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Maria Inês | esad ma. year 01

esad ma. year 01

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Maria Inês | esad ma. year 01 | ineslopesblender.wordpress.com Reviews

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45 // Wizard Of OZ | Maria Inês

https://ineslopesblender.wordpress.com/2016/05/17/45-wizard-of-oz

Esad ma. year 01. Skip to primary content. 45 / Wizard Of OZ. May 17, 2016. Wizard of OZ – Play. Movie Wizard of OZ (1939) – Screenshots. Building the Esmerald City – Graham Rawle. Http:/ www.themorningnews.org/gallery/building-the-emerald-city. Esmeralda City done with paper – Carlo Giovani. I also did some research of posters that represent the city. This entry was posted in Uncategorized. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

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mineslopes | Maria Inês

https://ineslopesblender.wordpress.com/author/mineslopes

Esad ma. year 01. Skip to primary content. Skip to secondary content. 49/ Themes of thesis. October 23, 2016. We start the year and our first task was to do a mini pecha kucha with three possible themes for our thesis. You can check bellow my three themes. 1 – Identity of a city: Abrantes /. Identidade de uma cidade: Município de Abrantes. 2 – Importance of grid and white space in editorial design /. A importância da grelha ou espaço branco no design editorial. 3 – Graphic Design and colorbliness /.

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Maria Inês | esad ma. year 01 | Page 2

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Esad ma. year 01. Skip to primary content. Skip to secondary content. Newer posts →. 42 / Workshop with Paul Mcneil. April 15, 2016. For this workshop, everyone need it 36 squares with a grid and lots of little black squares to feel the big ones. First everyone need it to chose 6 numbers. I chose: 3,6,9,21,26,46. Then We had 6 different categories to do. You can check below some photos I took during the workshop. Here you can see all of the work I developed during the workshop. All of the works together.

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44 // Green | Maria Inês

https://ineslopesblender.wordpress.com/2016/05/17/44-green

Esad ma. year 01. Skip to primary content. May 17, 2016. To be more easier for everyone and for all the posters to have the same theme generally, everyone end up with a colour, mine was green. At first I was not happy with this colour because is not a colour I like a lot and I didn t know how I was going to do the poster with this colour. Then I did a bit of research about this colour. I also research all of the pantones of green. 1 – Smile High. Https:/ www.behance.net/gallery/18766993/Smile-High. 3 &#8...

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43 // The Deep Poster Project | Maria Inês

https://ineslopesblender.wordpress.com/2016/04/28/43-the-deep-poster-project

Esad ma. year 01. Skip to primary content. 43 / The Deep Poster Project. April 28, 2016. After I knew what the project was I start doing some research of kinds of posters I liked. Here you can see some examples I found really interesting. 8211; Their posters are always different and they use the 3D a lot. I love their work, they always do amazing projects. Https:/ www.behance.net/gallery/11089631/Malmoe-Festival-2013. Another example of a poster they did another year for the same festival.

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Sofia Silva | esad ma. year 02 | Page 2

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Esad ma. year 02. Skip to primary content. Skip to secondary content. Newer posts →. 03 The Graphic Spin-off Project Les Petites Estrutura. April 22, 2016. A parte inferior é referente à biografia do autor e Consuelo, assim como os respectivos manuscritos de ambos. A cor associada é o preto e, os manuscritos encontram-se identificados por um grafismo próprio de uma linha preta e uma reentrância do texto. No fim, associado à morte de Antoine aparece uma citação do Principezinho sobre a paisagem onde apare...

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ranniam | Rannia

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Esad ma. year 01. Skip to primary content. Skip to secondary content. Project 4 Final Mockup. Some pictures from the creative process:. I will try to find coloured papers and print them with textures. For the letters I will use vinyl. Project 4 A handmade draft. I made this draft to see how well it works what I have in mind. I used masking material for the hair and a razor, to make the torn paper look a little better. In the black paper there a slight texture printed. Past workshops 5 Paolo Tassinari.

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sofiadasilv | Sofia Silva

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Esad ma. year 02. Skip to primary content. Skip to secondary content. 8216;Let the games begin’. January 24, 2017. Agora que a proposta já se encontra finalizada para entrega é caso para dizer: “let the games begin”. Transcrevo abaixo três parágrafos do plano de dissertação que descreve o tema da investigação. A proposta de investigação. Almanaque A vanguarda gráfica e (anti)cultural do Portugal dos anos 50 e 60. E dos respetivos movimentos estéticos influentes. Mais especificamente a influência que o ci...

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zeynepozum | Ozum Asilkazanci

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Esad ma. year 02. Skip to primary content. Skip to secondary content. Alphabet and writing not same things. January 20, 2016. Sounds of Laz Letters. December 15, 2015. Here is a video about Laz Language’s letters by İsmail Avcı Bucaklişi. December 15, 2015. Here is the link:. December 15, 2015. I decided to have new blog. It will be Turkish. But don’t worry, I ll also feed Blender😀 (Honestly, it wont be like new blog but i ll try to do my best). Here is the new blog:. December 9, 2015. December 8, 2015.

