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Kim Pineda, PhD

Kim Pineda, PhD. Kim Pineda, PhD. Musicology and Historical Performance. I am a musicologist and scholar-performer specializing in historical performance practices of classical music from the 14th through early19th centuries, as well as vernacular music in the American Southwest and the Louisiana Territory. My research inerests include:. French and Spanish colonial and mission music in the Americas. Rhetoric and music in the 17th and 18th centuries. Historical performance practices/Arts Practice Research.

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Kim Pineda, PhD | kimpineda.com Reviews
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Kim Pineda, PhD. Kim Pineda, PhD. Musicology and Historical Performance. I am a musicologist and scholar-performer specializing in historical performance practices of classical music from the 14th through early19th centuries, as well as vernacular music in the American Southwest and the Louisiana Territory. My research inerests include:. French and Spanish colonial and mission music in the Americas. Rhetoric and music in the 17th and 18th centuries. Historical performance practices/Arts Practice Research.
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Kim Pineda, PhD | kimpineda.com Reviews

https://kimpineda.com

Kim Pineda, PhD. Kim Pineda, PhD. Musicology and Historical Performance. I am a musicologist and scholar-performer specializing in historical performance practices of classical music from the 14th through early19th centuries, as well as vernacular music in the American Southwest and the Louisiana Territory. My research inerests include:. French and Spanish colonial and mission music in the Americas. Rhetoric and music in the 17th and 18th centuries. Historical performance practices/Arts Practice Research.

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Kim Pineda: Historical Performance

http://www.kimpineda.com/pinedabio.html

Musicology, historical flutes, and performance practices. Has performed on historical flutes and recorders, and as a conductor throughout the U.S., Canada, in Israel, and on NPR. Founder and music director of Grand Cru Baroque. Workshop at the University of Oregon with Molly Barth. And for 15 years directed Baroque Northwest's Baroque Flute Boot Camp in Seattle. Les Arts Florissants, H. 487. Acteon, H. 481. Nativity Pastorale, H. 483. Messe de minuit pour Noël, H. 9. St Matthew Passion, SWV 501.

2

Kim Pineda: Performance

http://www.kimpineda.com/performance.html

Musicology, historical flutes, and performance practices. Michel Blavet, Sonata in e, Op. 3, no. 3. Matthias Maute (b. 1963), "Rouge". Vivaldi, Concerto in g, RV 105, Allegro non molto. E-C Jacquet de la Guerre, Sonata in D. CPE Bach, Sonata in G, H. 554. J-M Hotteterre, Chansonette and Brunette. J-M Hotteterre, Prelude. J-J Quantz, Presto, Op 1, no 4. J Mattheson, Sonata in A, Adagio from Brauchbare virtuoso. Blavet Op. 3, no. 3, Largo poco andante and Allegro. An expert player"— Indianapolis Star.

3

Kim Pineda, PhD

http://www.kimpineda.com/index.html

Kim Pineda, PhD. Kim Pineda, PhD. Musicology and Historical Performance. I am a musicologist and performer specializing in historical performance practices of classical music from the 14th through 18th centuries, as well as vernacular music in the American Southwest and the Louisiana Territory. My research inerests include:. French and Spanish colonial and mission music in the Americas. Rhetoric and music in the 17th and 18th centuries. Music, race, gender, and empire in the long eighteenth century.

4

Kim Pineda

http://www.kimpineda.com/lessons.html

Musicology, historical flutes, and performance practices. In addition, modern performers often seek new ways to interpret music from the Baroque era on their modern instruments. For many years I have helped musicians to bridge the gap between the expectations of modern performance practices and the rhetoric of Baroque music. Lesson Rates and Scale. Student/Fixed Income/Virtual $50.00 USD. Professional/Colleague $60.00 USD. Other $75.00 USD. Clinic and Consulting Payments. Payment through PayPal only.

