dlina.github.io
THE BIGGEST CHATTERBOX IN GERMAN LITERATURE
https://dlina.github.io/The-Biggest-Chatterbox-in-German-Literature
The Biggest Chatterbox in German Literature. By Dario Kampkaspar, Frank Fischer, Mathias Göbel and Peer Trilcke. Ie, 465 dramas written or published inbetween 1731 and 1929. A complete list of all 9,913 characters contained in our corpus can be found here. Ie, the average cast list of a play has 21 characters). But today we’re not interested in the list as a whole (we’ll get back to that later), but the top 20. Http:/ dlina.github.io/390/. Http:/ dlina.github.io/390/. Faust Der Tragödie erster Teil.
dlina.github.io
OUR TALK AT DH2015 IN SYDNEY (FULL TEXT AND SLIDES)
https://dlina.github.io/Our-Talk-at-DH2015
Our Talk at DH2015 in Sydney (Full Text and Slides). By Peer Trilcke, Frank Fischer, Dario Kampkaspar and Mathias Göbel. That’s right, we transcribed the talk we gave at the DH2015 in Sydney, on 2 July 2015, entitled Digital Network Analysis of Dramatic Texts . Please note that our grammar might appear a bit jetlagged here and there. ;) We were the last group to speak in a very interesting network-analysis centric session chaired by Glenn Roe. Since we used reveal.js. Slide 2/0: Basic Ideas. Which, for h...
dlina.github.io
EDITING RULES
https://dlina.github.io/Editing-Rules
By Dario Kampkaspar and Peer Trilcke. After the structural data have been extracted and put into the DLINA zwischenformat. Manual intervention is often necessary to improve the data quality and correct errors in the source data. Especially the TextGrid data proved to be quite problematic due to OCR errors and false tagging. No or insufficient structural data encoded,. OCR errors in a. Stage directions interpreted as part of a speaker’s name. Rules for editing our. Rule 1 Add the schema files as a PI.
litlog.de
Kontakt und Impressum - Litlog
http://www.litlog.de/impressum
Göttinger eMagazin für Literatur Kultur Wissenschaft. Janet Boatin, Gesa Husemann, Johanna Karch, Kai Sina, Peer Trilcke (Herausgeber und V.i.S.d.M). Seminar für Deutsche Philologie. Seminar für Deutsche Philologie. Tel: 0152 – 2430 4816. Agentur für multimediale Kommunikation. Litlog wird im Wesentlichen getragen von Studierenden der Universität Göttingen. Interessenten melden sich bitte per E-Mail unter info@litlog.de. Veröffentlicht am 20. März 2010. Kommentare sind für diesen Artikel nicht erlaubt.
weltliteratur.net
Distant Reading with Foucault?
http://weltliteratur.net/Distant-Reading-with-Foucault
A Black Market for the Digital Humanities. Distant Reading with Foucault? By Frank Fischer and Peer Trilcke. Half a year ago, November 14, 2015, we participated in a workshop at the Institute of Science and Art in Vienna, entitled Distant Reading and Discourse Analysis. Our talk, which went under the headline Distant Reading with Foucault? Promised to give thoughts on the practice of distant reading and ponder potential operationalisations of Foucauldian discourse analysis . A polemical term, a buzzword?
weltliteratur.net
A Giant 1890 Flowchart of Foreign Influences on German Literature (Spanning 12 Centuries)
http://weltliteratur.net/A-Giant-1890-Flowchart-of-Foreign-Influences-on-German-Literature
A Black Market for the Digital Humanities. A Giant 1890 Flowchart of Foreign Influences on German Literature (Spanning 12 Centuries). By Ingo Börner, Angelika Hechtl, Frank Fischer and Peer Trilcke. It is Cäsar Flaischlen’s Graphische Litteratur-Tafel. Graphic Literature Table) we’re talking about, a 58 86.5-cm poster published in 1890, and a flamboyantly beautiful one:. How did this chart come about? Ie, quite sloppy and negligent ). Flaischlen’s dissertation was published in 1890, the same year in ...
dlina.github.io
INTRODUCING OUR 'ZWISCHENFORMAT'
https://dlina.github.io/Introducing-Our-Zwischenformat
By Dario Kampkaspar, Frank Fischer and Peer Trilcke. Our research interest focuses primarily on. Of dramatic texts. The structural data is extracted from the 465 dramatic texts that constitute our Sydney corpus. And then screened and edited before it can be evaluated statistically with regard to literary history. The structural abstraction is provided by a PHP script that processes the TEI files, collects all the data needed for our purpose and puts it in our own. The script and what it produces, our.
dlina.github.io
INTRODUCING DLINA CORPUS 15.07 (CODENAME: SYDNEY)
https://dlina.github.io/Introducing-DLINA-Corpus-15-07-Codename-Sydney
Introducing DLINA Corpus 15.07 (Codename: Sydney). By Frank Fischer and Peer Trilcke. Our working corpus is based on the 666 dramas extracted from the TextGrid Repository ( the not-so simple extraction process was described by Frank and Mathias in an earlier post. This blog post will describe the criteria for selecting 465 dramas. From said repository to represent our working corpus. The version number 15.07. It is a well-established academic position that Gottsched’s dramatic writings as well as his dra...
dlina.github.io
COMEDY VS. TRAGEDY: NETWORK VALUES BY GENRE
https://dlina.github.io/Network-Values-by-Genre
Comedy vs. Tragedy: Network Values by Genre. By Peer Trilcke, Frank Fischer, Mathias Göbel and Dario Kampkaspar. As described in a previous post. Gottsched’s Der sterbende Cato from 1731, looks something like this:. Der sterbende Cato /title. As said before, we only inserted a. 101 are marked as tragedy ( Tragödie or Trauerspiel ) and. 92 are marked as comedy ( Komödie or Lustspiel ). In these cases we did a little research to identify all libretti. The result is that. Table 1: Network Measures, by Genre.
dlina.github.io
200 YEARS OF LITERARY NETWORK DATA
https://dlina.github.io/200-Years-of-Literary-Network-Data
200 Years of Literary Network Data. By Peer Trilcke, Frank Fischer, Mathias Göbel and Dario Kampkaspar. After creating our corpus. And extracting the structural data. That are of interest to us it’s time to run some statistics. As it is with statistical data, they can evoke manifold interpretations and sometimes have the inclination to speak in riddles. We will certainly need a few more months to make sense of all the values we computed and collected. Ie, the highest degree of an actor of a drama network...
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