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Opera, a European art form. What is opera education. List of national coordinators. Opera was alive and online throughout Europe, and beyond! The now traditional European Opera Days took place between 8 and 10 May with 101 opera companies in 23 countries celebrating opera in all its diversity. This year’s theme opera alive and online translated into the most creative events alongside the well-loved guided tours and open houses. The launch of The Opera Platform ( www.theoperaplatform.eu. The next European...

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Opera, a European art form. What is opera education. List of national coordinators. Opera was alive and online throughout Europe, and beyond! The now traditional European Opera Days took place between 8 and 10 May with 101 opera companies in 23 countries celebrating opera in all its diversity. This year’s theme opera alive and online translated into the most creative events alongside the well-loved guided tours and open houses. The launch of The Opera Platform ( www.theoperaplatform.eu. The next European...
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2 past editions
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6 partners
7 opera resources
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Home - Opera-Europa | operadays.eu Reviews

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Opera, a European art form. What is opera education. List of national coordinators. Opera was alive and online throughout Europe, and beyond! The now traditional European Opera Days took place between 8 and 10 May with 101 opera companies in 23 countries celebrating opera in all its diversity. This year’s theme opera alive and online translated into the most creative events alongside the well-loved guided tours and open houses. The launch of The Opera Platform ( www.theoperaplatform.eu. The next European...

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2011 - Opera-Europa

http://www.operadays.eu/en/past-editions/2011

Opera, a European art form. What is opera education. Theatre of the world. List of national coordinators. This year, the focus is Young Ears. Children were of course the stars of this edition: in many places, young audiences from 3 to 14 years old were offered special performances of children's operas, ballets and recitals, such as Montsalvatge's. Deutsche Oper am Rhein. At De Vlaamse Opera. Young ears new to opera could explore 400 years of operatic history within 60 minutes in the Ghent.

2

2012 - Opera-Europa

http://www.operadays.eu/en/past-editions/2012

Opera, a European art form. What is opera education. Theatre of the world. List of national coordinators. We live in a time full of words. We use words to describe our world, but there are things words cannot grasp. Words have a tendency to pull us into the domain of the logic, of rationality - that is what they are best at. Music gives us a language for that. Gives us a language for "talking" about the irrational, about emotions, about passion. Director of Opera at the Royal Opera House Covent Garden.

3

European Opera Days - Opera-Europa

http://www.operadays.eu/en/eod

Opera, a European art form. What is opera education. Theatre of the world. List of national coordinators. European Opera Days Manifesto. Each year on the weekend closest to 9 May (Europe Day), opera houses in Europe and beyond open their doors to new and existing audiences to celebrate the art of opera and the talent of those who make it. The European Opera Days celebrate opera as an art form. Opera is the European art form. Opera today is alive and kicking. Opera reaches out to everyone. Europe needs a ...

4

Opera, a European art form - Opera-Europa

http://www.operadays.eu/en/opera-resources/opera-a-european-art-form

Opera, a European art form. What is opera education. Theatre of the world. List of national coordinators. Opera, a European art form. Opera’s history goes back 2,500 years to the birth of democracy in ancient Greece. The Athenians of the 5th century BC celebrated their identity as a community with festive performances which brought together music, song, speech, dance and spectacle. It was the precursor and inspiration for opera.

5

Art of emotions - Opera-Europa

http://www.operadays.eu/en/opera-resources/art-of-emotions

Opera, a European art form. What is opera education. Theatre of the world. List of national coordinators. Opera, the art of emotions. Unlike most theatre, the text is sung by the artists in operas. The emotion and the intensity of singing have an impact on the weight and the meaning words. You may also look at the ‘Glossary’ page to find out more about opera voices. Actually music does not only serve the libretto and the singing: it completes and exalts them by highlighting the intensity of situations an...

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marts | 2007 | European Opera Days med danske øjne

https://europeanoperadays.wordpress.com/2007/03

European Opera Days med danske øjne. Marts 19, 2007 kl. 12:29 am Lagt i Opera. Juvenilia (organisationen for unge operaelskere) har netop publiceret den tale formanden Florian Burnat holdt på European Opera Days’ sidste dag. Den kan læses her. Afslutning, champagne og opfordring. Marts 3, 2007 kl. 10:44 am Lagt i Opera. Kulturministeren og Bernard Foccroulle taler i kulturministeriet. Konferencens tredje dag. Eftermiddag. Marts 3, 2007 kl. 10:40 am Lagt i Opera. I frokostpausen diskuterede man videre, og...

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Konferencens første dag. 16.2.2007 | European Opera Days med danske øjne

https://europeanoperadays.wordpress.com/2007/02/19/konferencens-første-dag-1622007

European Opera Days med danske øjne. Konferencens første dag. 16.2.2007. Februar 19, 2007 kl. 1:43 pm Lagt i Opera. Konferencen European Opera Days begyndte i dag. Indskrivningen i Bastilleoperaens foyer. Dagens program var ret officielt. Gerard Mortier, chef for Opéra national de Paris og den franske kulturminister Renaud Donnedieu de Vabres holdt åbningstalerne, og så talte den franske økonom og forfatter Jacques Attali om operaens rolle i samfundet. Amfiteatret under Bastilleoperaens store sal. Alle f...

