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Blackbox Manifold, Issue 19DANIEL Y. HARRIS. ALLEN C. JONES. ADAM PIETTE reviews Rachel Blau DuPlessis, Drew Milne, Iain Britton.
http://manifold.group.shef.ac.uk/
DANIEL Y. HARRIS. ALLEN C. JONES. ADAM PIETTE reviews Rachel Blau DuPlessis, Drew Milne, Iain Britton.
http://manifold.group.shef.ac.uk/
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Blackbox Manifold, Issue 19 | manifold.group.shef.ac.uk Reviews
https://manifold.group.shef.ac.uk
DANIEL Y. HARRIS. ALLEN C. JONES. ADAM PIETTE reviews Rachel Blau DuPlessis, Drew Milne, Iain Britton.
manifold.group.shef.ac.uk
Michael Aird poem, Blackbox Manifold 14
http://manifold.group.shef.ac.uk/issue14/MichaelAirdBM14.html
You Have to be a Notoriously Frantic Epistemologist, Second Only to Paranoiacs and Analysts as a Reader of Signs and Wonders. Do you love me for myself alone. Or for my yellow hair? In a kind of Hegelian twist. Tristan is on the road with Iseult. Shooting up potions of dopamine &. And while it hasn’t yet been conclusively shown. Relies on the same hormonal machinery. As that used by voles,. It does seem plausible that such a system. Would be highly conserved. Jwala and I have come here today. As a source...
Blackbox Manifold, Issue 13
http://manifold.group.shef.ac.uk/issue13/index13.html
Current Issue: No. 13. Karl O'Hanlon reviews Geoffrey. Adam Piette reviews Kelvin Corcoran, Peter Hughes, Simon Jarvis, The Text Festivals. Rod Mengham and Mary Noonan.
Drew Milne poem, Blackbox Manifold 8
http://manifold.group.shef.ac.uk/issue8/DrewMilne8.html
Caesurae and ballroom bellinis. FORGET that you live in houses, that you may live in yourself ‘. Mina Loy (Aphorisms on Futurism). Virelay: drayton gloss: colons. Ambergris: so to use: perfumes. Battening: said to boo: thrive. Bellwether: minims: lead sheep. Chapelet: billions: wreath for. Clip: the hand lounge: to kiss. Crankling: fees eh: lets twist. Dowset: knitted pretty: doucet. Estridge: took flight: ostrich. Frouncing: thats lol: frizzing. Hind: the living bung: peasant. Would: as in wou’d: then w...
Richard Owens translations, Blackbox Manifold 7
http://manifold.group.shef.ac.uk/issue7/RichOwensTranslations7.html
Turned as we lay sleeping our antiquities. Sent their herald with a letter. Harvesting new centers they too turned. From Genoa followed by atrophy still. Some distance from headway. Unblinking as I believe they fought against. Too many mornings to waste a good deal. Their effect grossly mistaken. For the ludic rest of a murtherous wildness. To cling to smash smallest thane. Burnished chance to spill. Bereaved so kind of a common world. Out there in the dark we poor thing. Where were we all night. Augurie...
Adam Piette review, Blackbox Manifold 5
http://manifold.group.shef.ac.uk/issue5/AdamPiette.html
Keston Sutherland, The Stats of Infinity. Brighton: Crater Press, 2010). Jean-Jacques Lecercle, Badiou and Deleuze Read Literature. Edinburgh: Edinburgh University Press, 2010). Günter Eich, Angina Days: Selected Poems. Translated by Michael Hofmann (Princeton, NJ: Princeton University Press, 2010). G Peter Winnington, The Voice of the Heart: The Workings of Mervyn Peake’s Imagination. Liverpool: Liverpool University Press, 2006). The chapbook, The Stats of Infinity. The torturing I-voice of How It Is.
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John Welch
http://johnhopewelch.co.uk/exile.html
Visiting Exile: Self and City. Lsquo;The poet’s trajectory across the city’: there’s a movement from personal reminiscence to something more general, embodied in the figure of the walker; an attempt perhaps to make a bridge from one to the other? Well maybe the thing is that it keeps on moving about and it is all only a matter of opinion anyway.’. Very long, with a sort of driving rhetoric which came in the end to overwhelm it. So there’s city as a place you are exiled from, or a place where as an ...
John Welch: June 2013
http://johnwelch.blogspot.com/2013_06_01_archive.html
Friday, 14 June 2013. ABDULKAREEM KASID AT THE BRITISH LIBRARY. To the BL last week, to record, alongside his reading in Arabic, some of the English versions of the London-based Iraqi poet's poems that I've been making with him over the last two or three years. He's on my right. The Punjabi poet Amarjit Chandan, who conducted the interview with Kareem accompanying the reading, is on my left. The photo was taken by curator Stephen Cleary. Something for the heritage industry? In the same palace then veggon...
