embrace the full artistic and technical range of the extended-range oboe. It is an honor to have them in the Loboe Project collection! Lobotomy" by David Plylar. South View" by Clare Loveday. Subscribe to: Posts (Atom). Loboe Project - Video Recordings. Hannah Lash - Composer.
loboeproject.blogspot.com
Loboe Project : A Case For Music
http://loboeproject.blogspot.com/2012/12/a-case-for-music.html
The Future of the Oboe Starts with an "A". Friday, December 14, 2012. A Case For Music. Tonight was one of countless Nutcracker performances taking place across the country. Considering the magnitude of the Connecticut school tragedy today, one might ponder the appropriateness of going to a lavish ballet production when so many are dealing with unimaginable pain. January 16, 2013 at 8:32 AM. Marketing Director at CMUSE Ltd. Subscribe to: Post Comments (Atom). A Case For Music. People, Places and Ensembles.
loboeproject.blogspot.com
Loboe Project : Clare Loveday - Composer Profile
http://loboeproject.blogspot.com/2013/02/clare-loveday-composer-profile.html
The Future of the Oboe Starts with an "A". Sunday, February 10, 2013. Clare Loveday - Composer Profile. Be sure to visit Clare’s website. To learn more about her amazing musical journey and accomplishments! Subscribe to: Post Comments (Atom). Clare Loveday - Composer Profile. A Doublers Take on the Loboe. People, Places and Ensembles. Carlos Coehlo - Oboe Dealer. David Plylar - Composer and Oboe Transcriptions. Hannah Lash - Composer. Maciej Flis - Los Angeles-Based Bassoonist. Paul Coleman - Composer.
loboeproject.blogspot.com
Loboe Project : February 2013
http://loboeproject.blogspot.com/2013_02_01_archive.html
The Future of the Oboe Starts with an "A". Sunday, February 10, 2013. Clare Loveday - Composer Profile. Be sure to visit Clare’s website. To learn more about her amazing musical journey and accomplishments! Monday, February 4, 2013. A Doubler's Take on the Loboe. Be sure to check out his. To learn more about his incredible career! The lower register was really "free" without being "flexible" - it might be because I am a doubler, but as a saxophonist generally if there is not enough resistance the tone go...
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