katie-williams5.blogspot.com

Katie's Blog

Friday, 21 January 2011. Spooner, Catherine, 2004,. Fashioning Gothic Bodices,. University Press, Manchester. Simson, Otto Van, 1956,. Bollingen Foundation inc, New York. Branner, Robert, 1968,. Studio Vista Limited, Great Britain. Levitt, Sarah, 1986,. George Allen and Unwin Ltd, London. Thorne, Gary, 2009,. Technical Drawing For Stage Design,. The Crowood Press Ltd, Wiltshire. Lavar, James, 1969,. Costume And Fashion,. Ribeiro, Aileen, Valerie *******, 1989,. The Visual History Of Costume. For the back...

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Friday, 21 January 2011. Spooner, Catherine, 2004,. Fashioning Gothic Bodices,. University Press, Manchester. Simson, Otto Van, 1956,. Bollingen Foundation inc, New York. Branner, Robert, 1968,. Studio Vista Limited, Great Britain. Levitt, Sarah, 1986,. George Allen and Unwin Ltd, London. Thorne, Gary, 2009,. Technical Drawing For Stage Design,. The Crowood Press Ltd, Wiltshire. Lavar, James, 1969,. Costume And Fashion,. Ribeiro, Aileen, Valerie *******, 1989,. The Visual History Of Costume. For the back...

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https://katie-williams5.blogspot.com

Friday, 21 January 2011. Spooner, Catherine, 2004,. Fashioning Gothic Bodices,. University Press, Manchester. Simson, Otto Van, 1956,. Bollingen Foundation inc, New York. Branner, Robert, 1968,. Studio Vista Limited, Great Britain. Levitt, Sarah, 1986,. George Allen and Unwin Ltd, London. Thorne, Gary, 2009,. Technical Drawing For Stage Design,. The Crowood Press Ltd, Wiltshire. Lavar, James, 1969,. Costume And Fashion,. Ribeiro, Aileen, Valerie *******, 1989,. The Visual History Of Costume. For the back...

INTERNAL PAGES

katie-williams5.blogspot.com

1

Katie's Blog: The Staircase

http://katie-williams5.blogspot.com/2011/01/staircase.html

Friday, 21 January 2011. The staircase was the most complicated thing to create, (apart from the scenic model itself). I made it as I went along, so it probably took longer to make than it should have. The main structure was created from strips of foam board, and then glued together. Once I felt the stairs had reached a good enough height, I covered it in strips of mod rock to create texture and also to strengthen it. The walls have also been stained in parts with brown paint to give it that damp look.

2

Katie's Blog: Scenery and props

http://katie-williams5.blogspot.com/2011/01/scenery-and-props.html

Tuesday, 18 January 2011. A chandelier would help to portray the grandness of the house, however I’m not sure how I would display it. Either it could be painted on to a backdrop, or perhaps it could be made out of wire and hung above the set. The only concern with this would be with scene changes and whether the chandelier would get in the way. A chair might be another prop I will make for the set. Again there is no definite need for it, but it would add to the atmosphere of the set. Making The Set Model.

3

Katie's Blog: Technical Error

http://katie-williams5.blogspot.com/2011/01/technical-error.html

Tuesday, 18 January 2011. And the plan view drawing was 1:117.64. So only slightly out. I had also been measuring the proscenium arch on the plan view from a different point. Meaning the measurements on the two drawings were different, and therefore would not fit together. If only I had realised this sooner. Besides I was already behind due to the measuring mishap. Subscribe to: Post Comments (Atom). Making The Set Model. The Woman In Black. View my complete profile.

4

Katie's Blog: Backdrop

http://katie-williams5.blogspot.com/2011/01/backdrop.html

Friday, 21 January 2011. Link to photographs: http:/ web.mac.com/artypharty/Site 9/Great Expectations.html#9. For the backdrop I have painted a continuation of the room and included a chandelier on it. The backdrop was glued to a piece of 6mm dowel to enable it to become interactive. Subscribe to: Post Comments (Atom). Making The Set Model. The Woman In Black. View my complete profile. Watermark template. Powered by Blogger.

5

Katie's Blog: Theatre Royal

http://katie-williams5.blogspot.com/2011/01/theatre-royal.html

Thursday, 13 January 2011. After visiting the Theatre Royal I was able to visualise what the set model would look like more easily than before. The theatre seemed much smaller in real life. However i was concerned that the theatre had changed slightly. The stage was straight rather than curved, and the seating plan was different too. However we were told to stick witht he original plans of the theatre. Above: Photograph showing the proscenium arch. 22 April 2014 at 16:06. I love these pics!

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Friday, 21 January 2011. Spooner, Catherine, 2004,. Fashioning Gothic Bodices,. University Press, Manchester. Simson, Otto Van, 1956,. Bollingen Foundation inc, New York. Branner, Robert, 1968,. Studio Vista Limited, Great Britain. Levitt, Sarah, 1986,. George Allen and Unwin Ltd, London. Thorne, Gary, 2009,. Technical Drawing For Stage Design,. The Crowood Press Ltd, Wiltshire. Lavar, James, 1969,. Costume And Fashion,. Ribeiro, Aileen, Valerie Cumming, 1989,. The Visual History Of Costume. For the back...

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