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Oxford Opening Night

Shakeel Hashim reviews The Pillowman. REVIEW: Bang Bang You’re Dead. Anette Stimmer reviews Bang Bang You’re Dead. Chris Ansell reviews The Double. Ella McCarthy reviews Closer. REVIEW: Much Ado About Nothing. Joe Stephenson reviews Much Ado About Nothing. REVIEW: Jealous of Herself. Laura Whetherly reviews Jealous of Herself. REVIEW: In the Republic of Happiness. Anette Stimmer reviews In the Republic of Happiness. REVIEW: Dido and Aeneas. Ella McCarthy reviews Dido and Aeneas. Blog at WordPress.com.

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Oxford Opening Night | oxfordopeningnight.com Reviews
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Shakeel Hashim reviews The Pillowman. REVIEW: Bang Bang You’re Dead. Anette Stimmer reviews Bang Bang You’re Dead. Chris Ansell reviews The Double. Ella McCarthy reviews Closer. REVIEW: Much Ado About Nothing. Joe Stephenson reviews Much Ado About Nothing. REVIEW: Jealous of Herself. Laura Whetherly reviews Jealous of Herself. REVIEW: In the Republic of Happiness. Anette Stimmer reviews In the Republic of Happiness. REVIEW: Dido and Aeneas. Ella McCarthy reviews Dido and Aeneas. Blog at WordPress.com.
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Oxford Opening Night | oxfordopeningnight.com Reviews

https://oxfordopeningnight.com

Shakeel Hashim reviews The Pillowman. REVIEW: Bang Bang You’re Dead. Anette Stimmer reviews Bang Bang You’re Dead. Chris Ansell reviews The Double. Ella McCarthy reviews Closer. REVIEW: Much Ado About Nothing. Joe Stephenson reviews Much Ado About Nothing. REVIEW: Jealous of Herself. Laura Whetherly reviews Jealous of Herself. REVIEW: In the Republic of Happiness. Anette Stimmer reviews In the Republic of Happiness. REVIEW: Dido and Aeneas. Ella McCarthy reviews Dido and Aeneas. Blog at WordPress.com.

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REVIEW: RxJ – Oxford Opening Night

https://oxfordopeningnight.com/2016/11/27/review-rxj

November 27, 2016. When you receive an email featuring such memorable lines as due to the incredible demand we have experienced (repeated twice) and we can move forward with contracts to confirm your place , along with the threat of a 45 fine, it’s tricky not to take against its senders. But, given the hype and the fact that I had already paid for a ticket, I tried hard to afford. Confused me: was this a production aiming at a visceral and immersive spectacle? On the other hand, these naturalistic scenes...

2

REVIEW: Dido and Aeneas – Oxford Opening Night

https://oxfordopeningnight.com/2016/11/18/review-dido-and-aeneas

REVIEW: Dido and Aeneas. November 18, 2016. Reviewed by Ella McCarthy. What we were granted instead was a confused design: a minimalist rectangular pillar with a single chair in front, in which Dido would at regular intervals, ‘Alice in Wonderland like’ fall fast asleep. After which point Indyana Schneider, as a witch, could appear and transform her faithful chorus into something else. What they were meant to be each time, or what had exactly had changed was never explained. Leave a Reply Cancel reply.

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REVIEW: In the Republic of Happiness – Oxford Opening Night

https://oxfordopeningnight.com/2016/11/23/review-in-the-republic-of-happiness

REVIEW: In the Republic of Happiness. November 23, 2016. Reviewed by Anette Stimmer. Christmas dinner. Fake turkey. Christmas jumpers! Young Grandma and Grandpa. Annoying teenager. Non-sequiturs! Uncle Rob and his partner Madeleine rant. Ah okay, so he might have slept with his nieces. Is that the moment the family’s darker indulgences are revealed? Light goes out. What the hell is this? In 2016, really? Can I get out of here now, please? In the Republic of Happiness. Leave a Reply Cancel reply. You are ...

4

REVIEW: Jealous of Herself – Oxford Opening Night

https://oxfordopeningnight.com/2016/11/23/review-jealous-of-herself

REVIEW: Jealous of Herself. November 23, 2016. Reviewed by Laura Whetherly. Sarah Grunnah’s new adaptation of Tirso de Molina’s 17. Century play, an English-language world première, is a charming, surprisingly funny production which acknowledges some of the darker themes implicit in the text while maintaining a quick pace and grabbing audience attention. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public).

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REVIEW: Closer – Oxford Opening Night

https://oxfordopeningnight.com/2016/11/29/review-closer

November 29, 2016. Reviewed by Ella McCarthy. A play in a great venue that I sat in my seat willing to be good. But unfortunately, one that has still a way to go before we can get too excited. Hearing of the genesis of. A theatre company set up by two impressive third-years at Brookes looking to go into the industry, I was greatly enthused: it’s great to see students taking it upon themselves to make projects happen outside of university. The choice of Patrick Marber’s. Leave a Reply Cancel reply. You ar...

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Politics, Theatre, Sci-fi…Mainly Sci-fi. Review: The New Oxford Shakespeare: Modern Critical Edition. This article first appeared on The Oxford Culture Review on 16 January 2017. With any new publication, especially concerning the universal bard, it’s worth asking, ‘Who is this for? The New Oxford Shakespeare. The Complete Works: Modern Critical Edition. Under review here),. The Critical Reference Edition. Containing the folio and quarto texts in their original spelling), the. The New Oxford Shakespeare.

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Oxford Opening Night

Shakeel Hashim reviews The Pillowman. REVIEW: Bang Bang You’re Dead. Anette Stimmer reviews Bang Bang You’re Dead. Chris Ansell reviews The Double. Ella McCarthy reviews Closer. REVIEW: Much Ado About Nothing. Joe Stephenson reviews Much Ado About Nothing. REVIEW: Jealous of Herself. Laura Whetherly reviews Jealous of Herself. REVIEW: In the Republic of Happiness. Anette Stimmer reviews In the Republic of Happiness. REVIEW: Dido and Aeneas. Ella McCarthy reviews Dido and Aeneas. Blog at WordPress.com.

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Sunset Boulevard Oxford Playhouse. Monday 9 Saturday 14 November. 730pm (2.30pm Matinee on Saturday 14 November). Oxford Operatic Society return to the Oxford Playhouse with their striking new production of Andrew Lloyd Webber. Based on Billy Wilder’s Oscar-winning film, starring Gloria Swanson, this story of the dark side of Hollywood's is set to some of Lloyd Webber. S most evocative and well-known music including the hit songs. With One Look, As If We Never Said Goodbye. Music by Andrew Lloyd Webber.

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