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Lidia Rozmus | The artistic traces I leave – my sumi-e They are the records of my existence and the processes of my energy.

Skip to primary content. Skip to secondary content. The Moss at Tokeiji. Hailstones, Haiku by Taneda Santoka. Twenty Views from Mole Hill. The artistic traces I leave - my sumi-e. They are the records of my existence and the processes of my energy. They are my sign language in which only the essence of form needs to be expressed, and "a brush stroke gesture" is quicker than thought. I was fortunate to study sumi-e with great teachers and artists, Madeleine Stanley-Jossem, Qigu Jiang and.

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Lidia Rozmus | The artistic traces I leave – my sumi-e They are the records of my existence and the processes of my energy. | lidiarozmus.com Reviews

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Skip to primary content. Skip to secondary content. The Moss at Tokeiji. Hailstones, Haiku by Taneda Santoka. Twenty Views from Mole Hill. The artistic traces I leave - my sumi-e. They are the records of my existence and the processes of my energy. They are my sign language in which only the essence of form needs to be expressed, and a brush stroke gesture is quicker than thought. I was fortunate to study sumi-e with great teachers and artists, Madeleine Stanley-Jossem, Qigu Jiang and.

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1 main menu

2 statement

3 glossary

4 books

5 my journey

6 a dandelion's flight

7 gallery

8 oils

9 sumi e

10 haiga

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Lidia Rozmus | The artistic traces I leave – my sumi-e They are the records of my existence and the processes of my energy. | lidiarozmus.com Reviews

https://lidiarozmus.com

Skip to primary content. Skip to secondary content. The Moss at Tokeiji. Hailstones, Haiku by Taneda Santoka. Twenty Views from Mole Hill. The artistic traces I leave - my sumi-e. They are the records of my existence and the processes of my energy. They are my sign language in which only the essence of form needs to be expressed, and "a brush stroke gesture" is quicker than thought. I was fortunate to study sumi-e with great teachers and artists, Madeleine Stanley-Jossem, Qigu Jiang and.

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lidiarozmus.com

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Mole Hill | Lidia Rozmus

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The Moss at Tokeiji | Lidia Rozmus

http://www.lidiarozmus.com/books

Skip to primary content. Skip to secondary content. The Moss at Tokeiji. Hailstones, Haiku by Taneda Santoka. Twenty Views from Mole Hill. The Moss at Tokeiji.

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Hailstones, Haiku by Taneda Santoka | Lidia Rozmus

http://www.lidiarozmus.com/hailstones

Skip to primary content. Skip to secondary content. The Moss at Tokeiji. Hailstones, Haiku by Taneda Santoka. Twenty Views from Mole Hill. Hailstones, Haiku by Taneda Santoka.

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Oils | Lidia Rozmus

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Haiga | Lidia Rozmus

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simonekbusch.blogspot.com

WEIGHING WORDS: September 2014

http://simonekbusch.blogspot.com/2014_09_01_archive.html

Haiku and photo haiku and photos and more. WHA Haiga Contest 123, 9/2014, Master Haiga Artist with Bea Bareis (photo). Simone K. Busch. Diesen Post per E-Mail versenden. Tageshaiku . Day To Day Haiku. Simone K. Busch. Diesen Post per E-Mail versenden. Haiku heute, September 2014. Sommergras 107, Dezember 2014. Simone K. Busch. Diesen Post per E-Mail versenden. Meguro International Haiku Circle. Enjoyed a wonderful kukai with special guests: Charles Trumbull, Lidia Rozmus. And Cynthia A. Henderson.

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Lidia Rozmus | The artistic traces I leave – my sumi-e They are the records of my existence and the processes of my energy.

Skip to primary content. Skip to secondary content. The Moss at Tokeiji. Hailstones, Haiku by Taneda Santoka. Twenty Views from Mole Hill. The artistic traces I leave - my sumi-e. They are the records of my existence and the processes of my energy. They are my sign language in which only the essence of form needs to be expressed, and "a brush stroke gesture" is quicker than thought. I was fortunate to study sumi-e with great teachers and artists, Madeleine Stanley-Jossem, Qigu Jiang and.

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