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Simon Parris: Man in Chair | Music Theatre, Opera and Ballet Reviews, News and Views

Music Theatre, Opera and Ballet Reviews, News and Views (by Simon Parris)

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Simon Parris: Man in Chair | Music Theatre, Opera and Ballet Reviews, News and Views | simonparrismaninchair.com Reviews

https://simonparrismaninchair.com

Music Theatre, Opera and Ballet Reviews, News and Views (by Simon Parris)

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1

Opera Australia: Turandot review [Sydney 2015] – Simon Parris: Man in Chair

http://simonparrismaninchair.com/2015/07/05/opera-australia-turandot-review-sydney-2015

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Opera Australia: Turandot review [Sydney 2015]. July 5, 2015. World-class singers enhance this decadently glossy production. On a crisp black and white canvas, Fredrikson makes splashes of gleaming yellows, along with occasional, carefully chosen strokes of red. Princess Turandot’s intricately embroidered white-on-white robe is a shimmering highlight. The lighting design of John Drummond Montgomery serves to both highlig...

2

Opera Australia: La Traviata review [Sydney 2015] – Simon Parris: Man in Chair

http://simonparrismaninchair.com/2015/07/04/opera-australia-la-traviata-review-sydney-2015

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Opera Australia: La Traviata review [Sydney 2015]. July 4, 2015. The production may be well known, and well loved, but the Opera Australia role debuts of soprano Lorina Gore and tenor Rame Lahaj make for a scintillating evening. Gore has played leads for Opera Australia and has played Violetta elsewhere, but the role debut on the Joan Sutherland Theatre stage at Sydney Opera House is a significant moment indeed. Gore...

3

Helpmann Nominations 2015 Announced – Simon Parris: Man in Chair

http://simonparrismaninchair.com/2015/06/22/helpmann-nominations-2015-announced

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Helpmann Nominations 2015 Announced. June 22, 2015. LPA Chief Executive Evelyn Richardson (above) introduced the annual awards. Sue Nattrass (above) spoke passionately about the ongoing legacy of conductor Brian Stacey, and introduced this year’s winner of the Brian Stacey Award for Emerging Australian Conductors, Jessica Gethin (below). Amy Lehpamer (below), presented with Colin Lane (below). Independent musicals have c...

4

Broadway – Simon Parris: Man in Chair

http://simonparrismaninchair.com/category/broadway

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. April 7, 2016. An all-star lead cast, stunning costumes and sensational tap choreography provide plenty of entertainment, but, despite all this razzle dazzle, Shuffle Along never really takes flight. Hamilton: an American Musical review. April 7, 2016. Little remains to be said about the success of Broadway mega-smash hit Hamilton, but does it hold up when viewed under the weight of extraordinarily high expectations?

5

Dance – Simon Parris: Man in Chair

http://simonparrismaninchair.com/category/dance

Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Bangarra Dance Theatre: OUR Land People Stories review [Melbourne]. September 3, 2016. In a highly affecting and inspiring trio of works, Bangarra Dance Theatre acknowledges and celebrates history, family and art in OUR land people stories. Houston Ballet: Romeo and Juliet review [Melbourne 2016]. July 1, 2016. Helpmann Nominations 2016 Announced. June 20, 2016. The Australian Ballet: Swan Lake review [Melbourne 2016].

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Interview with Mariusz Kwiecien | operatraveller

https://operatraveller.com/2015/05/18/interview-with-mariusz-kwiecien

Operatic wanderer Flâneur lyrique. Audio and Video Recordings. Interview with Mariusz Kwiecien. Photo: M. Mikolajczyk. Mr Kwiecień, many congratulations on the first night of this new production of Król Roger. At the Royal Opera. If I’m not mistaken this is the fourth new production of the work that you have done after Paris/Madrid, Santa Fe, Bilbao and now here in London. How important is Król Roger. For you to perform? Is the adventure that I took a couple of years ago and it’s growing. Król Roger is a...

deborahjones.me deborahjones.me

‘I am in the right place’ | deborah jones: FollowSpot

https://deborahjones.me/2015/04/24/i-am-in-the-right-place

Writing on dance, musical theatre, theatre and opera in Sydney … mostly. Skip to primary content. 8216;I am in the right place’. April 24, 2015. Robert Curran was a long-serving principal artist with The Australian Ballet, from which he retired in 2011. He’s now leading a small company in the United States and relishing a role that is both very similar – ballet is ballet, the studio is the studio – and yet very different from his former life. Century. George Balanchine came to the US in late 1933 and...

