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Phil(ip) Brownlee - composer, sound artist

Composer, sound artist. Phil Brownlee is a composer, sound artist, and sound engineer, based in Wellington, New Zealand. As a composer of concert music. His work is published under the name Philip Brownlee. As well as composing concert music, he is also interested in working with recorded sound, improvised performance, and collaborative approaches to sound-making. Page for more information. Ko te tātai whetū broadcast. This Friday, 22 April, at 7pm NZST, Radio New Zealand Concert. Ko te tātai whetū.

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Phil(ip) Brownlee - composer, sound artist | philbrownlee.co.nz Reviews
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Composer, sound artist. Phil Brownlee is a composer, sound artist, and sound engineer, based in Wellington, New Zealand. As a composer of concert music. His work is published under the name Philip Brownlee. As well as composing concert music, he is also interested in working with recorded sound, improvised performance, and collaborative approaches to sound-making. Page for more information. Ko te tātai whetū broadcast. This Friday, 22 April, at 7pm NZST, Radio New Zealand Concert. Ko te tātai whetū.
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Phil(ip) Brownlee - composer, sound artist | philbrownlee.co.nz Reviews

https://philbrownlee.co.nz

Composer, sound artist. Phil Brownlee is a composer, sound artist, and sound engineer, based in Wellington, New Zealand. As a composer of concert music. His work is published under the name Philip Brownlee. As well as composing concert music, he is also interested in working with recorded sound, improvised performance, and collaborative approaches to sound-making. Page for more information. Ko te tātai whetū broadcast. This Friday, 22 April, at 7pm NZST, Radio New Zealand Concert. Ko te tātai whetū.

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philbrownlee.co.nz philbrownlee.co.nz
1

Concert Music | Phil(ip) Brownlee

http://philbrownlee.co.nz/music/concert-music

Composer, sound artist. Ko te tātai whetū. Concerto for taonga pūoro and orchestra. Composed in collaboration with Ariana Tikao. Oboe, clarinet, bassoon. Canzona per sonare: Degraded Echoes. Recorder, string quartet. The stars like years. Clarinet quartet (E , 2 B , bass). Clarinet quartet (E , 2 B , bass). He rimu pae noa. Taonga pūoro (1 or 2 players), flute, clarinet, violin, cello, piano. As if to catch the fleeting tail of time. Solo guitar, 2 6 other players (instrumentation flexible). Cat, Dog, Pie.

2

Travelling Spirits | Phil(ip) Brownlee

http://philbrownlee.co.nz/travelling-spirits

Composer, sound artist. NZ Music for Woodwind review. NZ Music for Woodwind 2015 →. My friends Rowena Simpson (soprano) and Kamala Bain (recorders) are giving two concerts in Wellington next week. The programme is titled. And features old and new music for voice and recorder. The new music includes pieces by Nicola LeFanu, John Rodgers, Karel van Steenhoven, Lyell Cresswell, Dorothy Ker, Helen Fisher, as well as the première of my new piece,. Commissioned by Rowena and Kamala. NZ Music for Woodwind review.

3

Phil(ip) Brownlee - composer, sound artist | Page 2

http://philbrownlee.co.nz/page/2

Composer, sound artist. Phil Brownlee is a composer, sound artist, and sound engineer, based in Wellington, New Zealand. As a composer of concert music. His work is published under the name Philip Brownlee. As well as composing concert music, he is also interested in working with recorded sound, improvised performance, and collaborative approaches to sound-making. Page for more information. Newer posts →. Mists and Voices on Sound Lounge. The electroacoustic piece Mists and Voices. Also, my piece,. My pa...

4

New Zealand Music for Woodwind | Phil(ip) Brownlee

http://philbrownlee.co.nz/new-zealand-music-for-woodwind

Composer, sound artist. Tendril and Nebula, Q Theatre, Auckland. NZ Music for Woodwind review →. New Zealand Music for Woodwind. New Zealand Music for Woodwind. Concert is coming up on 14 May. This year it features music by Kenneth Young. And the première of my new piece,. For recorder and dulcian, written for Ben and Kamala Bain. The concert’s part of the St Andrew’s on the Terrace Lunchtime Concert Series. Wednesday 14 May, 12:15 pm, St Andrews on the Terrace, Wellington. And it’s free.

5

philbrownlee | Phil(ip) Brownlee

http://philbrownlee.co.nz/author/philbrownlee

Composer, sound artist. Ko te tātai whetū broadcast. This Friday, 22 April, at 7pm NZST, Radio New Zealand Concert. Will broadcast the Christchurch Symphony Orchestra’s. Concert from June last year. This includes the premiere of Ko te tātai whetū. The piece for taonga pūoro and orchestra composed in collaboration with Ariana Tikao. The complete concert also includes music by Peter Sculthorpe, Lissa Meridan, and Béla Bartók. Ko te tātai whetū recording. A video of the premiere of. Ko te tātai whetū. And w...

