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DRAMA: Modernism to Post-Modernism

DRAMA: Modernism to Post-Modernism. Theatre of the late nineteenth century featured Realism and Naturalism; styles of theatre that were based on natural, rational explanation as evidenced through the five senses. The realists observed man and his environment and set about to abandon antiquated techniques such as formula plays, surface characterisation, romantic subject matter and scenic splendour in favour of duplication of contemporary life. Please get in touch with any comments or reactions to my site.

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DRAMA: Modernism to Post-Modernism | jesslane85.tripod.com Reviews
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DRAMA: Modernism to Post-Modernism. Theatre of the late nineteenth century featured Realism and Naturalism; styles of theatre that were based on natural, rational explanation as evidenced through the five senses. The realists observed man and his environment and set about to abandon antiquated techniques such as formula plays, surface characterisation, romantic subject matter and scenic splendour in favour of duplication of contemporary life. Please get in touch with any comments or reactions to my site.
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1 symbolism
2 dada
3 epic theatre
4 absurdism
5 intertextuality
6 surrealism
7 feminism
8 jessica lane
9 jesslane85@hotmail com
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symbolism,dada,epic theatre,absurdism,intertextuality,surrealism,feminism,jessica lane,jesslane85@hotmail com
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DRAMA: Modernism to Post-Modernism | jesslane85.tripod.com Reviews

https://jesslane85.tripod.com

DRAMA: Modernism to Post-Modernism. Theatre of the late nineteenth century featured Realism and Naturalism; styles of theatre that were based on natural, rational explanation as evidenced through the five senses. The realists observed man and his environment and set about to abandon antiquated techniques such as formula plays, surface characterisation, romantic subject matter and scenic splendour in favour of duplication of contemporary life. Please get in touch with any comments or reactions to my site.

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1

Feminism

http://jesslane85.tripod.com/id2.html

DRAMA: Modernism to Post-Modernism. Caryl Churchill's 'Vinegar Tom' is a feminist play about witchcraft and the roles of women in society. The play focuses on mass hysteria and has many different characters with many different views on how women should be seen and act. Dr Delyse Ryan's Home Page. This is the website that contains more of the lectures from our class. The lectures have been very helpful throughout the semester. The Academy Website For Drama and Literature. Modern Drama B Assignment.

2

Epic Theatre

http://jesslane85.tripod.com/id18.html

DRAMA: Modernism to Post-Modernism. Brecht, the Epic Theater was supposed to instruct its audience, therefore he also called it the 'Instructive Theater'. Brecht hated Realism and intended his works to teach his audience about a certain topic and to inspire them to change the world in some way. He 'alienated' his audiences by emotionally detaching them from the play's characters in order to relay his messages more fluently. THE CAUSASIAN CHALK CIRCLE. Christine Barley is extremely strong as Grusha, the k...

3

Dada

http://jesslane85.tripod.com/id15.html

DRAMA: Modernism to Post-Modernism. Dada was grounded in rejection of the values that had provoked World War 1. When that war broke out, many artists sought refuge in Switzerland and in 1916, Dada was born. Because insanity seemed to be the worlds state, the Dadaists sought in their art to replace logic, reason and unity with chance and illogic. WHAT WAS A TYPICAL DADA PERFORMANCE? Among their favourite forms were chance poems, which was placing words in a hat and drawing them out and reciting them and s...

4

DRAMA: Modernism to Post-Modernism

http://jesslane85.tripod.com/index.html

DRAMA: Modernism to Post-Modernism. Theatre of the late nineteenth century featured Realism and Naturalism; styles of theatre that were based on natural, rational explanation as evidenced through the five senses. The realists observed man and his environment and set about to abandon antiquated techniques such as formula plays, surface characterisation, romantic subject matter and scenic splendour in favour of duplication of contemporary life. Please get in touch with any comments or reactions to my site.

5

Symbolism

http://jesslane85.tripod.com/id14.html

DRAMA: Modernism to Post-Modernism. The play we studied in relation to symbolism was Maurice Maeterlinck's The Intruder. What was SYMBOLIC about the play? In 'The Intruder', Maeterlinck was particularly symbolic about death. Examples of symbolism were:. The nightengales stopping their singing. Hearing the scythe being sharpened. The night being still and cold. A blind man feeling a presence in the room that no one else could feel. Please get in touch with any comments or reactions to my site.

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DRAMA: Modernism to Post-Modernism

DRAMA: Modernism to Post-Modernism. Theatre of the late nineteenth century featured Realism and Naturalism; styles of theatre that were based on natural, rational explanation as evidenced through the five senses. The realists observed man and his environment and set about to abandon antiquated techniques such as formula plays, surface characterisation, romantic subject matter and scenic splendour in favour of duplication of contemporary life. Please get in touch with any comments or reactions to my site.

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