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Bodyjar: association within a scene | radioblaster

https://radioblaster.wordpress.com/2011/10/14/bodyjar-association-within-a-scene

Lucas Shipsides – RMIT. October 14, 2011. Bodyjar: association within a scene. As previously mentioned, Bodyjar can be described as a punk rock band with elements of pop punk, leading to a generally well rounded ‘melodic’ sound. their association with an overall “scene” is probably best aligned toward the skate punk. Scene, however this is more to do with cultural identity and not necessarily the music. I’ll state the obvious here and mention the inclusion of Not The Same. This isn’t to discredit B...

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Bodyjar: the essentials | radioblaster

https://radioblaster.wordpress.com/2011/09/30/bodyjar-the-essentials

Lucas Shipsides – RMIT. September 30, 2011. For my Global Musician research assignment, i will be looking at Melbourne based punk rock band BODYJAR. And analyzing their musical culture on a local and global scale, in addition to their method of their success. 1994-2009 (and reforming in 2011 to play two reunion shows). they however have been ‘active’ since 1990, under former names Helium and Damnation. Cameron Baines (guitar/vocals), Tom Reed (guitar), Grant Relf (bass), Shane Wakker (drums). Shot in the...

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Bodyjar: ‘Jar Wars’ video intermission and ABC/JJJ | radioblaster

https://radioblaster.wordpress.com/2011/10/14/bodyjar-jar-wars-video-intermission-and-abcjjj

Lucas Shipsides – RMIT. October 14, 2011. Bodyjar: ‘Jar Wars’ video intermission and ABC/JJJ. Going through my Bodyjar CD collection, i found a copy of the One In A Million CDS. on it is part two of a three part series called ‘Jar Wars’ – short docos that aren’t particularly about much. there are some candid moments and live footage mostly. i’m not posting this because of the content, but rather the overall themes some of the scenes represent. At 10:23 is a snippet from when they hosted Rage. Which conta...

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radioblaster | Lucas Shipsides – RMIT | Page 2

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Lucas Shipsides – RMIT. September 8, 2011. The role of online marketing for TV. Expanding from the week 6 lecture and discussion on webisodes and the representation of technological convergence, i found a pretty interesting link from the @TIME. Basically, Fox is putting the pilot episode of one of its new shows. New Girl, through iTunes as a free download. Most of the time because of stupid geographical restrictions. the episode will remain there until its September 20th premiere. August 29, 2011. Where ...

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Bodyjar: global and local impact, and music industry model | radioblaster

https://radioblaster.wordpress.com/2011/09/30/bodyjar-global-and-local-impact-and-music-industry-model

Lucas Shipsides – RMIT. September 30, 2011. Bodyjar: global and local impact, and music industry model. April 2011 was the last month of operation for iconic Melbourne venue, The Arthouse. as part of their last drinks. Celebration, Bodyjar reunited for their first of two shows since their ‘The End Is Now’. Bombshellzine posted interviews with Grant Relf (bass). And Shane Wakker (drums). 8221;, two very ‘distinct’ and ‘local’ answers were provided:. It can be said that a venue. However, the music industry...

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kateandtv | Just another WordPress.com site | Page 2

https://kateandtv.wordpress.com/page/2

Just another WordPress.com site. Skip to primary content. Skip to secondary content. Newer posts →. TV: The modern fireplace. August 2, 2011. TV It’s difficult to imagine a time when it wasn’t a part of every lounge room, but is it really that difficult to think of a time when it might be surpassed and no longer exist as we know it today? The question remains however, how long will television hold this place of honour? When it was first introduced, television quickly began to replace the table and the fi...

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Battlestar Galatica – Transmedia continued | Audience of One.

https://audienceofoneblog.wordpress.com/2011/10/05/transmedia

Battlestar Galatica – Transmedia continued. 8220;Transmedia storytelling represents a process where integral elements of a fiction get dispersed systematically across multiple delivery channels for the purpose of creating a unified and coordinated entertainment experience. Ideally, each medium makes it own unique contribution to the unfolding of the story.” Henry Jenkins, 2011. (Full post here. It has aired and end up buying the whole series on dvd and watching it in marathon sittings. For instance,.

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The Renovators/MasterChef | Audience of One.

https://audienceofoneblog.wordpress.com/2011/08/15/1-the-renovatorsmasterchef

MasterChef season 3 has finished. So what can the Australian audience look forward to now? Think they have the answer with reality D.I.Y The Renovators. After watching the premier, I was struck by how similar this show is to MasterChef. It is essentially MasterChef. With hammers. Unsurprisingly it turns out the show is created by MasterChef’s. Founders and their production company. Different show, same formula. It’s disappointing that the show is such a replica. When MasterChef. Leave a Reply Cancel reply.

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Final Reflective Report | Audience of One.

https://audienceofoneblog.wordpress.com/final-reflective-report

And whether or not there is a direct link between the term and long form complex narrative. I will then move on to discussing the notion of. And finally conclude with a look at. And how it is changing the television landscape. This will be supported by some of my own blogs from over the semester in addition to links to academic writings where relevant. What constitutes quality TV? In my blog post on quality TV. Quality television, as a term alludes more so to a particular attitude towards television.