Blog and website of digital choreographer and lighting designer Natalie Rowland
http://pitchblacklighting.wordpress.com/
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pitchblacklighting | Blog and website of digital choreographer and lighting designer Natalie Rowland | pitchblacklighting.wordpress.com Reviews
https://pitchblacklighting.wordpress.com
Blog and website of digital choreographer and lighting designer Natalie Rowland
pitchblacklighting.wordpress.com
Summer 2016: Studio session 2 – a slight tangent | pitchblacklighting
https://pitchblacklighting.wordpress.com/2016/09/29/summer-2016-studio-session-2-a-slight-tangent
Summer 2016: Studio session 2 – a slight tangent. September 29, 2016. What images can I create with LED that cannot be recreated through traditional lighting methods? Having spent a bit of time dwelling over the impact that the lighting desk and programming process has on my relationship with lighting I wanted to try something a bit different. LED Sphere and aerial sling 1. LED Sphere and aerial sling 2. And the latter seemed to be the most important, the most pertinent and the most interesting! This emp...
Papers and Publications | pitchblacklighting
https://pitchblacklighting.wordpress.com/papers-and-publications
Looking up while looking down. At The Mediated City conference, Ravensbourne College, presented by the Architecture Media Politics Society. 1-3. April 2014. Published online. The language of light in twenty-first century performance. At The University Research Conference, University of Chichester. 17. Lighting the lit; Luminosity as protagonist in mediated performance. At DRHA 2014 (Digital Research in the Humanities and Arts), University of Greenwich, 31. Looking up while looking down workshop. You are ...
Summer 2016: Studio Session 1 – planning | pitchblacklighting
https://pitchblacklighting.wordpress.com/2016/07/12/summer-2016-studio-session-1-planning
Summer 2016: Studio Session 1 – planning. July 12, 2016. I’ve established that when I visualise lighting I see shapes and movement. I then have to convert those into numbers in order to program the lights to create those images/structures. This enumeration often leads to simplification and compromises when the ‘system’ can’t create what I want. So the first question I want to consider in my practice is:. What is it that gets left out? What CAN I define/enumerate and what CAN’T I? The reason they are impo...
Emerging Never Arriving | pitchblacklighting
https://pitchblacklighting.wordpress.com/emerging-never-arriving
Was a collaborative choreographic work created through a practical exploration of ideas and themes from the PhD research of Alan Duffield (Royal Holloway University London). Natalie Rowland workshopped ideas of image and framing of the body using camera, handheld LED lighting and projection in order to further Duffield’s interrogation. The resulting section in. Aspects of this piece were discussed in two conference presentations:. Lighting the Lit: Luminosity as protagonist in mediated performance. You a...
Streetlights | pitchblacklighting
https://pitchblacklighting.wordpress.com/streetlights
Examined the notion that different light sources have a different visual language on the stage. Using. A Streetcar Named Desire. As a departure point, the work was created with choreographer Liz Richards and dancer Cornelia Turner-Klier, featuring tungsten, intelligent and digital lighting in a portrayal of themes and personalities within the play. Dancing light: developing the potential of light as a performer within contemporary dance. Leave a Reply Cancel reply. Enter your comment here.
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pitchblacklighting.wordpress.com
pitchblacklighting | Blog and website of digital choreographer and lighting designer Natalie Rowland
Summer 2016: Studio session 2 – a slight tangent. Squares and Circles – some frustrated ramblings. Movement language and LMA. Summer 2016: Studio Session 1 -response. Summer 2016: Studio Session 1 – practice. Summer 2016: Studio Session 1 – planning. Combattimento … version 2. June 20, 2016. Given that the opportunity was now there to light the work in a more text book manner (see previous blog post on the production in Venice), should I? The auditorium lights were on throughout, as is traditional at thi...
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