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janicewrightcheney.com

Janice Wright Cheney

My work reflects an ongoing interest in modern notions of the division of the cultural and the natural, as well as constructed distinctions between the safe or domestic and the wild or disorderly. I often depict transgressions made by various creatures into the human world, drawing attention to the instability of our presumed detachment from nature. Current projects explore wilderness as a lost environment, and consider the absence of the animal in our present global situation.

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Janice Wright Cheney | janicewrightcheney.com Reviews
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My work reflects an ongoing interest in modern notions of the division of the cultural and the natural, as well as constructed distinctions between the safe or domestic and the wild or disorderly. I often depict transgressions made by various creatures into the human world, drawing attention to the instability of our presumed detachment from nature. Current projects explore wilderness as a lost environment, and consider the absence of the animal in our present global situation.
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1 email
2 download cv pdf
3 welcome
4 the artist
5 works
6 fera moira
7 sardinia
8 spectre
9 cellar
10 widow
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Janice Wright Cheney | janicewrightcheney.com Reviews

https://janicewrightcheney.com

My work reflects an ongoing interest in modern notions of the division of the cultural and the natural, as well as constructed distinctions between the safe or domestic and the wild or disorderly. I often depict transgressions made by various creatures into the human world, drawing attention to the instability of our presumed detachment from nature. Current projects explore wilderness as a lost environment, and consider the absence of the animal in our present global situation.

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Janice Wright Cheney

http://www.janicewrightcheney.com/works.php?category=2

On the idea of Wilderness. Featuring the ubiquitous Norway Rat. Recycled fur, felted wool, wood and found materials.

2

Janice Wright Cheney

http://www.janicewrightcheney.com/press.php

On the idea of Wilderness. 2014, essay by Anne Koval. Terry Graff, “Rats in the Cellar”. Lianne McTavish, “Engaging Vermin: The Works of Janice Wright Cheney”. Sarah Fillmore, “RATS! Ruth Cuthand, Interview with artist. Denise Markonish, “Oh, Canada or: How I learned to love 3.8 Million Square. Miles of Art North of the 49th Parallel”. Dirt, Detritus and Vermin,. 2011: essay by Katie Belcher, “ Ornament and Grime. 2010: essay by Peter Larocque. 2007: essay by Mireille Perron,.

3

Janice Wright Cheney

http://www.janicewrightcheney.com/links.php

On the idea of Wilderness. CBC Halifax Information Morning. December 4, 2014: interview with Phlis McGregor. Ldquo;Rats Invade Art Gallery of Nova Scotia”. December 4, 2014: review of. Ldquo;Rat Pack”. December 20, 2014: review of. Artist mines reactions with rodent show”. The Globe and Mail,. August 14, 2014: article by James Adams. Ldquo;Four art exhibitions with that sacred touch of beauty’”. Telegraph­ Journal,. October 20, 2012: review of. Ldquo;Of rats and men”. Visual Arts News,. Oh, Canada,.

4

Janice Wright Cheney

http://www.janicewrightcheney.com/theartist.php

On the idea of Wilderness. A survey of contemporary Canadian art, held at MASS MoCA, North Adams, MA in 2012. Her solo exhibition. Was presented at the Beaverbrook Art Gallery (2012), the Art Gallery of Nova Scotia (2014), and most recently at Southern Alberta Art Gallery in Lethbridge (2015). She has been elected to the Royal Canadian Academy of Arts and is a recipient of the New Brunswick Lieutenant Governors Award for High Achievement in Visual Arts. Photo Mark Hemmings courtesy artsnb.

5

Janice Wright Cheney

http://www.janicewrightcheney.com/index.php

On the idea of Wilderness. My work reflects an ongoing interest in modern notions of the division of the cultural and the natural, as well as constructed distinctions between the safe/domestic and the wild/disorderly. I often depict transgressions made by various creatures into the human world, drawing attention to the instability of our presumed detachment from nature. 2012), featuring hundreds of rats made from vintage fur coats, and.

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tidesinstitute.org tidesinstitute.org

Alumni – Tides Institute & Museum of Art

http://tidesinstitute.org/alumni

Tides Institute and Museum of Art. Bridging Borders, Exploring Boundaries. Hours & Directions. Staff & Trustees. Artist Residencies @ StudioWorks. Resources for Teachers, Students and Schools. Overview of the Collections. Explore the Eastern Coast of Maine Quality of Place. Over 100 Spherical Panoramas of Special Places. Hand Line Press Posters. New Year’s Eve. Sardine & Maple Leaf Drop. Annual Event Organized by TIMA. Posters, Cards and More. 2013 Artists in Residence @ StudioWorks:. Mike Marks (Yarmout...

needleworknb.tripod.com needleworknb.tripod.com

Fibre arts community

http://needleworknb.tripod.com/id32.html

Fibre arts community / la communauté d'arts de fibre. Swap Shop / Annonces classées. NB Fibre Community Statistics. The How and Why. Meet the Neighbours / Chez Nous. About NNB / au sujet de NNB. Springfield, Kings County, NB. 13195 Rte 105, Tobique First Nation. Instructor, NB College of Craft and Design. 323 Parleeville Road, Norton E5T 1V1. Knitting, Spinning, Rug hooking, Weaving. Embroidery, Textile Design. Fibre Studio Technician, NBCCCD, Fredericton. Weaving, felting, knitting, spinning, dyeing.

katiebelcher.com katiebelcher.com

Curatorial – Dirt, Detritus and Vermin « KATIE BELCHER

http://katiebelcher.com/portfolio/dirt-detritus-and-vermin

Visual artist and curator based in Halifax, Nova Scotia, Canada. 21 May to 8 August, 2011. Katie Belcher and Ingrid Jenkner, curators. MSVU Art Gallery, Halifax, NS. In counterpoint to Lucky Rabbit Pottery’s refined installation on view in the lower gallery,. Dirt, Detritus and Vermin. Presents a room resembling an abandoned studio. The artists apply the techniques of fine craftsmanship to degraded materials and subject matter, obtaining effects that alternate between attraction and repulsion. Financial ...

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Thursday, June 23, 2016. Plein air painting today. Blocking in the image. Adding the reflections in the water. Today I plein air painted in Majestic View Park in Arvada, Colorado. It was a beautiful day to be out, I saw eight white pelicans circling in the water while I was there.maybe they will be the subject of an upcoming painting:). Thursday, May 15, 2014. Book: Contemporary Art of the Southwest now available! Friday, October 4, 2013. Acrylic on standard-width canvas,. Tuesday, July 16, 2013. I have ...

janicewrightcheney.com janicewrightcheney.com

Janice Wright Cheney

My work reflects an ongoing interest in modern notions of the division of the cultural and the natural, as well as constructed distinctions between the safe or domestic and the wild or disorderly. I often depict transgressions made by various creatures into the human world, drawing attention to the instability of our presumed detachment from nature. Current projects explore wilderness as a lost environment, and consider the absence of the animal in our present global situation.

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