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februar | 2007 | European Opera Days med danske øjne

https://europeanoperadays.wordpress.com/2007/02

European Opera Days med danske øjne. Tredje dag. Formiddag. Ny teknologi, ambassadører og communities. Februar 25, 2007 kl. 2:18 pm Lagt i Opera. Dagen begyndte for mit vedkommende i Amfiteatret, hvor emnet var Modern technology and opera . I panelet var tre medarbejdere fra English National Opera: John Berry, Cathrine Sutton, Edward Gardner, samt Kasper Bech Holten som ordstyrer. Dirigenten Edward Gardner var skeptisk overfor al denne interageren med publikum. Han mente, det kunne afmytologisere ope...

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home - Opera-Europa

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The professional association of opera houses and festivals in Europe. Introducción a Opera Europa. Artículos pasados y presentes. Qué es la ópera? Opera Vision para The Opera Platform. TOP llega a mas de 2 millones de visitas. Todo lo que necesitas saber. Revisión de seis meses. Jornadas Europeas de la Ópera. Suscríbase a nuestro boletín. Keep me logged in. Medios Audiovisuales y Digitales. Vestuario, maquillaje y peluca. Recursos para los miembros. Logos de Opera Europa. Diplomacia Cultura o Arte que une.

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Home - Opera-Europa

http://oe.dev.serverpark.be/de

The professional association of opera houses and festivals in Europe. Der Rat von Opera Europa. Vorherige Ausgaben der Newsletter. Die Opera Vision für die Opera Platform. TOP erreicht mehr als 2 Millionen Ansichten. Alles was sie über die Platform wissen müssen. Abbonieren Sie sich an unserer Newsletter. Keep me logged in. Audiovisuell and Digitale Medien. Kostüme, Masken and Perücken. Logo von Opera Europa. Kulturelle Diplomatie, oder Kunst die vereint. Entdecken Sie hier das gesammte Programm. Wir hab...

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biografi - Sopransolist.no

http://benedicte.arving.net/biografi

Søk på dette nettstedet. Benedicte Årving er født i Oslo 8. juni 1987. Hun kom tidlig med i NRKs jentekor,. Senere Det Norske Jentekor. I 1998 var hun med i London’s West End’s oppsetning. Av Lloyd Webbers Evita i Oslo Spektrum. I samme periode deltok hun i TV-produksjoner. Som Ei hand å holde i og Stjernetreff . Hun tok i tillegg sangtimer med Isa Katharina Gericke. Og Else Marit Rørmark. Hun kom med i Den Norske Operas barnekor fra starten i 1999 og deltok der i forskjellige. Ved Den Norske Opera.

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Badisches Staatstheater Karlsruhe | Spielzeit-Archiv 2013/14

http://spielzeit13-14.staatstheater.karlsruhe.de/index.php

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Afslutning, champagne og opfordring | European Opera Days med danske øjne

https://europeanoperadays.wordpress.com/2007/03/03/afslutning-champagne-og-opfordring

European Opera Days med danske øjne. Afslutning, champagne og opfordring. Marts 3, 2007 kl. 10:44 am Lagt i Opera. Kulturministeren og Bernard Foccroulle taler i kulturministeriet. Så kastede Paola og jeg og alle andre sig over champagne, pindemadder og petit fours. Det var dejligt med denne i al sin formalitet uformelle afslutning, hvor man kunne sludre og nyde udsigten til legende børn i Jardin du Palais Royal. Synes godt om dette:. 1 kommentar ». Feed for comments on this post. Comment by Dwisha Nagar.

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Konferencens tredje dag. Eftermiddag. | European Opera Days med danske øjne

https://europeanoperadays.wordpress.com/2007/03/03/konferencens-tredje-dag-eftermiddag

European Opera Days med danske øjne. Konferencens tredje dag. Eftermiddag. Marts 3, 2007 kl. 10:40 am Lagt i Opera. I frokostpausen diskuterede man videre, og fordi vi nu havde fået ansigter på mange flere kunne man lettere flyde rundt og kaste sig ind i samtaler. Så gav halvanden times frokost meget mere mening. Den sidste halve time mødtes vi igen, og Florian præsenterede os for, hvad han ville inkludere i sin tale. Der var virkelig snor i ham! Og moderne kunstneriske krav og ønsker. Han viste, hvordan...

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Home - Opera-Europa

Opera, a European art form. What is opera education. List of national coordinators. Opera was alive and online throughout Europe, and beyond! The now traditional European Opera Days took place between 8 and 10 May with 101 opera companies in 23 countries celebrating opera in all its diversity. This year’s theme opera alive and online translated into the most creative events alongside the well-loved guided tours and open houses. The launch of The Opera Platform ( www.theoperaplatform.eu. The next European...

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