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La narrativa de la imagen y la narración audiovisual | La narrativa de la imagen y la narración audiovisual | narraudio.wordpress.com Reviews
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La narrativa de la imagen y la narración audiovisual
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Nuevo salòn | La narrativa de la imagen y la narración audiovisual
https://narraudio.wordpress.com/2007/09/24/nuevo-salon
La narrativa de la imagen y la narración audiovisual. September 24, 2007. 8212; narraudio @ 4:35 pm. A partir de éste Jueves 27 de Sept vamos a seguir viéndonos en el salón 106C. Leave a Comment ». Feed for comments on this post. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Cite, no copie!
Ficha de lectura | La narrativa de la imagen y la narración audiovisual
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La narrativa de la imagen y la narración audiovisual. En un párrafo o en una frase, redacte los objetivos de la lectura (generalmente es uno). Enumere la(s) tesis que el autor plantea en la lectura. Recuerde que en un texto puede haber varias tesis, debe dar cuenta de ellas, ubique en primer lugar la idea que considere más importante, y la que responda directamente al interrogante planteado, después ubique las demás por orden de importancia. Sustentación / Apoyo :. 1 Comment ». Leave a Reply Cancel reply.
Cite, no copie! | La narrativa de la imagen y la narración audiovisual
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La narrativa de la imagen y la narración audiovisual. Cite, no copie! The following text serves as an example of how one should quote when using someone else’s ideas and when using someone else’s own words. Please make note of the difference and use this paragraph as an example of how to use quotations. Remember! Plagiarism is severely punished! At the end of the paper one should have a detailed bibliography that accounts for all the references and texts that are used in one’s work. Cite, no copie!
Lecturas para Sept 27 | La narrativa de la imagen y la narración audiovisual
https://narraudio.wordpress.com/2007/09/24/lecturas-para-sept-27
La narrativa de la imagen y la narración audiovisual. September 24, 2007. Lecturas para Sept 27. 8212; narraudio @ 10:14 am. Prologue and the first chapter of Michel Chion s,. The Voice in Cinema. 8211; Prologue: Raising the Voice. Pg 1 – 15). 8211; Mabuse: Magic and Powers of the Accousmetre. Leave a Comment ». Feed for comments on this post. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Cite, no copie!
Lecturas y presentaciones orales | La narrativa de la imagen y la narración audiovisual
https://narraudio.wordpress.com/2007/10/18/lecturas-y-presentaciones-orales
La narrativa de la imagen y la narración audiovisual. October 18, 2007. Lecturas y presentaciones orales. 8212; narraudio @ 11:05 am. Los narradores del cuento. Capitulo 5 del libro de Michel Chion, Cómo se escribe un guión. El cuento dentro del cuento. Capitulo 6 del libro de Michel Chion, Cómo se escribe un guión (DANIEL CARDOZO). Película: Adaptation, Spike Jonze. Los tiempos del guión. Capitulo 7 del libro de Michel Chion, Cómo se escribe un guión (JORGE CEBALLOS). Presentación de trabajos finales.
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generoscinematograficos.wordpress.com
Géneros Cinematográficos | del musical a la era espacial | Page 2
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Del musical a la era espacial. Structured Synopsis / Ficha. Quote, don’t copy! September 10, 2007. Posted by generoscinematograficos in the western. 1 comment so far. Notes on Robert Warshow’s. 8211; Movie Chronicle : The Westerner. The title indicates that Warshow is more concerned about the westerner the western hero-, than the genre itself. However, the western is pretty much defined by its hero and the hero, particularly in the western and in action movies, is the driving force of the film. 6 Usually...
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Final grades | Géneros Cinematográficos
https://generoscinematograficos.wordpress.com/2007/11/15/final-grades
Del musical a la era espacial. Structured Synopsis / Ficha. Quote, don’t copy! November 15, 2007. Posted by generoscinematograficos in Uncategorized. Final grades and final papers will be handed in on December 3 from 10 to 12PM in room 207D. No comments yet — be the first. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. La narrativa de la imagen.
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Assingments for Oct 24 | Géneros Cinematográficos
https://generoscinematograficos.wordpress.com/2007/10/17/assingments-for-oct-24
Del musical a la era espacial. Structured Synopsis / Ficha. Quote, don’t copy! Assingments for Oct 24. October 17, 2007. Posted by generoscinematograficos in assignments. Readings for next class:. Essays from Annette Kuhn s Alien Zone. Janet Staiger, Future Noir: Contemporary Representations of Visionary Cities. 8211; David Dresser, Race Space and Class: The Politics of Cityscapes in Sicence Ficiton Films. Chapter 4 from Rick Altman s, Film / Genre. Chapter 5 from Bordwell &Thompson s Film Art:. You are ...
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Oral Presentations | Géneros Cinematográficos
https://generoscinematograficos.wordpress.com/2007/09/27/oral-presentations-2
Del musical a la era espacial. Structured Synopsis / Ficha. Quote, don’t copy! September 27, 2007. Posted by generoscinematograficos in assignments. Have a look at the final oral presentation schedule. Contact me if you have any questions. Bourbon, noche y mujeres fatales: algunos temas noir. Ensayos del libro de Silver y Ursini, Film Noir Reader. Karen Hollinger, Film Noir, Voice Over and the Femme Fatale (pg. 243-259) Joan Manuel Galindo. Película: Detour, Edgar G. Ulmer, 1945. Why are genres sometimes...
