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Front Tears | Christine Dixie

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In the Collection of:. For available prints from this edition contact Sulger-Buel Lovell Gallery. The New York Public Library. Nelson Mandela Metropolitan Museum. Sanlam Corporate Art Collection. The Johannesburg Art Museum. MTN South African Art Collection. Series of works exhibited:. Against the Picturesque by John Walters and Brenda Schmahmann. Thresholds, Bloodspoor by David Bunn. Website designed by Salmon Roe Studios. Against the Picturesque: Christine Dixie’s Bloodspoor (1997). The sixth and eight...

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Parturient Prospects | Christine Dixie

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In the Collection of:. For available works from this exhibition contact Sulger-Buel Lovell Gallery. The Nelson Mandela Metropolitan Museum. Prof Karen von Veh. Prof Karen von Veh is an Associate Professor at the University of Johannesburg. She has published extensively on South African Contemporary Art. Her specialities include the transgressive use of religious iconography in the South African context and Gender studies and visual culture. Figuring Maternity by Brenda Schmahmann. In the Birthing Tray.

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To Be King | Christine Dixie

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In the Collection of:. For further information contact Sulger-Buel Lovell Gallery. The National Arts Festival, South Africa, July 2014. The Cape Town Art Fair, Feb. 2015. The Weiner Festwochen Exhibition, Vienna, May 2015. The Visual Field and the Place of the King by James Sey. Colonising Las Meninas (3:44 min). Website designed by Salmon Roe Studios. To Be King: Colonising Foucault's Las Mininas. At the centre of the To Be King. By Velásquez and the text Las Meninas. In the narrative of To Be King.

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Group Exhibitions | Christine Dixie

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Heaven, Hell, Purgatory The Divine Comedy from the Perspective of Contemporary African Artists, Savannah College of Art and Design, Georgia, USA, The Smithsonian National Museum of African Art, Washington D.C. U/Tropia, Weiner Festchochen, Vienna. Battleground, National Arts Festival, Albany History Museum, Grahamstown. Deconstructing Dogma: an exhibition of transgressive Christian iconography in South African Art, UJ Gallery, Johannesburg. Recent Acquisitions, Unisa Art Gallery, Pretoria. About Face, Ne...

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Corporeal Prospects | Christine Dixie

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This exhibition showcases work that was made over a fifteen year time span, from 1993-2007. Artworks on the exhibition are drawn from solo exhibitions such as FrontTears (1997); Track (2000); Hide (2002) and Parturient Prospects (2007). Thematically the works reveal psychosexual dynamics, feminist concerns and critical interrogations of a colonial landscape tradition. For available prints from this edition contact Sulger-Buel Lovell Gallery. Art South Africa, Vol 06, issue 02, summer 2007.

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Hide | Christine Dixie

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In the Collection of:. For available prints from this edition contact Sulger-Buel Lovell Gallery. Isiko National Museum of South Africa. Rhodes University Art Collection. Smithsonian National Museum of African Art. The University of Stellenbosch Gallery. Smith, Kathryn. 'Hide' at Millennium II. Garman, Anthea. 'Searching for the dispossessed'. Earth Matters by Dr. Karen Milbourne. Redoubled Lives by David Bunn. Details of Hide (1:34 min). Website designed by Salmon Roe Studios. It is also in Even in the ...

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Track | Christine Dixie

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For available prints from this edition contact Sulger-Buel Lovell Gallery. The Ibis Art Centre, Nieu Bethesda, 1999. The Market Theatre Gallery, Johannesburg, 2000. Text by Jo Ractliffe. Track by Christine Dixie. Website designed by Salmon Roe Studios. Opening speech at the Market Theatre Gallery, by Jo Ractliffe on the 16 October 2000. From the Corporeal Prospects Catalogue (2007). A Sidelong Glance: Christine Dixie’s thresholds David Bunn. In the veld around the carriages lie dust covered debris that t...

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Home | Christine Dixie

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Christine Beatrice Dixie (South Africa, 1966) has made a philosophical habit of juxtaposing one story against another, leaving the viewer with a sense that they are caught at the intersection of contending narratives. Her work is intent on drawing the viewer into a mesmeric yet disquieting space. A deceptively calm surface is disrupted by an undercurrent, a counter-narrative that threatens to disrupt a tenuous vision of logic and stability. Director (based in Cape town). 27 79 176 4292.

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The Binding | Christine Dixie

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In the Collection of:. For available prints from this edition contact Sulger-Buel Lovell Gallery. The Special Edition Artist’s Book on The Binding was acquired by the New York Public Library. For available books from this Edition contact Fourthwall Books. The Smithsonian Museum of African Art, Washington D.C. The Irma Stern Museum, Cape Town. Gallery AOP, Johannesburg,. The National Arts Festival Grahamstown. The Smithsonian Museum of African Art. Interview by Dr. Karen Milbourne. The Binding (10:11 min).