petereynoldscomposer.blogspot.com

Peter Reynolds

Sunday, 2 October 2016. I'm very lucky to have had two carefully prepared performances this weekend of a new piece given by Borders Trio. The piece, Le Gros Horlage. For clarinet, violin and piano, is based on the chimes of the Great Clock in Rouen, France – an astronomic clock dating back to 1527 and earlier. The final result is a short four-minute piece extending the chimes into a longer melodic line. The trio have a number of extended effects to play: Anna made her debut playing claves last night,...

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Peter Reynolds | petereynoldscomposer.blogspot.com Reviews

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Sunday, 2 October 2016. I'm very lucky to have had two carefully prepared performances this weekend of a new piece given by Borders Trio. The piece, Le Gros Horlage. For clarinet, violin and piano, is based on the chimes of the Great Clock in Rouen, France – an astronomic clock dating back to 1527 and earlier. The final result is a short four-minute piece extending the chimes into a longer melodic line. The trio have a number of extended effects to play: Anna made her debut playing claves last night,...

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Peter Reynolds | petereynoldscomposer.blogspot.com Reviews

https://petereynoldscomposer.blogspot.com

Sunday, 2 October 2016. I'm very lucky to have had two carefully prepared performances this weekend of a new piece given by Borders Trio. The piece, Le Gros Horlage. For clarinet, violin and piano, is based on the chimes of the Great Clock in Rouen, France – an astronomic clock dating back to 1527 and earlier. The final result is a short four-minute piece extending the chimes into a longer melodic line. The trio have a number of extended effects to play: Anna made her debut playing claves last night,...

INTERNAL PAGES

petereynoldscomposer.blogspot.com

1

Peter Reynolds: May 2016

http://petereynoldscomposer.blogspot.com/2016_05_01_archive.html

Thursday, 19 May 2016. Latvia's leading composer P. I remember first hearing his music back in 1996 when the whole festival was devoted to music from the Baltic States (the first major exposure to this then unknown music in Britain). It was already a hugely rich selection of fantastic new pieces, but the one piece that absolutely blew me away was Vasks’s. Symphony for Strings, Stimmen. John Kehoe's description of his music written now about twenty years ago still sums up his approach:. Vale of Glamorgan ...

2

Peter Reynolds: September 2016

http://petereynoldscomposer.blogspot.com/2016_09_01_archive.html

Sunday, 25 September 2016. I've been down in West Wales for several days taking part in workshops to encourage school age students to compose. The scheme is run by Dyfed Young Composers – a scheme in which young composers in Carmarthenshire, Ceredigion and Pembrokshire work with top quality players. This year they will be working with violinist Steve Bingham. And percussionist Chris Brannick. I was honoured to be their Composer in Residence between 2010-13 and am very happy to be back again this year.

3

Peter Reynolds: Love from Latvia

http://petereynoldscomposer.blogspot.com/2016/05/love-from-latvia.html

Thursday, 19 May 2016. Latvia's leading composer P. I remember first hearing his music back in 1996 when the whole festival was devoted to music from the Baltic States (the first major exposure to this then unknown music in Britain). It was already a hugely rich selection of fantastic new pieces, but the one piece that absolutely blew me away was Vasks’s. Symphony for Strings, Stimmen. John Kehoe's description of his music written now about twenty years ago still sums up his approach:. Vale of Glamorgan ...

4

Peter Reynolds: Norman Borders

http://petereynoldscomposer.blogspot.com/2016/10/norman-borders.html

Sunday, 2 October 2016. I'm very lucky to have had two carefully prepared performances this weekend of a new piece given by Borders Trio. The piece, Le Gros Horlage. For clarinet, violin and piano, is based on the chimes of the Great Clock in Rouen, France – an astronomic clock dating back to 1527 and earlier. The final result is a short four-minute piece extending the chimes into a longer melodic line. The trio have a number of extended effects to play: Anna made her debut playing claves last night,...

5

Peter Reynolds: April 2016

http://petereynoldscomposer.blogspot.com/2016_04_01_archive.html

Friday, 1 April 2016. 59 Pieces of Music in Four Days. Today is my final day at the 2016 ISCM Music Days in Tongyeong in South Korea. The cherry blossom is in full bloom, but the view of the islands over the peninsula is misty and evocative. One of the most evocative pieces, filled with delicate colours was Midsummer Song. By Lithuanian composers Raminta. B1975) played by the strings of the Hong Kong New Music Ensemble (30 March). B1984), Unleash the beauty of your eyes. S Prayer of the Firmament. S Five...

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Peter Reynolds

Sunday, 2 October 2016. I'm very lucky to have had two carefully prepared performances this weekend of a new piece given by Borders Trio. The piece, Le Gros Horlage. For clarinet, violin and piano, is based on the chimes of the Great Clock in Rouen, France – an astronomic clock dating back to 1527 and earlier. The final result is a short four-minute piece extending the chimes into a longer melodic line. The trio have a number of extended effects to play: Anna made her debut playing claves last night,...

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