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HELEN PAPAIOANNOU

SPLINTER (2016) This piece was commissioned by MATA Festival 2016, NYC, and was written for Oslo's Ensemble neoN + Ryan Muncy on baritone sax. and Pat Swoboda on electric bass. Read more Here are two extracts from the piece, performed at Dixon Place, NYC, April 17th 2016:     BENT COGS, LOOSE SCREWS (2015) https://www.youtube.com/watch?v=xKgR_81zS2U…

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HELEN PAPAIOANNOU | helenpapaioannou.com Reviews
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SPLINTER (2016) This piece was commissioned by MATA Festival 2016, NYC, and was written for Oslo's Ensemble neoN + Ryan Muncy on baritone sax. and Pat Swoboda on electric bass. Read more Here are two extracts from the piece, performed at Dixon Place, NYC, April 17th 2016:     BENT COGS, LOOSE SCREWS (2015) https://www.youtube.com/watch?v=xKgR_81zS2U…
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HELEN PAPAIOANNOU | helenpapaioannou.com Reviews

https://helenpapaioannou.com

SPLINTER (2016) This piece was commissioned by MATA Festival 2016, NYC, and was written for Oslo's Ensemble neoN + Ryan Muncy on baritone sax. and Pat Swoboda on electric bass. Read more Here are two extracts from the piece, performed at Dixon Place, NYC, April 17th 2016:     BENT COGS, LOOSE SCREWS (2015) https://www.youtube.com/watch?v=xKgR_81zS2U…

INTERNAL PAGES

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Zeta Potential | HELEN PAPAIOANNOU

https://helenpapaioannou.com/works/zeta-potential

2012) for large ensemble. Released by Huddersfield Contemporary Records: http:/ www.cdbaby.com/cd/zetapotential. Commissioned by the European Composers Professional Development Programme,. Was composed in 2012 for Amsterdam’s Nieuw Ensemble. Was premiered by Nieuw Ensemble at Huddersfield Contemporary Music Festival on 21 November 2012, and the piece received its Dutch premiere on 23 November 2012 at Conservatorium van Amsterdam. Leave a Reply Cancel reply. Enter your comment here. Follow me on Twitter.

2

Lachrimae   | HELEN PAPAIOANNOU

https://helenpapaioannou.com/works/lachrimae

2011) for chamber orchestra. Is based on John Dowland’s pavane of the same name and was written in 2011 as part of The Sage Gateshead’s ‘Old Meets New’ project, which a number of composers wrote new works based on music of the past. My. Ebbs and flows between close references to Dowland’s melancholic piece and motoric chains of action which are further removed from the character and content of the pavane. This is an extract of the opening of the piece:. Leave a Reply Cancel reply. Enter your comment here.

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Carousel   | HELEN PAPAIOANNOU

https://helenpapaioannou.com/works/carousel

2011) for string trio. Is based around the idea of experiencing different speeds and changes in the flow of motion on a merry-go-round ride. This piece was written for the London-based Busch Ensemble. Here is an extract from the opening of the piece:. Https:/ helenpapaioannou.files.wordpress.com/2014/09/carousel-extract.mp3. Performed by Busch Ensemble, 17 June 2011 at St. Mary’s Church, Newcastle upon Tyne. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

4

Hide and Seek | HELEN PAPAIOANNOU

https://helenpapaioannou.com/works/hide-and-seek

2012) for piano duo. In this duet, the pianists tread the boundary of oscillatory power relationships, which shift throughout the piece. At several points in the piece, the players follow different sets of rules, with each of them coordinating their actions in response to different information. This work will be premiered by Kate Halsall and Fumiko Miyachi on 6 December 2014 at Goldsmiths College, University of London. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

5

In the Loop  | HELEN PAPAIOANNOU

https://helenpapaioannou.com/works/in-the-loop

2011) for tenor saxophone and bass trombone. In the Loop was composed for myself on tenor saxophone and Hannabiell Sanders on bass trombone. The duo is intwined in a frenzied stream of action with the two players sounding on alternate beats as they sustain an unrelenting repetitive pattern. Https:/ helenpapaioannou.files.wordpress.com/2012/02/in-the-loop-1.mp3. Performed by Helen Papaioannou and Hannabiell Sanders, Newcastle University, Newcastle upon Tyne, 2011. Leave a Reply Cancel reply.

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Surfacing surfacing | David M. Bell

https://nomadicutopianism.wordpress.com/2013/04/22/surfacing-surfacing

David M. Bell. April 22, 2013. Have you heard the news recently? It’s so much louder than it used to be…. I’m really pleased to announce that my band Surfacing. Will be releasing their debut album on 12″ through Wayside and Woodland later in the year. And there’s an alternative version of a track that’ll be featured on this lovely sampler. For you to hear right now. Wayside and Woodland Recordings. Creativity, Capital and Commons in the Contemporary City: The Eastside Island, Pt. 2.

