juliodean.com

Julio Dean

Ghost in the Shell. Motion graphics / Concept art. Show me the reel. Click to watch this VFX. New York Motor show. Ghosts / Black ice. Call of Duty / Black Ops 2. Main Title and VFX. I was drawn into the world of 3D in 1995 and have been playing with vertices, polygons, meshes, keyframes, shaders, cameras, render settings, dynamics, and rigs ever since. Proficient in Cinema 4d, I have a wide knowledge of render engines and use Xpresso with a touch of Python to create bespoke internal tools. My passion fo...

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Julio Dean | juliodean.com Reviews

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Ghost in the Shell. Motion graphics / Concept art. Show me the reel. Click to watch this VFX. New York Motor show. Ghosts / Black ice. Call of Duty / Black Ops 2. Main Title and VFX. I was drawn into the world of 3D in 1995 and have been playing with vertices, polygons, meshes, keyframes, shaders, cameras, render settings, dynamics, and rigs ever since. Proficient in Cinema 4d, I have a wide knowledge of render engines and use Xpresso with a touch of Python to create bespoke internal tools. My passion fo...

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1 portfolio

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3 marvel

4 watch the movie

5 titanfall 2

6 meet the titans

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9 festive campaign

10 find out more

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Julio Dean | juliodean.com Reviews

https://juliodean.com

Ghost in the Shell. Motion graphics / Concept art. Show me the reel. Click to watch this VFX. New York Motor show. Ghosts / Black ice. Call of Duty / Black Ops 2. Main Title and VFX. I was drawn into the world of 3D in 1995 and have been playing with vertices, polygons, meshes, keyframes, shaders, cameras, render settings, dynamics, and rigs ever since. Proficient in Cinema 4d, I have a wide knowledge of render engines and use Xpresso with a touch of Python to create bespoke internal tools. My passion fo...

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noiad.tv

noiad · tv - CoD : Black Ops 2

http://noiad.tv/project/call-of-duty-black-ops-2

CoD : Black Ops 2. Call of Duty : MW3. CoD : Black Ops 2. SPOV’s edit of the 2025 screen graphics for Call of Duty : Black Ops 2. As part of SPOV team, I was lucky enough to work in one of the biggest game franchises ever made.My role consisted of initial research, UI development and 3D generalist for the cinematics during the single-player campaign of the Black Ops sequel. Lead Designer: Paul Hunt. Credit list: Andrea Braga. Jose Blay, Julio Dean. Client: Activision / Treyarch.

jamesbrocklebank.co.uk

Call of Duty: Black Ops 2

http://jamesbrocklebank.co.uk/call-of-duty-black-ops-2

Call of Duty: Black Ops 2. Insanely mad evil guy starts terrorist uprising via YouTube and Twitter before fighting the western world by hacking into their weapons and turning them against themselves, before massive worldwide battle ensues with state of the art weaponry and Nazi zombies. Working on Black Ops2 helped give me a real sense of what my Grandpa must have gone through in World War 2. Client: Activision / Treyarch. Lead Designer: Paul Hunt (Spov). Spov), Kieran Gee-Finch. Spov), Mantas Grigaitis.

andreabraga.com

Call Of Duty - Black Ops 2 — Andrea Braga

http://www.andreabraga.com/cod-black-ops-2

CALL OF DUTY - BLACK OPS 2. Design and Animation of the futuristic Screen Graphics for Call of Duty - Black Ops II. Working closely with Ian Jones and Mantas Grigaitis as part of a team from the initial research and look development till the final 2D/3D Animation and Compositing. This is my personal edit of all the sequences I've designed and/or animated. Special Thanks to Andrea Damiano for the Audio and Sound Effects of this edit. Title Card designed and animated by me. Client - Activision / Treyarch.

noiad.tv

noiad · tv - Call of Duty : MW3

http://noiad.tv/project/call-of-duty-modern-warfare-3

CoD : Black Ops 2. Call of Duty : MW3. Call of Duty : MW3. As part of SPOV team, I produced a motion graphics cinematic for the storyline transitions during in-game play. On the Turbulence sequence, I developed the 3D assets/modelling, animation and final compositing. While on the Mind the Gap , I created, treated and animated the 3D elements for this movie, all compositing done by Matt Tsang. And a big thanks to Julio Dean. For all his help. Lead Design: Paul Hunt, Yugen Blake. Credit list: Andrea Braga.

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