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saramgon | Sara Oliveira

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Esad ma. year 01. Skip to primary content. Skip to secondary content. Book: Suffragettes to She-Devils by Liz McQuiston. February 10, 2017. Women’s Liberation and Beyond. The developing role of graphics in the struggle for women’s liberation. 8220;The fight for women’s rights has been one of the great struggles of the last century, and its graphic expression has been central to this battle. Suffragettes to She-Devils. Art and the Feminist Revolution. December 7, 2016. Art and the Feminist Revolution.

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Serafim Mendes | esad ma. year 01 | Page 2

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Esad ma. year 01. Skip to primary content. Skip to secondary content. Newer posts →. P03 City categories analysis. March 13, 2016. The identity of these cities manifests itself in the meaning it their spaces have for the individual. Their interpretation is subjective, varying with the experience of each person. The texts in. Make us reflect about how memory influences the way we perceive the city. Comes from the previous disappointment, the desire for happiness, but here, finally,. The text about Zaira.

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Patrícia Silva | esad ma. year 01 | Page 2

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Esad ma. year 01. Skip to primary content. Skip to secondary content. Newer posts →. April 19, 2016. April 19, 2016. April 19, 2016. Pensei então na ideia de criar linha mas porque não formar uma linha com várias linhas? As imagens seriam maiores, com melhor visibilidade e seria uma grande vantagem na ideia do por de sol sem fim! April 19, 2016. April 19, 2016. Esta foi a pechakucha inicial. April 19, 2016. April 19, 2016. Os seis habitantes dos outros asteróides. E os assuntos e temas tratados. História...

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serafimmendes | Serafim Mendes

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Esad ma. year 01. Skip to primary content. Skip to secondary content. P04 The Merchant of Venice. June 10, 2016. During this project we were randomly assigned a colour in my case, gold. After that, we had to choose a theatre play that had a connection with our colour. The colour gold is often associated with extravagance, wealth, riches, and excess. It can be either cheerful or somber. Having that in mind, I decided to go with the play. The Merchant of Venice. 8220;All that glitters is not gold”. Along t...

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Pedro Figueiredo | esad ma. year 01 | Page 2

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Esad ma. year 01. Skip to primary content. Skip to secondary content. Newer posts →. May 11, 2016. This gallery contains 14 photos. April 12, 2016. April 12, 2016. Para a capa do livro foi criada uma fotomontagem, criando uma personagem misteriosa. É misturado o rosto de Josef Stalin, Czar Nicolau II, Leon Trotsky sendo estás a personagens referenciadas no livro, fazendo um paralelo ao final do livro em que os animais não conseguem encontrar diferenças entre os porcos e os humanos. April 12, 2016. Benjam...

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marianaromeira | mariana romeira

https://marianaromeirablog.wordpress.com/author/marianaromeira

Esad ma. year 01. Skip to primary content. Skip to secondary content. The Deep Poster first ideas. May 16, 2016. The Deep Poster visual research about the play. May 16, 2016. 8220;The Deep Poster” concept. May 16, 2016. Qualidade de monótono; 2. Uniformidade de tom; 3. Fig] falta de variedade; 4. Fig] insipidez; sensaboria. Em que há monotonia ; 2. Que se repete continuamente. Fig] sem variedade; uniforme; 4. Fig] enfadonho; maçador; 5. Fig] sensabor; desengraçado. Que não tem fim ou limites; ilimitado; 2.

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SEARCH AND PRESS ENTER. Simplicity is about subtracting the obvious and adding the meaningful. This might be the big challenge but that’s what make our work so delightful. Welcome to the portfolio of digital designer Inês Lopes. Creativity is just about making new connections between existing ideas, a way of looking from a fresh perspective. From research to brainstorming, all the parts should perfectly fit. Martinhal Hotels & Resorts. Continue to all projects. 00351 961 113 658 write.

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Maria Inês | esad ma. year 01

Esad ma. year 01. Skip to primary content. Skip to secondary content. 49/ Themes of thesis. October 23, 2016. We start the year and our first task was to do a mini pecha kucha with three possible themes for our thesis. You can check bellow my three themes. 1 – Identity of a city: Abrantes /. Identidade de uma cidade: Município de Abrantes. 2 – Importance of grid and white space in editorial design /. A importância da grelha ou espaço branco no design editorial. 3 – Graphic Design and colorbliness /.

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Quinta-feira, 3 de junho de 2010. Última reflexão - 3º período. Esta vai ser a minha última mensagem aqui no blog. Eu fiz este blog para a disciplina de ciências no 8º ano. Este meu blog tem toda a matéria que eu. Dei durante 2 anos. Durante estes anos, gostei muito de o fazer. Este blog serviu para eu estudar para os testes;. Quando passava a matéria para o blog, ficava com as ideias. Mais claras e também fiquei a saber mexer neste programa que antes não sabia. Trabalhos que foram apresentados na aula:.

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Lo que el ojo sigue sin ver | o no quiere conocer

Lo que el ojo sigue sin ver. O no quiere conocer. Septiembre 25, 2011. Cómo accedemos a la información? Qué consideramos como tal? Nos conformamos con cualquier dato que nos pongan por delante y ya nos creemos conocedores de la realidad? Pero la objetividad de la información se pierde, en la mayoría de los casos, por socavones de estos puentes. Agujeros y grietas que los elementos de poder han ido haciendo poco a poco y los periodistas, sin darnos del todo cuenta, cayendo en estas trampas. Abril 22, 2009.

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