We are excited to inaugurate here a new, semi-annual feature of the journal: an online, open-access Forum, to be directed and edited by Holly Crocker, and to feature short responses, as well as debate and dialogue, relative to essays, reviews, and topics featured in regular issues of postmedieval: a journal of medieval cultural studies. It…
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postmedieval FORUM | A space for discussion and debate about all things post/medieval | postmedieval-forum.com Reviews
https://postmedieval-forum.com
We are excited to inaugurate here a new, semi-annual feature of the journal: an online, open-access Forum, to be directed and edited by Holly Crocker, and to feature short responses, as well as debate and dialogue, relative to essays, reviews, and topics featured in regular issues of postmedieval: a journal of medieval cultural studies. It…
postmedieval-forum.com
FORUM IV: PEDAGOGY | postmedieval FORUM
https://postmedieval-forum.com/forums/forum-iv-pedagogy
A space for discussion and debate about all things post/medieval. FORUM I: Historicity without Historicism? Responses to Paul Strohm. FORUM II: The State(s) of Review. FORUM V: PUBLIC MIDDLE AGES. FORUM IV: (Inter)Disciplinary Medievalist Pedagogy. In our fourth FORUM for. Our scholars choose as their topic the notion of interdisciplinary medievalist pedagogy. As Mary Dockray-Miller describes in her introduction. Inter)Disciplinary Medievalist Pedagogy: Introduction. Jennifer N. Brown. You are commenting...
FORUM V: PUBLIC MIDDLE AGES | postmedieval FORUM
https://postmedieval-forum.com/forums/forum-v-public-middle-ages
A space for discussion and debate about all things post/medieval. FORUM I: Historicity without Historicism? Responses to Paul Strohm. FORUM II: The State(s) of Review. FORUM V: PUBLIC MIDDLE AGES. FORUM V: PUBLIC MIDDLE AGES. FORUM V: PUBLIC MIDDLE AGES. 8230; If we’ve lost our institutional public, mightn’t we find or forge new ones? And yet don’t we facilitate the erosion of the humanities if we give up on the university as an intellectual home that provides institutional backing for our study of the M...
The Disorientation of Writing as a Public Medievalist | postmedieval FORUM
https://postmedieval-forum.com/forums/forum-v-public-middle-ages/the-disorientation-of-writing-as-a-public-medievalist
A space for discussion and debate about all things post/medieval. FORUM I: Historicity without Historicism? Responses to Paul Strohm. FORUM II: The State(s) of Review. FORUM V: PUBLIC MIDDLE AGES. The Disorientation of Writing as a Public Medievalist. Department of History, Dominican University, River Forest, IL, USA. And unwittingly launched myself into a career as a public author. I now live a kind of dual life as a writer. I produce medieval scholarship ( my book. Myth Modern journalists too often use...
Public Medievalism and the Common Life | postmedieval FORUM
https://postmedieval-forum.com/forums/forum-v-public-middle-ages/public-medievalism-and-the-common-life
A space for discussion and debate about all things post/medieval. FORUM I: Historicity without Historicism? Responses to Paul Strohm. FORUM II: The State(s) of Review. FORUM V: PUBLIC MIDDLE AGES. Public Medievalism and the Common Life. Department of English, University of Virginia, Charlottesville, VA, USA. 108 111). A very different example can be found in the work of John Boswell, whose academic book. Christianity, Social Tolerance, and Homosexuality. How Soon Is Now? The useful craft of amateurism is...
A Social Media Strategy for Medievalists (Seven Theses) | postmedieval FORUM
https://postmedieval-forum.com/forums/forum-v-public-middle-ages/a-social-media-strategy-for-medievalists
A space for discussion and debate about all things post/medieval. FORUM I: Historicity without Historicism? Responses to Paul Strohm. FORUM II: The State(s) of Review. FORUM V: PUBLIC MIDDLE AGES. A Social Media Strategy for Medievalists (Seven Theses). Brantley L. Bryant. Department of English, Sonoma State University, Rohnert Park, CA, USA. Medievalists have been using electronic communication and resources for decades, and today’s social media can allow us to build on our previous work. I THE SOCIAL M...
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In the Middle: February 2015
http://www.inthemedievalmiddle.com/2015_02_01_archive.html
Friday, February 27, 2015. Applications Now Welcome for the 2015 James Paxson Memorial Travel Grant. It's that time of year again: the application process is now open for the James J. Paxson Memorial Travel Grant for Scholars of Limited Funds, initiated by a generous gift from a former student of Jim's at the University of Florida, Mead Bowen, and sponsored by the BABEL Working Group. The grant was specifically established to aid scholars to travel to the International Congress on Medieval Studies. Cambr...
In the Middle: April 2015
http://www.inthemedievalmiddle.com/2015_04_01_archive.html
Wednesday, April 29, 2015. Nothing Has Yet Been Said: On the Non-Existence of Academic Freedom and the Necessity of Inoperative Communities. Still image from Wes Anderson's The Royal Tenenbaums. Nothing Has Yet Been Said: On the Non-Existence of Academic Freedom and the Necessity of Inoperative Community. Eileen A. Joy. Jean-Luc Nancy, The Inoperative Community. Michel Foucault, Preface to Deleuze and Guattari, Anti-Oedipus. That adorns the poster for this talk. Why this image? Looking for their estrange...
