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Red | The Poetry of Andrew E. Colarusso

Its boreal music -moves with eve. Foliage of a young maple- -sap. Hard for the sugar house- ambering. Over a thin rachis. The clapboard still warm to touch. Alarmed in mars- makes promise. Departing -to leave the light on. WP-Backgrounds Lite by InoPlugs Web Design. And Juwelier Schönmann 1010 Wien.

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Andrew Colarusso

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Bro●●●lyn , New York, 11218

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Andrew Colarusso

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Andrew Colarusso

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United States

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Red | The Poetry of Andrew E. Colarusso | idonotmove.com Reviews
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Its boreal music -moves with eve. Foliage of a young maple- -sap. Hard for the sugar house- ambering. Over a thin rachis. The clapboard still warm to touch. Alarmed in mars- makes promise. Departing -to leave the light on. WP-Backgrounds Lite by InoPlugs Web Design. And Juwelier Schönmann 1010 Wien.
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Red | The Poetry of Andrew E. Colarusso | idonotmove.com Reviews

https://idonotmove.com

Its boreal music -moves with eve. Foliage of a young maple- -sap. Hard for the sugar house- ambering. Over a thin rachis. The clapboard still warm to touch. Alarmed in mars- makes promise. Departing -to leave the light on. WP-Backgrounds Lite by InoPlugs Web Design. And Juwelier Schönmann 1010 Wien.

INTERNAL PAGES

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1

Key | The Poetry of Andrew E. Colarusso

http://idonotmove.com/key

No a sus lavios musica. Derrompiendo la sombra pero acostao. En las corrientes de la ciudad- el cuerpo. Oliendo de crica- y devenustando. En cuya casa- -el grajo. Fumando y -de una masa. Brumoso- -espeso y omnitranquilo. WP-Backgrounds Lite by InoPlugs Web Design. And Juwelier Schönmann 1010 Wien.

2

Cyan | The Poetry of Andrew E. Colarusso

http://idonotmove.com/cyan

Hanged high- -in the barer hinterland. Embowered in shadow holding. Red handed in difference. Over its eaves- -the carnation slip. That was once flowering. Thin and hoary- in the casement. Shrinking the wide- -past registers. Of dispute -settled as a layer of dust. WP-Backgrounds Lite by InoPlugs Web Design. And Juwelier Schönmann 1010 Wien.

3

Green | The Poetry of Andrew E. Colarusso

http://idonotmove.com/green

In a bed of bees -scaling. Prints to cast- -copper sheets. Past registers in rough hewn forms. Of dispute settled as a layer of dust. Thin and hoary- -over its eaves. In the casement ineloquent silence. WP-Backgrounds Lite by InoPlugs Web Design. And Juwelier Schönmann 1010 Wien.

4

Blue | The Poetry of Andrew E. Colarusso

http://idonotmove.com/blue

In them a dulling- -for the verdure. That was once- -an elasticity of limb. The carnation slip shrinking the wide. Of its golden iris- indifference. In dusk from the vane of the hovel. Hanged- -high in the barer hinterland. That human hand embowered. In shadow holding- -its once verdure. WP-Backgrounds Lite by InoPlugs Web Design. And Juwelier Schönmann 1010 Wien.

5

Yellow | The Poetry of Andrew E. Colarusso

http://idonotmove.com/yellow

Flowering -foliage of a young maple. A thin rachis- alarmed in mars. Makes promise- -over its eaves. To leave the light on -red handed. In the casement- -still warm to touch. Hard for the sugar house -in a bed of bees. Its boreal music -thin and hoary. Tonic- -in eloquent silence. WP-Backgrounds Lite by InoPlugs Web Design. And Juwelier Schönmann 1010 Wien.

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Broome Street Review: The Ethics of Losing pt. 1

http://broomestreetreview.blogspot.com/2014/11/the-ethics-of-losing-pt-1.html

Thursday, November 20, 2014. The Ethics of Losing pt. 1. The Ethics of Losing, pt. 1. By Andrew E. Colarusso. Not a superficial delineation of sportsmanship, as in, how one should lose with dignity. Not an academic tract which follows the ontological ramifications of a win/lose polemic. I want to explore the honest significance of losing, what it means to lose in the scope of a universal dynamic, and why it's crucial, perfect, and insistently unsung. What is our common relationship to losing? I'm thinkin...

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WORK — KATIE SMITHER

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Earth ice, sun set. Earth ice, sun set. 3264x2448 pixels, Digital print on paper, 2015. Super 8 mm film, 2015. Super 8 mm film, 2015. From sounds of speaking beneath water. 5x5", Digital print on paper, 2012. From sounds of solar wind pushing against Earth. 5x5", Digital print on paper, 2012. From gravitational waves of a cosmic string breaking. 5x5", Digital print on paper, 2012. From sounds of white noise. 5x5", Digital print on paper, 2012. From gravitational waves created as two black holes merge.

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Broome Street Review: The Zealot's Guide to Jurassic Park

http://broomestreetreview.blogspot.com/2014/09/the-zealots-guide-to-jurassic-park.html

Friday, September 12, 2014. The Zealot's Guide to Jurassic Park. By Andrew E. Colarusso. Alas, Jurassic Park, the original film, is short on plot continuity. So distracted by the spectacle, and then panic, of dinosaurs set loose in an anthropocenic world, the audience neglects. To remember or even notice certain character realities. This is where the film begins to really signify. But how? It's still difficult for me to understand why the notion of dinosaurs brought back from extinction is so pleasurable.

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Broome Street Review: New World Riot

http://broomestreetreview.blogspot.com/2014/12/new-world-riot.html

Tuesday, December 2, 2014. By Andrew E. Colarusso. When it became abundantly clear to them that the master cared more for the primary stock of his cash crop than the secondary stock of their lives, they had no choice. They had to cripple the system, undo by force the shackles on their lives. Consider the era of the plantation. There are records of slaves working for and buying their own manumission. There are records too of slave revolts, riots. Of a self-righteous coup. But the riot is, in my assessment...

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Broome Street Review: Ruin: Essays in Exilic Living

http://broomestreetreview.blogspot.com/2014/12/ruin-essays-in-exilic-living.html

Tuesday, December 23, 2014. Ruin: Essays in Exilic Living. Ruin: Essays in Exilic Living. Red Hen Press, 2014. Pp 179, $15.95. A review by Andrew E. Colarusso. What does it mean to live in ruin(s)? A better question still, how is life humanely experienced in and after loss? The language of truth is the language of experience, and when it does not recognize or reflect the language of power, it becomes the language of the refugee, the immigrant." (26, Dislocated States. Posted by The Broome Street Review.

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Red | The Poetry of Andrew E. Colarusso

Its boreal music -moves with eve. Foliage of a young maple- -sap. Hard for the sugar house- ambering. Over a thin rachis. The clapboard still warm to touch. Alarmed in mars- makes promise. Departing -to leave the light on. WP-Backgrounds Lite by InoPlugs Web Design. And Juwelier Schönmann 1010 Wien.

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