John Welch: February 2011
http://johnwelch.blogspot.com/2011_02_01_archive.html
Friday, 4 February 2011. I was walking down Portland Place the other day and there it was, a big handsome brass plate: ‘Anaesthesia Heritage Centre’ Opening hours were given but with this caveat: ‘An appointment is recommended.’ Well you would need one wouldn’t you? The website recommends ‘Blue Plaques and Buildings: a history of anaesthesia walk around London’. I suppose this raises the question whether there is perhaps a ‘crisis of productivity’ in poetic output? Subscribe to: Posts (Atom). Born in Lon...
John Welch: July 2009
http://johnwelch.blogspot.com/2009_07_01_archive.html
Tuesday, 7 July 2009. Martha Kapos wrote of Amanda Welch’s previous cycle of work, the ‘Devon Paintings’: ‘What if you wanted a kind of painting truer to the painter’s walking eye, a painting closer to the experience of landscape as we actually enter it and circulate within it? What if you wanted all of these images and shapes together within the same surface, within the same pictorial whole? Subscribe to: Posts (Atom). View my complete profile. Simple template. Template images by gaffera.
John Welch: June 2009
http://johnwelch.blogspot.com/2009_06_01_archive.html
Tuesday, 2 June 2009. In particular why music all the way through the reading the Llanbyri poem rendering the words only semi-audible? I’m not sure how successful her later work always is, but one thing is certain. It is a serious and determined move into territory occupied by certain other poets at that time as well, and it deserves a lot better than to be ‘edited out’ like this. Subscribe to: Posts (Atom). View my complete profile. Simple template. Template images by gaffera.
John Welch: January 2013
http://johnwelch.blogspot.com/2013_01_01_archive.html
Friday, 18 January 2013. BEING IN THE STUDIO WITH HACKNEY DOWNS'. This is Amanda Welch's account of her Hackney Downs project, which she has been working on for the last three years or so. The book is out now, and she writes:. Have tried to tell the story of this journey in my book. The book could be said to be its concluding work. More information on Amanda Welch's website: www.amandajanewelch.com. 62 pages 25cm x 20cm with 90 full-colour illustrations. 163;12.50 £2.35 p&p. Available from The Many Press.
John Welch: ANAESTHESIA'S HERITAGE
http://johnwelch.blogspot.com/2011/02/anaesthesias-heritage.html
Friday, 4 February 2011. I was walking down Portland Place the other day and there it was, a big handsome brass plate: ‘Anaesthesia Heritage Centre’ Opening hours were given but with this caveat: ‘An appointment is recommended.’ Well you would need one wouldn’t you? The website recommends ‘Blue Plaques and Buildings: a history of anaesthesia walk around London’. I suppose this raises the question whether there is perhaps a ‘crisis of productivity’ in poetic output? 19 November 2011 at 00:30. Born in Lond...
John Welch: ABDULKAREEM KASID AT THE BRITISH LIBRARY
http://johnwelch.blogspot.com/2013/06/abdulkareem-kasid-at-british-library.html
Friday, 14 June 2013. ABDULKAREEM KASID AT THE BRITISH LIBRARY. To the BL last week, to record, alongside his reading in Arabic, some of the English versions of the London-based Iraqi poet's poems that I've been making with him over the last two or three years. He's on my right. The Punjabi poet Amarjit Chandan, who conducted the interview with Kareem accompanying the reading, is on my left. The photo was taken by curator Stephen Cleary. Subscribe to: Post Comments (Atom). Born in London in 1942, I have ...
John Welch: ‘THE PALACE IS VAGUE AND DELICIOUS’
http://johnwelch.blogspot.com/2013/06/the-palace-is-vague-and-delicious.html
Friday, 14 June 2013. 8216;THE PALACE IS VAGUE AND DELICIOUS’. In the same palace then veggono ne' express ceilings several facts of the Writing, paintings to coolness, do not give the Domenichino, as it is grossly expected; but from the Knight of Arpino, and quantunque, according to the usual, works of a corrected design cannot dirsi, also deserve of being seen, being of the best ones than that artist. Subscribe to: Post Comments (Atom). View my complete profile. ABDULKAREEM KASID AT THE BRITISH LIBRARY.
John Welch: January 2011
http://johnwelch.blogspot.com/2011_01_01_archive.html
Sunday, 30 January 2011. Where no one is illegal. Wednesday, 26 January 2011. Roger was one of those life-changing schoolteachers. He taught English and Art History at secondary schools in the Midlands and it was Nigel Wheale, a close friend and former pupil, who became his publisher, bringing out ‘Hem’ (1978) and ‘Sidelong’ (1981) under his. A friend of Prynne’s from student days, a particular talent of Roger Langley's was to combine some traditional English preoccupations - landscape and natural ...
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Blackbox Manifold, Issue 19
DANIEL Y. HARRIS. ALLEN C. JONES. ADAM PIETTE reviews Rachel Blau DuPlessis, Drew Milne, Iain Britton.
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In A Sentence .org. The best little site that helps you understand word usage with examples. Manifold in a sentence. Some informal background: a Riemannian manifold is a differentiable manifold (where the tangent space at each point has an inner product) with a positive-definite metric tensor, d (x, y) 0. The Lorentzian manifold is a pseudo-Riemannian manifold, the generalization of the Riemannian manifold, such that the metric tensor need not be positive-definite. Use admissible in a sentence. A familia...
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