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Bibliografía | Géneros Cinematográficos
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Del musical a la era espacial. Structured Synopsis / Ficha. Quote, don’t copy! Altman, Rick. Film/Genre. BFI, London, 1999. Bordwell, David and Kristin Thompson. Film Art: An Introduction. McGraw-Hill Companies, New York, 1979. Braudy, Leo and Marshall Cohen. Film Theory and Criticism. Introductory Readings. Oxford UP, New York, 1999. Cohan, Steven, ed. Hollywood Musicals; The Film Reader. Routledge, London &. New York, 2001. Kuhn, Annette. Alien Zone II. Verso, London, 1999. New York, 2000.
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Exam – Sept 19th. | Géneros Cinematográficos
https://generoscinematograficos.wordpress.com/2007/09/17/exam-sept-19th
Del musical a la era espacial. Structured Synopsis / Ficha. Quote, don’t copy! Exam – Sept 19th. September 17, 2007. Posted by generoscinematograficos in assignments. Please read the text on Lone Star. In Janet Walker s book. If you have any questions please do not hesitate to contact me. No comments yet — be the first. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.
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Readings for Oct 31st. | Géneros Cinematográficos
https://generoscinematograficos.wordpress.com/2007/10/29/readings-for-oct-31st
Del musical a la era espacial. Structured Synopsis / Ficha. Quote, don’t copy! Readings for Oct 31st. October 29, 2007. Posted by generoscinematograficos in assignments. Ensayos del libro de Annette Kuhn, Alien Zone II. Janet Staiger, Future Noir: Contemporary Representations of Visionary Cities (pg.97-122) (Presentation by: Juan Esteban Díaz). Ensayos del libro de Mark Jancovich, Horror: The Film Reader. Introduction (pg 1- 21) (Presented by: Julián Díaz). Andrew Tudor, Why Horror?
generoscinematograficos.wordpress.com
Week 11 | Géneros Cinematográficos
https://generoscinematograficos.wordpress.com/2007/10/03/week-11
Del musical a la era espacial. Structured Synopsis / Ficha. Quote, don’t copy! October 3, 2007. Posted by generoscinematograficos in Uncategorized. Chapter 11 of Rick Altman s,. 8211; Have genres and genre functions changed over time? Write a structured synopsis of the text. All texts available here. No comments yet — be the first. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). La narrativa de la imagen.
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Towards a definition of film noir | Géneros Cinematográficos
https://generoscinematograficos.wordpress.com/2007/10/03/towards-a-definition-of-film-noir
Del musical a la era espacial. Structured Synopsis / Ficha. Quote, don’t copy! Towards a definition of film noir. October 3, 2007. Posted by generoscinematograficos in film noir. French film critics concussed the term Film Noir. Recognizes in an interview. Filmmakers were not aware of the term Film Noir while they made the movies. The French noticed a certain similarity between the gangster film. The police genre and the detective fiction. Authors like Raymond Chandler. Farewell, My Lovely. Discusses the...
generoscinematograficos.wordpress.com
Structured Synopsis / Ficha | Géneros Cinematográficos
https://generoscinematograficos.wordpress.com/structured-synopsis-ficha
Del musical a la era espacial. Structured Synopsis / Ficha. Quote, don’t copy! Structured Synopsis / Ficha. En un párrafo o en una frase, redacte los objetivos de la lectura (generalmente es uno). Enumere la(s) tesis que el autor plantea en la lectura. Recuerde que en un texto puede haber varias tesis, debe dar cuenta de ellas, ubique en primer lugar la idea que considere más importante, y la que responda directamente al interrogante planteado, después ubique las demás por orden de importancia. Build a w...
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Todo sobre mis Magos. A Clarita Chang Serrano. La cuarta maga. A Reyna Temple. Y a Abelardo Jara. Filippo Lippi, c. 1445. Los evangelios no registran los nombres, ni el número, ni mucho menos que sean reyes. En el de Mateo (el Leví -ecónomo y 'empleado fiscal'- primer discípulo de Jesús) habla de 'magos' -de la religión persa mazdeista (cuyo emblema es el fuego)- que vieron una estrella en occidente, y se menciona -. De allí también procede la 'ro. Que es también el. Un auto sacramental de 1170- .pue...
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La narrativa de la imagen y la narración audiovisual | La narrativa de la imagen y la narración audiovisual
La narrativa de la imagen y la narración audiovisual. November 19, 2007. Correciones y entrega final. 8212; narraudio @ 10:14 am. Tanto las correcciones del jueves 22 (11 a 1PM), como la entrega final programada para el jueves 29 de Noviembre (2 a 5PM), van a ser en el salón 105D. October 29, 2007. Lecturas para el 1 de Nov. 8212; narraudio @ 11:59 am. Capitulo 7 del libro de Michel Chion,. Cómo se escribe un guión. Capitulo 8, 9, 10 del libro de Michel Chion,. Cómo se escribe un guión. October 18, 2007.
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