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thinking deeply about ordinary things

Thinking deeply about ordinary things. My continuing thoughts on things musical, electroacoustic, philosophical, artistic, creative, social, technological. Margins and Electroacoustic Music. It's also marginalised from other genres that use the same techniques (such as techno, electronica, dubstep, drumnbass, etc.) because it isn't beat-based. I want to say: let's start with the bigger picture! Why isn't Trevor Wishart spoken of in the same circles as Brian Ferneyhough? Posted by klh at 7:40 pm. Acoustic...

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thinking deeply about ordinary things | kerrylhagan.blogspot.com Reviews
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Thinking deeply about ordinary things. My continuing thoughts on things musical, electroacoustic, philosophical, artistic, creative, social, technological. Margins and Electroacoustic Music. It's also marginalised from other genres that use the same techniques (such as techno, electronica, dubstep, drumnbass, etc.) because it isn't beat-based. I want to say: let's start with the bigger picture! Why isn't Trevor Wishart spoken of in the same circles as Brian Ferneyhough? Posted by klh at 7:40 pm. Acoustic...
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thinking deeply about ordinary things | kerrylhagan.blogspot.com Reviews

https://kerrylhagan.blogspot.com

Thinking deeply about ordinary things. My continuing thoughts on things musical, electroacoustic, philosophical, artistic, creative, social, technological. Margins and Electroacoustic Music. It's also marginalised from other genres that use the same techniques (such as techno, electronica, dubstep, drumnbass, etc.) because it isn't beat-based. I want to say: let's start with the bigger picture! Why isn't Trevor Wishart spoken of in the same circles as Brian Ferneyhough? Posted by klh at 7:40 pm. Acoustic...

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thinking deeply about ordinary things: 2010.07

http://www.kerrylhagan.blogspot.com/2010_07_01_archive.html

Thinking deeply about ordinary things. My continuing thoughts on things musical, electroacoustic, philosophical, artistic, creative, social, technological. New website for SpADE. The new website is not entirely official, but if you're interested in the spatialization work that we're doing at UL, you can get a sneak preview of the site while it's still under construction. it features a static home page that briefly describes SpADE and the researchers. it will also have a photo gallery in the future. I wel...

2

thinking deeply about ordinary things: 2008.04

http://www.kerrylhagan.blogspot.com/2008_04_01_archive.html

Thinking deeply about ordinary things. My continuing thoughts on things musical, electroacoustic, philosophical, artistic, creative, social, technological. So, if one were to take the typical juxtapositioning of acousmatic procedures to an extreme, would the result be too "humorous" to be taken seriously? Would the music be, at least in its reception if not its inception, Surrealist? That is, to become the musical equivalent of the first-year college student's favorite dorm-room print? I will occasionall...

3

thinking deeply about ordinary things: 2013.04

http://www.kerrylhagan.blogspot.com/2013_04_01_archive.html

Thinking deeply about ordinary things. My continuing thoughts on things musical, electroacoustic, philosophical, artistic, creative, social, technological. Margins and Electroacoustic Music. It's also marginalised from other genres that use the same techniques (such as techno, electronica, dubstep, drumnbass, etc.) because it isn't beat-based. I want to say: let's start with the bigger picture! Why isn't Trevor Wishart spoken of in the same circles as Brian Ferneyhough? Posted by klh at 19:40. Rainbow is...

4

thinking deeply about ordinary things: rainbow is the new black

http://www.kerrylhagan.blogspot.com/2009/03/rainbow-is-new-black.html

Thinking deeply about ordinary things. My continuing thoughts on things musical, electroacoustic, philosophical, artistic, creative, social, technological. Rainbow is the new black. Okay, so you shamed me into implementing the hénon maps in Max/MSP/Jitter. the jitter matrix is so much better than the LCD object. (okay, no one actually personally shamed me, but i could hear your voices in my head.). But here's the snag, and i'm feeling quite clever for solving it. 0 0 0 initial conditions. So i made three...