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October | 2012 | Phil Brownlee

https://philbrownlee.wordpress.com/2012/10

Play more, edit less. Monthly Archives: October 2012. I’ve been working on a project preparing archival recordings for broadcast. This is part of the Resound. Project, a collaboration between Radio NZ Concert and SOUNZ which aims to make Radio NZ Concert’s New Zealand Composers Archive available selected works are being broadcast in Sound Lounge. Between now and the end of the year, and most of the archive is available online, as media on demand at the SOUNZ. This entry was posted in Audio.

philbrownlee.wordpress.com philbrownlee.wordpress.com

About | Phil Brownlee

https://philbrownlee.wordpress.com/about

Play more, edit less. I’m a composer, sound artist and sound engineer. There’s some information about my music/art activities at my other website. I live in Wellington, New Zealand, with my family and numerous animals. I work for Radio New Zealand. Mostly making pre-recorded studio programmes. Nothing I write here should be taken as speaking for RNZ. This is mostly a place to give voice to the things that keep me awake at night. Share on Facebook (Opens in new window).

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November | 2012 | Phil Brownlee

https://philbrownlee.wordpress.com/2012/11

Play more, edit less. Monthly Archives: November 2012. About a week ago, I recorded an interview with Bryan Crump, for his Radio New Zealand Nights. Show It’s a regular segment, where Bryan talks to a musician about their instrument, without mentioning the instrument by name. Previous episodes can be found in the Programme Library. On each Friday. It’s an interesting angle, and there are some good conversations there. Mine was on air tonight, and it’s now online. Of which another instalment is forthcomin...

philbrownlee.wordpress.com philbrownlee.wordpress.com

Work in progress, with documentation | Phil Brownlee

https://philbrownlee.wordpress.com/2013/01/06/work-in-progress-document

Play more, edit less. Work in progress, with documentation. I’m happy to say that I’m working on a new concert piece, for performance in early 2013. I’m going to attempt to document some of the process of making it here. It’s probably not going to be a detailed diary more an occasional discussion of some of the larger questions in the background. I’m also interested in the idea of putting some of my creative process into the open I’d love to read this sort of thing about other composers’ work. You are co...

canz.net.nz canz.net.nz

CANZ Members’ Web Links | Composers Association of New Zealand

http://canz.net.nz/useful-info/canz-members

Composers Association of New Zealand. CANZ Members’ Web Links. If you would like your website or email address listed here, please contact webmaster@canz.net.nz. Joanie Chung Yee Lee. Te Ahukaramū Charles Royal. Alex van den Broek.

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white & red | LUX | idealstate recordings

http://idealstaterecordings.bandcamp.com/album/white-red-lux

White and red LUX. By lee noyes w- phil brownlee jérôme poirier. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Compact Disc Digital Download. Limited edition physical release comes in 300gsm printed digifile sleeve. Price includes international shipping. Includes unlimited streaming of. White and red LUX. Via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Ships out within 2 days. Released July 1, 2011. His electroacoust...

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What’s my instrument? | Phil Brownlee

https://philbrownlee.wordpress.com/2012/11/08/whats-my-instrument

Play more, edit less. About a week ago, I recorded an interview with Bryan Crump, for his Radio New Zealand Nights. Show It’s a regular segment, where Bryan talks to a musician about their instrument, without mentioning the instrument by name. Previous episodes can be found in the Programme Library. On each Friday. It’s an interesting angle, and there are some good conversations there. Mine was on air tonight, and it’s now online. Of which another instalment is forthcoming): while much of the source mate...

philbrownlee.wordpress.com philbrownlee.wordpress.com

Remastering electroacoustic music | Phil Brownlee

https://philbrownlee.wordpress.com/2012/10/03/thoughts-on-remastering-electroacoustic-music

Play more, edit less. I’ve been working on a project preparing archival recordings for broadcast. This is part of the Resound. Project, a collaboration between Radio NZ Concert and SOUNZ which aims to make Radio NZ Concert’s New Zealand Composers Archive available selected works are being broadcast in Sound Lounge. Between now and the end of the year, and most of the archive is available online, as media on demand at the SOUNZ. But the example that really raised these questions was a piece of my own.

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Phil(ip) Brownlee - composer, sound artist

Composer, sound artist. Phil Brownlee is a composer, sound artist, and sound engineer, based in Wellington, New Zealand. As a composer of concert music. His work is published under the name Philip Brownlee. As well as composing concert music, he is also interested in working with recorded sound, improvised performance, and collaborative approaches to sound-making. Page for more information. Ko te tātai whetū broadcast. This Friday, 22 April, at 7pm NZST, Radio New Zealand Concert. Ko te tātai whetū.

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Phil Brownlee | Play more, edit less.

Play more, edit less. Some thoughts on Degraded Echoes. I should have written this months ago – some comments on the performance of Degraded Echoes. The piece was performed (twice) in April, by Stroma. As part of their programme ‘ The Mirror of Time 2. 8216;, at St Mary of the Angels. In Wellington. And I’d call it a success. The players understood it straight away, and gave a very sensitive performance. Thanks, Stroma! In short, the things I was worried about in my last post. There’s also a video. My co...

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