How Did We Get Into This Mess?: postmedieval Reactions: Brantley Bryant's Seven Theses
http://www.thismess.net/2015/08/postmedieval-reactions-brantley-bryants.html
Friday, August 7, 2015. Postmedieval Reactions: Brantley Bryant's Seven Theses. I'm working through the fascinating postmedieval. Forum about the public Middle Ages. Starting with Brantley Bryant's Seven Theses for " A Social Media Strategy. Editor emailed me asking questions about the papacy and race (early North African popes), and I responded with an answer and a new pitch. When Francis was announced, I had filed a new piece on "the importance of being Francis. Speed matters, and that can be the harde...
How Did We Get Into This Mess?: postmedieval reactions: The Digital Middle Ages
http://www.thismess.net/2015/08/postmedieval-reactions-digital-middle.html
Tuesday, August 11, 2015. Postmedieval reactions: The Digital Middle Ages. I am continuing to work through the postmedieval. Forum about the public Middle Ages. Today, Kathleen Kennedy on " The Digital Middle Ages. Later, she adds:. I'm interested in the hyperlexic and hyperscribal nature of modern society, in which people are reading, writing, and sharing (as Kennedy says) at a scale hitherto unimaginable. And afterwards, you can download Kennedy's free ebook, Medieval Hackers. View my complete profile.
How Did We Get Into This Mess?: postmedieval reactions: Does Format Matter?
http://www.thismess.net/2015/08/postmedieval-reactions-does-format.html
Thursday, August 13, 2015. Postmedieval reactions: Does Format Matter? Continue my series on I am continuing to work through the postmedieval forum about the public Middle Ages. Today, Matt Gabriele on " There is no public Middle Ages. In this piece, Gabriele argues provocatively that context matters less than we think. He writes:. I more or less agree. There are all kinds of consequences that follow depending on where we practice history, but the core activity is the same. August 14, 2015 at 6:28 AM.
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Under Construction postmediaworld.org
Postmediaworld.org This website is under development. Find the domain name that will define your brand. Choose from 450 different domain extensions and our marketplace of premium domains. Add a 1-year Value Hosting plan to your domain, and get the following for only CAD. Unlimited bandwith and storage. Easy to use Plesk panel. One-click install WordPress, Drupal, Joomla and more. 30-day money back guarantee. Toll free customer support 7 days/week. We make things easy. We're just a phone call or email.
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16 August, 2015. Promis, Skandale & Gossip. Promis, Skandale & Gossip. Pop-up-Werbungen bleiben länger in Erinnerung. USA und Kuba machen ohne die Schweiz weiter. Nationalrat schlägt Tür zu, Milchkuh geht vors Volk. Neue Hypo-Risiken wegen Negativzinsen. Integration von Flüchtlingen: SVP-Politiker engagiert sich. Kritik am Schweizer Nachrichtendienstgesetz. Zuwanderung soll nochmals vors Volk. Kantone ziehen Schraube bei Sozialhilfe an. Ganz im Zeichen der Wahlen. Nur noch ein Volk von Schluckern. Einmal...
postmedieval FORUM | A space for discussion and debate about all things post/medieval
A space for discussion and debate about all things post/medieval. FORUM I: Historicity without Historicism? Responses to Paul Strohm. FORUM II: The State(s) of Review. FORUM V: PUBLIC MIDDLE AGES. We are excited to inaugurate here a new, semi-annual feature of the journal: an online, open-access Forum, to be directed and edited by Holly Crocker. And to feature short responses, as well as debate and dialogue, relative to essays, reviews, and topics featured in regular issues of. The Digital Middle Ages.
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postmedieval – crowd review | The crowd review site for postmedieval's Becoming-Media issue.
Postmedieval – crowd review. The crowd review site for postmedieval's Becoming-Media issue. Editors’ vision statement. Seeta Chaganti – “Danse Macabre in the Virtual Churchyard”. Eddie Christie – “Writing in Wax, Writing in Water”. Arne Flaten – Reproducible Media(s) in the Early Fifteenth Century, Mostly Italian. Julia Lupton – Thinking with Things: Hannah Woolley to Hannah Arendt. Eugene Thacker – The Wayless Abyss: Mysticism and Mediation. Sign up for email alerts. Join 25 other followers.
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Universität für angewandte Kunst. Institut für bildende und mediale Kunst. Alle auf dieser Webseite befindlichen Materialien sind urheberrechtlich geschützt und stehen ausschließlich für Studienzwecke zur Verfügung. Kunst und editorische Praxis. Die Geste des Schreibens. Artscribe: Kunst und editorische Praxis. Die Studierenden werden Schritt für Schritt an das Schreiben über Kunst sowie an editorische Prozesse herangeführt. Anhand zahlreicher Textbeispiele und der Besprechung von Kunstwerke werden u...
Post-Medium Critique » At the Intersection of Art and New Media
At the Intersection of Art and New Media. Anne Spalter’s Scenes from the North Pole of Transcendence I. Nearly thirty years ago, Rosalind Krauss produced the preeminent analysis of the singular structure most unique to, most resonant with, and most emblematic of the aims of modern art – the grid. What the grid initiates with the symmetry of its abstract purity, the circle extends, in a new form that could be taken […]. The Affective Index in Video’s Depiction of Desire Integrating the polarities of high ...
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