lavalandkonst.wordpress.com
Frida Berglund | LAVALAND konst
https://lavalandkonst.wordpress.com/author/fridaberg
Om konst och konstupplevelser. Author Archives: Frida Berglund. Hör, lyssna med mera. Februari 16, 2011. Om man är mer för att lyssna än att själv prata, så kan man satsa på att dra till Universitetet istället för nämnda Bonniers konsthall. Där är det Tisdagsföreläsning lite då och då, konstvetenskapliga institutionens hemsida med schemat över föreläsningarna finns att hitta här. Lovisa skrev tidigare om Contemporary Art Practice in Pakistan. How public is the public museum? Kommer idéerna ta slut? Från ...
lavalandkonst.wordpress.com
hör, lyssna med mera | LAVALAND konst
https://lavalandkonst.wordpress.com/2011/02/16/hor-lyssna-med-mera
Om konst och konstupplevelser. Prata, samtala med mera. Hör, lyssna med mera. Februari 16, 2011. Om man är mer för att lyssna än att själv prata, så kan man satsa på att dra till Universitetet istället för nämnda Bonniers konsthall. Där är det Tisdagsföreläsning lite då och då, konstvetenskapliga institutionens hemsida med schemat över föreläsningarna finns att hitta här. Lovisa skrev tidigare om Contemporary Art Practice in Pakistan. How public is the public museum? Och har märkts med etiketterna Frida.
transit.be
Transit: artists
http://www.transit.be/artists/index.php
T 32 15 336 336. M (b) 32 478 811 441. M (d) 32 475 477 478. NIKOLAJ B.S. LARSEN.
disclosuresproject.wordpress.com
/ / Hydrarchy Conference | Disclosures
https://disclosuresproject.wordpress.com/disclosures-iv/hydrarchy-conference
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Introduction by Stephanie Schwartz (UCL). Introductions by the curators Anna Colin and Mia Jankowicz, and chair Lisa Le Feuvre. Against Terracentrism: The Sea and History. Keynote by Marcus Rediker (historian, writer and activist). Respondent: Julia Morandeira. Free Seas, Free Skies? A presentation by Amy Balkin (artist). Respondent: Paula Ruiz. Splendid Isolation: Philosophers’ islands and the contemporary geopolitical imagination. In this m...
disclosuresproject.wordpress.com
/ / Mia Jankowicz | Disclosures
https://disclosuresproject.wordpress.com/women-and-the-archive-a-partial-disclosure/mia-jankowicz
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Polished-up notes for a panel discussion. Presented at The Women’s Library on Saturday 14 March 2009. This is a worked-up series of notes informing the panel discussion held at the Women’s Library. Not an essay, and also certainly not communicating the content and vivacity of the discussion held, they more denote a series of thoughts and questions formulated before and during the day of. Women and the Archive: A Partial Disclosure. It might b...
disclosuresproject.wordpress.com
Thanks | Disclosures
https://disclosuresproject.wordpress.com/disclosures-iv/thanks
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Our thanks go to. John Barlow Gone Offshore. And to all the people who gave us some of their time during our research. Thanks to the funders: Esmee Fairbairn Foundation, Arts Council England, Charles Wallace India Trust, Henry Moore Foundation, Austrian Cultural Forum in London; and to the partner NODE.London. Disclosures II: The Middle Ages. Thanks to Nottingham Contemporary for producing and funding the project. Thanks to the Whitechapel Ga...
disclosuresproject.wordpress.com
Women and the Archive | Disclosures
https://disclosuresproject.wordpress.com/women-and-the-archive-a-partial-disclosure
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Women and the Archive. Women and the Archive: A Partial Disclosure. Saturday 14 March 2009. Curated by Anna Colin. The Women’s Library, London. The Otolith Group, Marysia Lewandowska, Cinenova, the Remembering Olive Collective. Produced by Whitechapel Gallery. In partnership with The Women’s Library. For documentation of specific contributions to. Women and The Archive: A Partial Disclosure. Please click the links in the sidebar. Selected mat...
disclosuresproject.wordpress.com
/ / Petra Bauer | Disclosures
https://disclosuresproject.wordpress.com/disclosures-i/petra-bauer
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Deleted Swedish Stories, Part 1. Presented at Gasworks on Friday 11 April 2008. Some of the examples that I’m going to talk about here tonight may be excluded in the final lecture whereas others will stay to be developed and changed. So I think that your response and critical reflections afterwards will be very valuable. All of the following examples I want to talk about this evening are extracted from a Swedish context and history. 8211; No,...
disclosuresproject.wordpress.com
Home | Disclosures
https://disclosuresproject.wordpress.com/disclosures-iv/thanks/home
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Started in March 2008 by Anna Colin (Exhibitions Curator, Gasworks, London) and Mia Jankowicz (independent curator),. 8216; projects aim to open up, and draw parallels between, non-dominant histories and cultural practices on the one hand, and contemporary cultural production and political structures on the other hand. This takes place through exhibitions, seminars, commissioning, and events programming clustered round a single focus. An onli...
disclosuresproject.wordpress.com
/ / Amy Balkin | Disclosures
https://disclosuresproject.wordpress.com/disclosures-iv/amy-balkin
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Free Seas, Free Skies. The sea and sky are both spatial regimes that can be considered as ‘offshore’, extra-state, ‘exceptional’ spaces; difficult to inhabit, and for states to exert police power upon; gray areas for the exercise of extraction, often defined by maps and legal frameworks. Both are major components of the Earth’s biological system, together comprising the same hydrologic cycle, where water cycles between liquid and gas. The cre...