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It's Nice to Take a Walk in the Rain | Without your clothes on. -King Lear | itsnicetotakeawalkintherain.wordpress.com Reviews
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Without your clothes on. -King Lear
About | It's Nice to Take a Walk in the Rain
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It's Nice to Take a Walk in the Rain. Without your clothes on. -King Lear. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. On Cheer Up Hamlet!
August | 2013 | It's Nice to Take a Walk in the Rain
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It's Nice to Take a Walk in the Rain. Without your clothes on. -King Lear. Monthly Archives: August 2013. Ryan North’s To Be or Not To Be Annotated Bibliography and Discussion Questions. August 7, 2013. Bell, Alice and Astrid Ensslin. ‘I know what it was. You know what it was’: Second Person Narration in Hypertext Fiction. Narrative 19.3 (2011): 311 329. Web. 5 Aug. 2013. Alice Bell and Astrid Ensslin discuss the … Continue reading →. While Researching for my Annotated Bib…. August 6, 2013. August 6, 2013.
Cheer Up Hamlet! | It's Nice to Take a Walk in the Rain
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It's Nice to Take a Walk in the Rain. Without your clothes on. -King Lear. 8220;Believe None of Us”: Seeing is Believing in Shakespeare’s Hamlet. While Researching for my Annotated Bib… →. August 4, 2013. This entry was posted in Uncategorized. 8220;Believe None of Us”: Seeing is Believing in Shakespeare’s Hamlet. While Researching for my Annotated Bib… →. Pingback: Hamlet Response Roundup ENGL 693: Shakespeare's Borrowers. Leave a Reply Cancel reply. Enter your comment here. Address never made public).
The Tempest and the Final Frontier | It's Nice to Take a Walk in the Rain
https://itsnicetotakeawalkintherain.wordpress.com/2013/07/17/the-tempest-and-the-final-frontier
It's Nice to Take a Walk in the Rain. Without your clothes on. -King Lear. If Only I had Prospero, I Wouldn’t Need a Diary. The Power Struggle Between Iago and Othello in Stagings of Shakespeare’s Othello →. The Tempest and the Final Frontier. July 17, 2013. In Season 3, Episode 19 of Star Trek the Original Series,. Requiem for Methusaleh, Jerome Bixby set out to adapt Shakespeare’s The Tempest. Knowing audience (Hutcheon 121). Audience, there is a beautiful woman, so Captain Kirk must fall in love with ...
“Believe None of Us”: Seeing is Believing in Shakespeare’s Hamlet | It's Nice to Take a Walk in the Rain
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It's Nice to Take a Walk in the Rain. Without your clothes on. -King Lear. This great stage of fools : A Discussion of the Relationship Between Mortality and Lack of Agency in Shakespeare’s King Lear. 8220;Believe None of Us”: Seeing is Believing in Shakespeare’s Hamlet. August 4, 2013. Gossip abounds in William Shakespeare’s Hamlet. But it is proven time and again that relying on one’s ears alone can be disastrous. Hamlet’s. This entry was posted in Uncategorized. Pingback: Hamlet Response Roundup ENGL ...
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shakespearesborrowers.wordpress.com
To Be or Not To Be: That is the Adventure Roundup | ENGL 693: Shakespeare's Borrowers
https://shakespearesborrowers.wordpress.com/2013/08/09/to-be-or-not-to-be-that-is-the-adventure-roundup
ENGL 693: Shakespeare's Borrowers. Bewailing the anxiety of influence since 1623. August 9, 2013. To Be or Not To Be: That is the Adventure Roundup. As the copies of Ryan North’s. To Be or Not To Be: That is the Adventure. Go out to Kickstarter funders, the press is starting to take notice, restarting debates (and old canards) about Shakespeare adaptations. Here are a few recent articles:. NPR offers an overview. Bustle.com discusses North’s rewriting of the role of Ophelia. To Be or Not To Be. Rosencran...
shakespearesborrowers.wordpress.com
Othello, Video Links | ENGL 693: Shakespeare's Borrowers
https://shakespearesborrowers.wordpress.com/2013/07/22/othello-video-links
ENGL 693: Shakespeare's Borrowers. Bewailing the anxiety of influence since 1623. July 22, 2013. Othello, Video Links. A trailer for a modern dress National Theatre production. To be broadcast live to cinemas on 26 September 2013:. James Earl Jones performing Othello’s testimony before the Venetian senate (1.3) at the White House Poetry Slam in 2009:. A major influence on Jones’s performance:. In Oliver Parker’s 1995 film version:. In Orson Wells’s 1952 film version:. In Trevor Nunn’s 1989 version:.
