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Rita Evans

Wool Matrix, 2015, Rita Evans at the Backstage Centre, 10th May 2015. Watch Preview Video 1. Watch Preview Video 2. This was an afternoon of spontaneous live performances involving the local community in Thurrock, Essex at the Backstage Centre at High House Production Park, Essex, an arena-scale live sound stage on site at my current residency. The flow of the afternoon involved:. Suspension Piece for Singers. Score for Stage Hands. Rita Evans 2014 Powered by Wordpress.

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Wool Matrix, 2015, Rita Evans at the Backstage Centre, 10th May 2015. Watch Preview Video 1. Watch Preview Video 2. This was an afternoon of spontaneous live performances involving the local community in Thurrock, Essex at the Backstage Centre at High House Production Park, Essex, an arena-scale live sound stage on site at my current residency. The flow of the afternoon involved:. Suspension Piece for Singers. Score for Stage Hands. Rita Evans 2014 Powered by Wordpress.
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Rita Evans | ritaevans.com Reviews

https://ritaevans.com

Wool Matrix, 2015, Rita Evans at the Backstage Centre, 10th May 2015. Watch Preview Video 1. Watch Preview Video 2. This was an afternoon of spontaneous live performances involving the local community in Thurrock, Essex at the Backstage Centre at High House Production Park, Essex, an arena-scale live sound stage on site at my current residency. The flow of the afternoon involved:. Suspension Piece for Singers. Score for Stage Hands. Rita Evans 2014 Powered by Wordpress.

INTERNAL PAGES

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1

News « Rita Evans

http://ritaevans.com/category/news

April 8, 2016. February 7, 2016. Atlantic Center for the Arts Residency #160. Supported by Sally Hands Foundation Scholarship and Canada Council for the Arts. February 6, 2016. EMERGENCY 2015/16, Aspex. Selected by Suki Chan, artist; Karen Mackinnon, Director and Curator, Artes Mundi; Kwong Lee, Director, Castlefield Gallery; and Joanne Bushnell, Director, Aspex. November 7, 2015. OUTPOST Members’ Show 2015, selected by Nik Void. The work links the audience to the emotive element experienced with improvi...

2

Video « Format « Rita Evans

http://ritaevans.com/type/video

Rita Evans 2014 Powered by Wordpress.

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Rita Evans

http://ritaevans.com/portfolio-post/wool-matrix-2

Performed on 10th May at The Backstage Centre in Essex. Is a temporary materially based sculptural frame, part architecture, part diagram that is bound together and performed using wool and a variety of microphones. Knitters use custom-made amplified knitting needles to plug into the sensitive sculpture and to create layered patterns of rhythmic stitching sounds, their work driven by a live digital video projection ‘score’ that interchanges between. Diverse in its use of materials,. Central to Evans conc...

4

Drawings « Rita Evans

http://ritaevans.com/category/drawings

July 13, 2016. April 24, 2016. April 24, 2016. April 24, 2016. October 3, 2015. August 23, 2015. August 23, 2015. August 23, 2015. June 10, 2015. June 10, 2015. June 10, 2015. June 10, 2015. May 15, 2015. May 15, 2015. May 3, 2015. April 27, 2015. April 27, 2015. April 8, 2015. March 29, 2015. March 16, 2015. Eyeballs in plastic bags hanging from melting framework, 2013. September 4, 2014. Proposal Sculptures for a non-polite exhibition:. September 1, 2014. September 1, 2014. Proposal / Plan 4.

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Stephen Cripps’ Studio Award 2014/15 « Rita Evans

http://ritaevans.com/stephen-cripps-award-201415

Stephen Cripps’ Studio Award 2014/15. Disembodied Light Orchestra, (stills) 2009. Has been selected for the 2014/15 Stephen Cripps’ Studio Award. An annual award for artists whose practice is rooted in sculpture which embraces elements of light, movement, machinery, sound or performance and is based at Acme Studios’ new-build studios. At High House Production Park in Thurrock. Speaking about the panel’s decision, Anne Bean. The studio provision will be imagined as a nerve centre, with the upstairs work/l...

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News « Julia Mariscal

http://www.juliamariscal.com/news

2015, The angle. 2015, Forat al terra. 2014, To marvel out. 2013, Age of Sand. 2013, From foreign to. 2013, Une ligne. 2008, The Objectifiers. 2009, Horizontal Pleat. 2008, A walk. Bio – CV. 18 December 2012 to 27 January 2013. Curated by Alexandra Laudo. La Capella, Barcelona. Els Agricultors, recol lectar i/o manipular. 27 Nov, 2014 11 Jan, 2015. Sant Andreu Contemporani, Barcelona. Curated by Sema D’acosta. El estado mental radio. From 22 November 2012. El estado mental radio. 11 Dec 16 Dec, 2015.