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Lumiere London – the nomads project

https://thenomadsproject.me/2016/01/17/lumiere-london-2

January 17, 2016. I attended the Lumiere London light festival over the last few days and here are some of my favourite photographs. If you missed out don’t worry there are a few sites that will continue to run for the next few days. There is also a light show on at Canary Wharf running until the 22nd of January that you can catch as well. By The Nomads Project. 24 thoughts on “ Lumiere London. January 17, 2016 at 2:16 pm. Your photos are amazing! January 17, 2016 at 2:17 pm. January 17, 2016 at 2:33 pm.

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Peter J Casey | major to minor

https://majortominor.wordpress.com/author/majortominor

Author Archives: Peter J Casey. The Sondheim Review: No guarantee of happiness. David Levy, keeping his ears open and his conclusions likely. The destructive potential of the American Dream. Mark Linehan (center) played John Wilkes Booth in New Repertory Theatre’s October 2014 production of Assassins in Watertown, MA. Photo by photos by Andrew Brilliant / Brilliant Pictures. It’s In Your Hands Now came from. It makes sense that if two shows were to share music, it would be the two written with John.

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Cabaret Songs | major to minor

https://majortominor.wordpress.com/cabaret-songs

Each title links back to the original post, should you fancy origin stories, links to our wider culture, blatherings etc. Every Disney love ballad from now on. No need to write another. Sheet music here. I Am Sick to Death of Hearing About the Weimar Republic. Self-explanatory title, I think. He Didn’t Say. From an unfinished musical. An entire relationship, start to finish, in about three minutes. Piano/vocal chart here. Hey Guys (An Apology to My Balls). A tender ballad about vasectomies. You are comme...

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What Hollywood’s Addiction to The Hero’s Journey is Doing to the Broadway Musical | major to minor

https://majortominor.wordpress.com/2015/04/10/what-hollywoods-addiction-to-the-heros-journey-is-doing-to-the-broadway-musical

What Hollywood’s Addiction to The Hero’s Journey is Doing to the Broadway Musical. Too many musicals are being made from films! But I don’t think the number. Of films becoming musicals is the real problem. If we want vibrant, innovative musicals, I think there’s a worse problem headed our way, assuming it’s not here already. Are you already familiar with the history of writing manuals for the screen, intentional and un-? You might like to skip this next bit. Otherwise, behold:. 8211; Joseph Campbell’s.

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Learn Your Intervals, Using Only Showtunes! (Descending Edition) | major to minor

https://majortominor.wordpress.com/2015/05/28/learn-your-intervals-using-only-showtunes-descending-edition

Learn Your Intervals, Using Only Showtunes! As promised, these are the descending intervals. Ascending ones are here. Click for full size:. These are notated as in their original vocal scores, and I’ve tried to stick with well-known parts of well-known tunes. I also tried to get around the decades a bit, because I didn’t want to play favourites. Speaking of favourites, delighted to hear any of yours I might have omitted. May 28, 2015. Learn Your Intervals, Using Only Showtunes! May 28, 2015 at 11:24 am.

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Renaissance Bloke | major to minor

https://majortominor.wordpress.com/renaissance-bloke

Co-written and directed by Carissa Campbell, was first performed in 2005, and for a little while thereafter. The show was recorded live at the Street Theatre, and the 500 CDs that resulted were all eventually sold or given away. So here it is in all its digital glory. I had no low notes (owing to hayfever), forgot some of my own lyrics, mangled a few chords, and I’m very proud of it. 3 Song For Sydney. 4 Last Week I Hit My Sexual Peak. 5 Aussie James Bond. 6 Don’t Miss the Show. 8 Insert Title Here.

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The Strangest Brief Ever | Bryant & Frank's Blog

https://bryantandfrank.wordpress.com/2013/04/26/the-strangest-brief-ever

Bryant and Frank's Blog. Musings on writing and directing musical theatre. Call Me Maybe – An Appreciation. Highlights of a Wild West End Week →. The Strangest Brief Ever. April 26, 2013. 8220;Hi Dean, this is Andy Walker from Fremantle”. 8220;Oh, hi, how you going? 8220;Good thanks, look I’m producing a new show for Channel 10 for Kat Stewart and Shaun Micallef and we’re doing this episode set backstage at a musical. Do you and Matt want to come in for a meeting? An Andrew Lloyd-Webber production? To be...

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