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Grand Cru Baroque: The Ensemble

http://grand-cru.blogspot.com/p/the-ensemble.html

Theorbo, lutes, Baroque guitar, ‘Ūd. We are regularly assisted by performers of viola da gamba, Baroque cello, harpsichord, Baroque violin, lute/guitar, and voice. Grand Cru is available for concerts, workshops, and short-term residencies. Subscribe to: Posts (Atom). Is a classification of an entity's potential to produce something superb. It also refers to any item of high quality, or the quality of a region or area. Grand Cru Baroque is the performing ensemble of Baroque Northwest.

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Grand Cru Baroque: Grand Cru Bios

http://grand-cru.blogspot.com/p/grand-cru-bios.html

Workshop with Molly Barth. And for 15 years directed Baroque Northwest's Baroque Flute Boot Camp. Other interests include the culinary and healing arts, cycling, and the pursuit of the ultimate cadence. In his spare time he reads non-fiction and contributes to The Fugal Gourmet food blog. Learn more about Dr. Pineda from his website. And at his YouTube channel. As a performer on lute, theorbo and Baroque guitar, August Denhard. 2005), Monteverdi's L'incoronazione di Poppea. 2007), Monteverdi's L'Orfeo.

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Kim Pineda, PhD | Kim Pineda, PhD

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Kim Pineda, PhD. Musicology, historical flutes, and performance practices. Author: Kim Pineda, PhD. The independent scholar joins a tribe. July 17, 2016. July 17, 2016. Kim Pineda, PhD. Exactly what it sounds like), and . . . Course Description: MUHL5334 (4300): Music in the Classic Period (Fall 2016). The Chair of the Department of Musicology adds this to the course description, to help entice and recruit students to take a class from the new professor:. Research and performance practice interests:.

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links - celine thackston

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Flute sheet music, accessories and instruments:. Fabulous Flute Music Company. Flute retreats, information, advice, and pedagogy:. Deanna Little and the MTSU Flute Studio. Other creative, wonderful, exciting, interesting, delightful flute friends:. Amy Willson and Beardless William. Angela Beeching, Beyond Talent Consulting. BizzCard Theme by ThemeZee. Nashville flutist and flute teacher. owner, nashville flute studio.

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Welcome to Kim Pineda’s blog on musicology, historical flutes, and performance practices | Kim Pineda, PhD

https://kimpinedaphd.wordpress.com/2015/02/23/hello-world

Kim Pineda, PhD. Musicology, historical flutes, and performance practices. Welcome to Kim Pineda’s blog on musicology, historical flutes, and performance practices. February 23, 2015. March 23, 2015. Kim Pineda, PhD. This blog site is where I will share current news and events about conferences, concerts, or other items that are not on my main website. With that in mind, here is information about my upcoming concert with the Toronto-based organization Scaramella. Saturday, March 7, 2015, 8:00 PM EST.

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About Kim Pineda | Kim Pineda, PhD

https://kimpinedaphd.wordpress.com/about

Kim Pineda, PhD. Musicology, historical flutes, and performance practices. I am a scholar-performer specializing in historical musicology and performance practices of classical music from the 14th through 18th centuries, as well as vernacular music in the American Southwest and the Louisiana Territory. For more details about my work as a musicologist and performer, please visit my website. 8220;What do you need to know to play this music? Leave a Reply Cancel reply. Enter your comment here.

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Kim Pineda, PhD

Kim Pineda, PhD. Kim Pineda, PhD. Musicology and Historical Performance. I am a musicologist and scholar-performer specializing in historical performance practices of classical music from the 14th through early19th centuries, as well as vernacular music in the American Southwest and the Louisiana Territory. My research inerests include:. French and Spanish colonial and mission music in the Americas. Rhetoric and music in the 17th and 18th centuries. Historical performance practices/Arts Practice Research.

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Kim Pineda, PhD | musicology, historical flutes, & performance practices

Kim Pineda, PhD. Musicology, historical flutes, and performance practices. Classical music is fun: new venues bring new accessibility. July 26, 2015. July 27, 2015. Kim Pineda, PhD. On 2 August 2015, at 3:00 PM in Kirkland, Washington, the ensemble Grand Cru Baroque. My band) is giving a concert. A formal concert with programs and program notes but not in a venue that is typical of chamber music recitals. We are playing in a place called Northwest Cellars. And his Early Music Underground. Organization, c...

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