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Predatory Publishers | ENGL 693: Shakespeare's Borrowers
https://shakespearesborrowers.wordpress.com/2013/08/06/predatory-publishers
ENGL 693: Shakespeare's Borrowers. Bewailing the anxiety of influence since 1623. August 6, 2013. Courtney brought our attention today in class to the phenomenon of the “predatory publisher”, journals which exploit emerging acceptance of open-access academic journals to undermine peer-review processes. The Chronicle of Higher Education. Though it has started to affect Humanities and Social Sciences journals as well. You’ll notice that our suspect journal,. Studies in Literature and Language. This entry w...
shakespearesborrowers.wordpress.com
Final Paper Abstracts | ENGL 693: Shakespeare's Borrowers
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ENGL 693: Shakespeare's Borrowers. Bewailing the anxiety of influence since 1623. August 6, 2013. 8220;‘If thou hast eyes (and ears) to see’: Empiricism and Immersion in Othello. And Harlem Duet”. The physical act of seeing, as well as the empirical use for this sense, is central to the plot development and characterizations found in Shakespeare’s Othello. In ‘Ocular Proof’: Archival Revelations and Aesthetic Response, James A. Knapp explains that Othello. Using Djanet Sears’s Harlem Duet. 8220;Defending...
shakespearesborrowers.wordpress.com
August | 2013 | ENGL 693: Shakespeare's Borrowers
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ENGL 693: Shakespeare's Borrowers. Bewailing the anxiety of influence since 1623. Monthly Archives: August 2013. August 9, 2013. Rosencrantz and Guildenstern are Dead, 95 years earlier…. The first sentence of the essay “The Fleshy School of Poetry,” by Robert Buchanan. Volume 18 of. August 9, 2013. To Be or Not To Be: That is the Adventure Roundup. As the copies of Ryan North’s. To Be or Not To Be: That is the Adventure. NPR offers an overview. Slate asks whether the book is worth $580,905. August 8, 2013.
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Greenblatt, Cultural Mobility | ENGL 693: Shakespeare's Borrowers
https://shakespearesborrowers.wordpress.com/2013/07/03/greenblatt-cultural-mobility
ENGL 693: Shakespeare's Borrowers. Bewailing the anxiety of influence since 1623. July 3, 2013. Greenblatt, Cultural Mobility. As an example of the way that you may want to frame writing a short paragraph after reading a critical article, here is a relevant paragraph from Lauren Coats’ review of Greenblatt’s. Here’s a link to Stephen Greenblatt’s Cardenio Project. This entry was posted on Wednesday, July 3rd, 2013 at 8:27 pm and tagged with Cultural Mobility. And posted in Uncategorized. August 9, 2013.
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Rosencrantz and Guildenstern are Dead, 95 years earlier… | ENGL 693: Shakespeare's Borrowers
https://shakespearesborrowers.wordpress.com/2013/08/09/rosencrantz-and-guildenstern-are-dead-95-years-earlier
ENGL 693: Shakespeare's Borrowers. Bewailing the anxiety of influence since 1623. August 9, 2013. Rosencrantz and Guildenstern are Dead, 95 years earlier…. The first sentence of the essay “The Fleshy School of Poetry,” by Robert Buchanan. Volume 18 of. This entry was posted on Friday, August 9th, 2013 at 10:55 pm and posted in Uncategorized. You can follow any responses to this entry through the RSS 2.0. To Be or Not To Be: That is the Adventure Roundup. Leave a Reply Cancel reply. Enter your comment here.
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Adaptation Roundup, Week 1 | ENGL 693: Shakespeare's Borrowers
https://shakespearesborrowers.wordpress.com/2013/07/03/adaptation-roundup-week-1
ENGL 693: Shakespeare's Borrowers. Bewailing the anxiety of influence since 1623. July 3, 2013. Adaptation Roundup, Week 1. The 1623 Theatre Company. Which goes by the tagline “See Shakespeare Differently, and is presumably named after the year of the publication of Shakespeare’s First Folio) is sponsoring a digital art project around the phrase “Let me not be mad! 8221; from King Lear. They are asking participants to submit art that engages with or responds to the phrase:. Pride and Prejudice and Zombies.
shakespearesborrowers.wordpress.com
Policies | ENGL 693: Shakespeare's Borrowers
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ENGL 693: Shakespeare's Borrowers. Bewailing the anxiety of influence since 1623. Cell phones distract from the purpose of the course and must be turned off. Not just silenced) while we are in seminar. If there is a genuine reason why you need to keep your phone on during class time, please speak to me privately. All hard copy assignments should be word-processed, double-spaced in 12 point font, and adhere to either Chicago or the Modern Language Association style guidelines. Please number your pages.
shakespearesborrowers.wordpress.com
Links on Sears’s Harlem Duet | ENGL 693: Shakespeare's Borrowers
https://shakespearesborrowers.wordpress.com/2013/07/26/links-on-searss-harlem-duet
ENGL 693: Shakespeare's Borrowers. Bewailing the anxiety of influence since 1623. July 26, 2013. Links on Sears’s Harlem Duet. An interview with Djanet Sears. Reviews, and play writing, amongst other things. An MA thesis from the University of Alberta. That examines the way that Harlem Duet “hold[s] up the mirror not to Shakespeare but to the Shakespeare fashioned and valued by [Sears’s] culture.”. A supercut of scenes from the Black Theatre Workshop’s production of. And posted in Uncategorized. Links on...
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It's Nice to Take a Walk in the Rain | Without your clothes on. -King Lear
It's Nice to Take a Walk in the Rain. Without your clothes on. -King Lear. Ryan North’s To Be or Not To Be Annotated Bibliography and Discussion Questions. August 7, 2013. Bell, Alice and Astrid Ensslin. ‘I know what it was. You know what it was’: Second Person Narration in Hypertext Fiction. Narrative. 193 (2011): 311 329. Web. 5 Aug. 2013. And Richard Holeton’s Figurski at Findhorn on Acid. Bell and Ensslin Questions. What were some instances of the address you in To Be or Not To Be. Do you agree with ...
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