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Techniques Shivani uses

To finish her Oil paintings, Shivani has imrovised from the classic varnish by introducing a top layer of resin on some works. The resin makes colours vivid and introduces the desire in the viewer to touch the paintings. The texture of the oil paint comes through the resin. Small balls of gold or silver are placed between sheets of tissue paper laid in a leather pouch. This is beaten repeatedly but carefully with a heavy wooden hammer flattening the balls into paper thin sheets. When semi dry, colours ar...

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Techniques Shivani uses | sm-page4.blogspot.com Reviews
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To finish her Oil paintings, Shivani has imrovised from the classic varnish by introducing a top layer of resin on some works. The resin makes colours vivid and introduces the desire in the viewer to touch the paintings. The texture of the oil paint comes through the resin. Small balls of gold or silver are placed between sheets of tissue paper laid in a leather pouch. This is beaten repeatedly but carefully with a heavy wooden hammer flattening the balls into paper thin sheets. When semi dry, colours ar...
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Techniques Shivani uses | sm-page4.blogspot.com Reviews

https://sm-page4.blogspot.com

To finish her Oil paintings, Shivani has imrovised from the classic varnish by introducing a top layer of resin on some works. The resin makes colours vivid and introduces the desire in the viewer to touch the paintings. The texture of the oil paint comes through the resin. Small balls of gold or silver are placed between sheets of tissue paper laid in a leather pouch. This is beaten repeatedly but carefully with a heavy wooden hammer flattening the balls into paper thin sheets. When semi dry, colours ar...

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1

Techniques Shivani uses: Painting on Distressed wood

http://www.sm-page4.blogspot.com/2008/04/painting-on-distressed-wood.html

Painting on Distressed wood. The Mona Lisa is painted on Poplar wood. Wood as a base for painting has been popular with the Renaissance artists. When semi dry, colours are blended in using either a pallet knife, or any sharp object such as twigs, and nails. the paint is then left to dry further. The surface is scratched or smoothened further as appropriate. Click here to go to. Visits to the site.

2

Techniques Shivani uses: Silver leaf technique

http://www.sm-page4.blogspot.com/2008/04/silver-leaf-technique_17.html

Small balls of gold or silver are placed between sheets of tissue paper laid in a leather pouch. This is beaten repeatedly but carefully with a heavy wooden hammer flattening the balls into paper thin sheets. Click here to go to. Visits to the site.

3

Techniques Shivani uses: Resin

http://www.sm-page4.blogspot.com/2011/01/resin.html

To finish her Oil paintings, Shivani has imrovised from the classic varnish by introducing a top layer of resin on some works. The resin makes colours vivid and introduces the desire in the viewer to touch the paintings. The texture of the oil paint comes through the resin. Click here to go to. Visits to the site.

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Techniques Shivani uses

To finish her Oil paintings, Shivani has imrovised from the classic varnish by introducing a top layer of resin on some works. The resin makes colours vivid and introduces the desire in the viewer to touch the paintings. The texture of the oil paint comes through the resin. Small balls of gold or silver are placed between sheets of tissue paper laid in a leather pouch. This is beaten repeatedly but carefully with a heavy wooden hammer flattening the balls into paper thin sheets. When semi dry, colours ar...

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About the Artist

Shivani was born in Calcutta, India.A city brimming with art, culture and above all energy. She currently lives in London and works in the City. Shivani sees no contradiction in having an artistic mind and being a part of the corporate world. She believes that if the artist in you is alive, the creativity of your perspective reflects in your work in any sphere. What will be the next theme in my works? She has also been involved with various charities and 10 percent of all the money she raises from showin...

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