5

thinking deeply about ordinary things: Margins and Electroacoustic Music

http://www.kerrylhagan.blogspot.com/2013/04/margins-and-electroacoustic-music.html

Thinking deeply about ordinary things. My continuing thoughts on things musical, electroacoustic, philosophical, artistic, creative, social, technological. Margins and Electroacoustic Music. It's also marginalised from other genres that use the same techniques (such as techno, electronica, dubstep, drumnbass, etc.) because it isn't beat-based. I want to say: let's start with the bigger picture! Why isn't Trevor Wishart spoken of in the same circles as Brian Ferneyhough? Posted by klh at 19:40.

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kerry l. hagan

http://www.kerrylhagan.net/writings.html

Hagan, K. "How Live is Real-Time? Electroacoustic Music Studies Network, Berlin, June 2014. Hagan, K. The Noise of. International Computer Music Conference, Perth, Australia, August 2013. Hagan, K. Different Walks for Different Talks: Finding the Meaningful in Electroacoustic Music. Electroacoustic Music Studies Network, Stockholm, June 2012. Aesthetic and Philosophical Implications of Noise in. Music, Mind, and Invention Workshop, New Jersey, USA, March 2012. Sound and Music Computing, Berlin, July 2008.

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kerry l. hagan

http://www.kerrylhagan.net/multimedia.html

Your browser cannot display this quicktime movie. You can view the video in a new window. 107;errylhagan @ yahoo . com. Blog (external site): thinking deeply about ordinary things.

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kerry l. hagan

http://www.kerrylhagan.net/teaching.html

University of California, Irvine: Music and Computers. University of California, Irvine: Music and Computers. University of Limerick: Programming Music Systems. University of Limerick: Digital Audio Fundamentals. University of Limerick: Sound Synthesis and Manipulation. University of Limerick: Digital Media Software and Systems 2. University of California, Irvine: Music and Computers. University of California, San Diego: Music Theory and Practice I. Fall 2003 (PDF of PowerPoint slides).

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kerry l. hagan

http://www.kerrylhagan.net/music.html

My music is now available on SoundCloud. Disklavier, Shannon Wettstein; Computer, Kerry Hagan; 1999 premiere, UCSD Technology Concert. Violin, David Ryther; 1999 premiere, UCSD Composer's Forum. Consacré à. Piccolo, Reiko Manabe; 2010 performance, Circle of Friends series, Tokyo. Cello, Reynard Rott; Percussion, Ivan Manzanilla; 2001 performance, UCSD Performer's Forum. Cello, Reynard Rott; 2003 premiere, UCSD Spring Music Festival. Stochastica organica (real-time tape music II). Real-time tape music III.

kerrylhagan.net kerrylhagan.net

kerry l. hagan

http://www.kerrylhagan.net/patches.html

Read the instructions and score ( PDF. Pd version 0.38-3 and higher). Read the paper online. Pd version 0.37-0 only). Read the paper online. Pd vanilla only - does not work with Pd-extended). 107;errylhagan @ yahoo . com. Blog (external site): thinking deeply about ordinary things.

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kerrylhagan.blogspot.com kerrylhagan.blogspot.com

thinking deeply about ordinary things

Thinking deeply about ordinary things. My continuing thoughts on things musical, electroacoustic, philosophical, artistic, creative, social, technological. Margins and Electroacoustic Music. It's also marginalised from other genres that use the same techniques (such as techno, electronica, dubstep, drumnbass, etc.) because it isn't beat-based. I want to say: let's start with the bigger picture! Why isn't Trevor Wishart spoken of in the same circles as Brian Ferneyhough? Posted by klh at 7:40 pm. Acoustic...

kerrylhagan.net kerrylhagan.net

Kerry L. Hagan

Kerry is occasionally on. Kerry L. Hagan. As a researcher, Kerry's interests include real-time algorithmic methods for music composition and sound synthesis, spatialization techniques for 3D sounds and electronic/electroacoustic musicology. Her research has been presented in international conferences around the world. In 2010, Kerry led a group of practitioners to form the Irish Sound, Science and Technology Association. Where she served as President until 2015. With Rob Plane. Sonorities Festival. 03061...

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