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The Philosopher's Gruel

Tuesday, December 2, 2008. Because Shakespeare had to work with a limited stage, and because of the ambiguity of his language there is often little stage direction to direct the actors as to how to interpret the script. However, he does give us a few clues. For example, in Act II, Scene 1, Gremio. Says, "Good morrow, neighbour Baptista. As they are the most dynamic characters and are constantly undergoing a power struggle. Depending on how the lines are read by both Kate and Petruchio. Yet despite the fa...

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The Philosopher's Gruel | philosophersgruel.blogspot.com Reviews

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Tuesday, December 2, 2008. Because Shakespeare had to work with a limited stage, and because of the ambiguity of his language there is often little stage direction to direct the actors as to how to interpret the script. However, he does give us a few clues. For example, in Act II, Scene 1, Gremio. Says, Good morrow, neighbour Baptista. As they are the most dynamic characters and are constantly undergoing a power struggle. Depending on how the lines are read by both Kate and Petruchio. Yet despite the fa...

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1 the philosopher's gruel

2 lucentio the loser

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4 ben grandy

5 3 comments

6 setting the stage

7 when they kiss

8 i am asham'd

9 no comments

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The Philosopher's Gruel | philosophersgruel.blogspot.com Reviews

https://philosophersgruel.blogspot.com

Tuesday, December 2, 2008. Because Shakespeare had to work with a limited stage, and because of the ambiguity of his language there is often little stage direction to direct the actors as to how to interpret the script. However, he does give us a few clues. For example, in Act II, Scene 1, Gremio. Says, "Good morrow, neighbour Baptista. As they are the most dynamic characters and are constantly undergoing a power struggle. Depending on how the lines are read by both Kate and Petruchio. Yet despite the fa...

INTERNAL PAGES

philosophersgruel.blogspot.com

1

The Philosopher's Gruel: Losing the good' in Goodman

http://www.philosophersgruel.blogspot.com/2008/10/losing-good-in-goodman.html

Wednesday, October 29, 2008. Losing the good' in Goodman. I definitely see how Brown falls into delusion, but I'm not necessarily sure if delusion and being initiated into reality are mutually exclusive, and in the story, I think Goodman becomes delusioned through his realization of reality. Subscribe to: Post Comments (Atom). Why Are You Here? Check out my other blog! You're Not My Real Dad. How to register/ vote on gaon social chart for Beast. Words From the Not So Wise. Setting the Shakespearean Stage.

2

The Philosopher's Gruel: October 2008

http://www.philosophersgruel.blogspot.com/2008_10_01_archive.html

Thursday, October 30, 2008. A Cheeseburger to feed Fortunado. Edgar Allan Poe makes good use of use of irony throughout "The Cast of Amontillado", and uses it in a way that contrasts the evilness of Montresor with normal socially accepted values. One particular passage where Poe utilizes all three forms of irony is in line 60, Montresor says. You are not one of the masons.". Yes, yes," I said, "yes. yes.". A mason," I replied. A sign," he said. You are not one of the masons.'. A mason,' I replied. I defi...

3

The Philosopher's Gruel: December 2008

http://www.philosophersgruel.blogspot.com/2008_12_01_archive.html

Tuesday, December 2, 2008. Because Shakespeare had to work with a limited stage, and because of the ambiguity of his language there is often little stage direction to direct the actors as to how to interpret the script. However, he does give us a few clues. For example, in Act II, Scene 1, Gremio. Says, "Good morrow, neighbour Baptista. As they are the most dynamic characters and are constantly undergoing a power struggle. Depending on how the lines are read by both Kate and Petruchio. Yet despite the fa...

4

The Philosopher's Gruel: November 2008

http://www.philosophersgruel.blogspot.com/2008_11_01_archive.html

Sunday, November 16, 2008. In "The Metamorphasis", Franz Kafka creates a viewpoint that is close to a first person view from Gregor. By doing so, Kafka lets the audience sympathize and empathize with Gregor, and presents his alienation in such a light that lets the audience easily relate. By keeping the viewpoint consistently from Gregor, the audience empathizes with the attacks from Gregor's sister,. If Kafka's "The Metamorphosis" strikes anyone as something more than an entomological fantasy, then I co...

5

The Philosopher's Gruel: Lucentio the Loser

http://www.philosophersgruel.blogspot.com/2008/12/lucentio-loser.html

Tuesday, December 2, 2008. This comment has been removed by the author. December 2, 2008 at 11:00 AM. I agree with you that Lucentio really ends up being the loser. At first he seems like he's hit the jackpot by marrying the beautiful Bianca but we do come to realize that their love is shallow like you said. December 2, 2008 at 11:05 AM. December 2, 2008 at 9:59 PM. Subscribe to: Post Comments (Atom). Why Are You Here? Check out my other blog! You're Not My Real Dad. Words From the Not So Wise.

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The Philosopher's Gruel

Tuesday, December 2, 2008. Because Shakespeare had to work with a limited stage, and because of the ambiguity of his language there is often little stage direction to direct the actors as to how to interpret the script. However, he does give us a few clues. For example, in Act II, Scene 1, Gremio. Says, "Good morrow, neighbour Baptista. As they are the most dynamic characters and are constantly undergoing a power struggle. Depending on how the lines are read by both Kate and Petruchio. Yet despite the fa...

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