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Some thoughts on creativity, hipsters and gentrification: a hasty reply to Aleks Eror | David M. Bell

https://nomadicutopianism.wordpress.com/2014/01/15/some-thoughts-on-creativity-hipsters-and-gentrification-a-hasty-reply-to-aleks-eror

David M. Bell. Some thoughts on creativity, hipsters and gentrification: a hasty reply to Aleks Eror. January 15, 2014. April 21, 2014. This started life as a facebook post and though I’ve tidied it up a little it’s a little rough around the edges…. Is half right in claiming that ‘hipsters’ (the pioneer-explorers of Richard Florida’s ‘creative class’) are among the losers of gentrification. Indeed Florida – the arch-guru of ‘creative regeneration’. Benefits someone else more than you. So what to do?

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Posts | Tabula Rasa

https://tabularasacollaborations.com/about

Distinctive collaborations across fields of practice. Between the Web and the Loom. Friday March 27th @ 3.30 pm. Studio on the Green, Selkirk, TD7 5AA. All Welcome / Free. An opportunity to see the early stage development of. 8211; a new performance work inspired by bees and beekeeping. For directions to Studio on the Green visit www.thestudioonthegreen.com. This Dreamtime residency is a joint initiative between national dance agency Dance Base. The Bakery: Developing a Collaborative Space. How long woul...

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Musicking | David M. Bell

https://nomadicutopianism.wordpress.com/music

David M. Bell. I play in the group Surfacing. Our music uses on pounding rhythms, folk song, contact mics, synths, found sounds and occasional guitar. We explore the impending, the desolation of the present and the hope/fear of something better/worse. In 2011 we were commissioned by Nottingham Contemporary to provide a live, in-gallery performance accompanying Klaus Weber’s ‘Long Dark Windchime (Arab Tritone)’, for which I also gave a talk. So far we have released one album –. Haunted Woodland Vol. 4.

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Wasteland Twinning Nottingham needs you! | David M. Bell

https://nomadicutopianism.wordpress.com/2013/04/23/wasteland-twinning-nottingham-needs-you

David M. Bell. Wasteland Twinning Nottingham needs you! April 23, 2013. Nottingham needs volunteers to realise a photographic work this Saturday. On Saturday 27th April, Wasteland Twinning Nottingham is producing an ambitious photographic work on ‘The Island’ wasteland, between Sneinton and Nottingham city centre. The work is a recreation of an artist’s impression of the unrealised Hopkin’s masterplan. If you would like to be involved. The project is funded by the European Culture Foundation. You are com...

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Arts | David M. Bell

https://nomadicutopianism.wordpress.com/arting-about

David M. Bell. I’m a member of Wasteland Twinning Nottingham. Along with Rebecca Beinart. We’ve commissioned, curated and produced works and events exploring the functions, values and temporalities of ‘The Island’ – a large wasteland on the fringes of Nottingham City Centre. This has involved entering into ‘twinning’ relationships with groups working with wastelands in Yogyakarta, Berlin and Amsterdam. Our exhibition ‘ Recreation Ground. Together with Marie Thompson. Leave a Reply Cancel reply. You are c...

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Utopia Against the World | David M. Bell

https://nomadicutopianism.wordpress.com/2014/04/26/utopia-against-the-world

David M. Bell. Utopia Against the World. April 26, 2014. This was my opening preamble for. Utopia Against the World. An event I organised at the end of March. You can download the programme here. Where is utopia today? Or, perhaps, what is utopia today? What, and where might it be tomorrow? Who is it for? Or ‘the end of utopia’. The end of history! Can we avoid this double bind where utopia leads to anti-utopia, and anti-utopia is revealed as utopia fulfilled? A queer film festival, a squat in Berlin?

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Writing | David M. Bell

https://nomadicutopianism.wordpress.com/writing

David M. Bell. 2) A project with the composer Helen Papaioannou. Exploring rhythmic social relations in musical performance. Not quite sure what format this will take yet, but I’m really excited by it. Affect, power, the commons, conflict, games, rhythms…. 8216;Improvisation as Anarchist Orgazniation’ – article for. Accepted, to be published in special issue on anarchism and critical management studies, 2014 – date tbc): here. 8211; my PhD thesis, July 2013: here. Leave a Reply Cancel reply. Some thought...

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Utopia, Failed?: some thoughts on the demolition of the Lenton Flats | David M. Bell

https://nomadicutopianism.wordpress.com/2014/04/22/utopia-failed-a-workshop-on-the-lenton-flats

David M. Bell. Some thoughts on the demolition of the Lenton Flats. April 22, 2014. April 23, 2014. Utopia (has been) failed. On Wednesday 18th June I’m going to be taking part in a workshop organised by Nottingham Contemporary and facilitated by the really excellent Southwark Notes. Whose writings on art and regeneration/gentrification around Southwark I. Recommend). The starting point for this is a series of Keith Coventry’s paintings included in Somewhat Abstract. Keith Coventry – Berwick Tower. Faile...

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PAST PERFORMANCES OF COMPOSITIONS. This piece was commissioned by MATA Festival 2016, NYC, and was written for Oslo’s Ensemble neoN Ryan Muncy on baritone sax. and Pat Swoboda on electric bass. Here are two extracts from the piece, performed at Dixon Place, NYC, April 17th 2016:. Https:/ helenpapaioannou.files.wordpress.com/2016/08/splinter-extract-11.mp3. Https:/ helenpapaioannou.files.wordpress.com/2016/08/splinter-extract-21.mp3. BENT COGS, LOOSE SCREWS. On 8th November 2014 at Light Vessel 21. Iation...

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