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Welcome : 38b

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Find us Contact us. John Powell-Jones - Into The Abyss. Emily Speed - Model Village? Ben Newman - PRIME. Contents May Be All Kinds Of Wonderful. Tom Railton - Augury. Yvonne Carmichael - Retail Aesthetics. Luke Drozd - Bag Juice (Juicy Juice). Nous Vous - CHUBBY STUMPS. Edward Newton - Others. Jennifer Bailey - New Girls. I HAVE NO USE FOR THE TRUTH. A Very Special Episode. Treating Objects Like Women. Now Owl Double EP Launch. Radio Anti Domestic Transmission. Elizabeth / Maurizio Abate / ABOVE the TREE.

thisorthateagle.blogspot.com thisorthateagle.blogspot.com

This or That Eagle: June 2010

http://thisorthateagle.blogspot.com/2010_06_01_archive.html

Robert Hunt James Pepper Rosanne Robertson. Are interested in what gets included and excluded in a context reluctant to recognise anything different from itself, an art context or any other context. Thursday, 24 June 2010. Jan Verwoert 'Emergence: On the Painting of Tomma Abts':. 8221;http:/ www.davidzwirner.com/resources/34608/TA%20Verwoert%2005.pdf. Cath Ferguson 'A Future for Formalism':. Http:/ www.miriad.mmu.ac.uk/ama/modernism/8-catherine-ferguson.php. Anton Vidokle 'Art Without Artists':. UAG now ...

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Acme Studios - News

http://m.acme.org.uk/aboutacme/news?year=2015

Publication presents pioneering, ongoing collaboration between Acme Studios and Central Saint Martins. Studios for artists: concepts and concrete. A collaboration between Acme Studios and Central Saint Martins. Studios for artists: concepts and concrete. A collaboration between Acme Studios and Central Saint Martins. Is available from Black Dog Publishing priced £19.95: http:/ blackdogonline.com/all-books/studios-for-artists.html. Third Stephen Cripps' Studio Award open for applications. Is a major creat...

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Amb qui col•laboram? - NAT Projectes

http://natprojectes.com/organitzacio/col·laboradors

Serveis culturals i ambientals. Qué és NAT Projectes? Per a qui hem treballat? Amb qui col laboram? Amb qui col laboram? Treballa en col laboració amb empreses, organismes, institucions i professionals dels diferents àmbits de treball. Alguns d’ells són:. GALERIES D’ART I AGENTS CULTURALS. Annely Juda Fine Art. Addaya Centre d Art Contemporani. CaixaForum Palma. Obra Social “La Caixa”. Casal Solleric. Fundació Palma Espai d’Art. Fundació Casa Museu LLorenç Villalonga, Pare Ginard i Blai Bonet.

juliamariscal.com juliamariscal.com

The Objectifiers « Julia Mariscal

http://www.juliamariscal.com/the-objectifiers

2015, The angle. 2015, Forat al terra. 2014, To marvel out. 2013, Age of Sand. 2013, From foreign to. 2013, Une ligne. 2008, The Objectifiers. 2009, Horizontal Pleat. 2008, A walk. Bio – CV. The Objectifiers is a collaboration between Rita Evans and Julia Mariscal, the performances are based on their shared interest in the history and narratives of materials and how materials transform and evolve from one state into another. 8216;Salt Factory Colour Clock’. 140 x 220 cm. 8216;Salt in factory’. Following ...

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Rita Evans

Wool Matrix, 2015, Rita Evans at the Backstage Centre, 10th May 2015. Watch Preview Video 1. Watch Preview Video 2. This was an afternoon of spontaneous live performances involving the local community in Thurrock, Essex at the Backstage Centre at High House Production Park, Essex, an arena-scale live sound stage on site at my current residency. The flow of the afternoon involved:. Suspension Piece for Singers. Score for Stage Hands. Rita Evans 2014 Powered by Wordpress.

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Monday, April 13, 2009. My High museum paper. The piece that identifies historical moment in time are the arrowhead I saw in The first emperor special collection. These arrowheads are artifacts that come from the Qin Dynasty (221-206) B.C. in China. I also saw some ritual food vessel that came from the Qin state ( 222 B.C). SElf portrait This is me! 160;with some i just ate LOL. Sunday, April 12, 2009. These are some pictures that were said to represent human condition! My top Blog Spots!