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art : a digital critique, by digital means // jessica fenlon

OBJECT EFFECTS ON BEHAVIOR. This text, written by art historian Claire Bishop, was published as a column in ArtForum's September 2012 issue. Mouse over the text to discover the holographic response. Visit my blog for 300 words about this project. Claire Bishop on Contemporary Art and New Media. Published in artForum, September 2012. WHATEVER HAPPENED TO DIGITAL ART? But somehow the venture never really gained traction - which is not to say that digital media have failed to infiltrate contemporary art.

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art : a digital critique, by digital means // jessica fenlon | somedaysare.com Reviews
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OBJECT EFFECTS ON BEHAVIOR. This text, written by art historian Claire Bishop, was published as a column in ArtForum's September 2012 issue. Mouse over the text to discover the holographic response. Visit my blog for 300 words about this project. Claire Bishop on Contemporary Art and New Media. Published in artForum, September 2012. WHATEVER HAPPENED TO DIGITAL ART? But somehow the venture never really gained traction - which is not to say that digital media have failed to infiltrate contemporary art.
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art : a digital critique, by digital means // jessica fenlon | somedaysare.com Reviews

https://somedaysare.com

OBJECT EFFECTS ON BEHAVIOR. This text, written by art historian Claire Bishop, was published as a column in ArtForum's September 2012 issue. Mouse over the text to discover the holographic response. Visit my blog for 300 words about this project. Claire Bishop on Contemporary Art and New Media. Published in artForum, September 2012. WHATEVER HAPPENED TO DIGITAL ART? But somehow the venture never really gained traction - which is not to say that digital media have failed to infiltrate contemporary art.

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art : a digital critique, by digital means // jessica fenlon

http://www.somedaysare.com/digital-art-annotation-6.html

OBJECT EFFECTS ON BEHAVIOR. Its subterranean presence is comparable to the rise of television as the backdrop to art of the 1960s. Domestic technology becomes uninteresting. Familiar, personal, it satisfies on its own terms; seen from the outside, so recognizable that it is ignored. Jessica fenlon 2014 : about the author.

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art : a digital critique, by digital means // jessica fenlon

http://www.somedaysare.com/digital-art-annotation-5.html

OBJECT EFFECTS ON BEHAVIOR. At first glance, none of these formats appear to have anything to do with digital media, and when they are discussed, it is typically in relation to previous artistic practices across the twentieth century.[2]. Photoshop's layered approach to image manipulation? In 2011, Apple introduced FCP X, and discontinued 7. In X, filmmaking became 'digital workflow', to the exclusion of analog output. Filmmakers kissed the 'print to tape' command goodbye. Architectural changes to Mac OS...

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art : a digital critique, by digital means // jessica fenlon

http://www.somedaysare.com/digital-art-A2.html

OBJECT EFFECTS ON BEHAVIOR. Why don't the people curating the national pavilions at Venice choose artwork made to address our cultural transformation by mundane access to digital toolsets, processes, dynamics? Perhaps because for many of us, accessing the digital is a familiar hassle. Digital means I'm at work 24-7. It can be fraught with negative personal experience. I call this 'the XKCD response': Do we want art about our mundane technology in galleries built to hold paintings? I have XKCD over here.

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art : a digital critique, by digital means // jessica fenlon

http://www.somedaysare.com/digital-art-annotation-18.html

OBJECT EFFECTS ON BEHAVIOR. From a twenty-first-century perspective, it is the act of surfing: the pursuit of impromptu, subjective connections via the aleatory free assocation of navigating the Web. The act of surfing brought to you by a piece of code that looks like this: a href= http:/ www.nameo fthewebsiteyouregoingtohere.com name of the website you're going to here /a . The link. It can ingrain the expectation of access. Jessica fenlon 2014 : about the author.

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art : a digital critique, by digital means // jessica fenlon

http://www.somedaysare.com/digital-art-annotation-21.html

OBJECT EFFECTS ON BEHAVIOR. My point is that mainstream contemporary art simultaneously disavows and depends on the digital revolution, even - especially - when this art declines to speak overtly about the conditions of living in and through new media. But why is contemporary art so reluctant to describe our experience of digitized life? Are programmed to store information as data expressions of signal, something generally illegible to untrained humans. But I have XKCD over here.

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The General’s Dreams | unsweetened TV

https://unsweetenedtv.wordpress.com/2007/10/28/the-generals-dreams

The way TV should be. The General’s Dreams October 28, 2007. 8212; unsweetenedtv @ 8:21 am. Watch The General’s Dreams, written by Rodrigo Acuña. Published in unsweetened 2007, receiving 2nd place, unsweetened Open Prose award. This piece was produced by Michelle Rowan. Filming and photography by Elizabeth Adams. Vodpod videos no longer available. Read the full text…. Note: see below for Spanish translation). Said Lucía several rooms away. Shut up, I’ll be there in a minute! Here we go again! They only n...

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Showreel – unsweetened TV | unsweetened TV

https://unsweetenedtv.wordpress.com/2007/10/30/unsweetened-tv-beta-showreel

The way TV should be. Showreel – unsweetened TV October 30, 2007. 8212; unsweetenedtv @ 4:37 pm. Watch the unsweetened TV showreel to see a snapshot of our works. Vodpod videos no longer available. Prepared for the unsweetened TV ‘Beta Presentation’ in October 2007. Editing by Jess Simmonds.). Read on for the breakdown of works…. 8211; Elizabeth Adams. 8211; Elizabeth Adams. The General’s Dream. 8211; Michelle Rowan. 8211; Michelle Rowan. 8211; Jess Simmonds. Unsweetened TV Showreel – Jess Simmonds.

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Expose Yourself… | unsweetened TV

https://unsweetenedtv.wordpress.com/2007/10/31/expose-yourself

The way TV should be. Expose Yourself… October 31, 2007. 8212; unsweetenedtv @ 7:37 am. Unsweetened TV has a brand new website! Couples innovative visuals with creative writing and poetry featured in UNSW’s literary journal (unsweetened), published annually by ARC in conjunction with the UNSW Bookshop. Find out more about unsweetened TV:. 8230; Read the ‘How to’ section. 8230; Find out how you can contribute. Check out our recent productions…. 8230; Twin Blue Lines. 8230; The General’s Dream.

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Contribute | unsweetened TV

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The way TV should be. October 29, 2007. So, you’re interested in contributing to unsweetend TV? Here’s what you need to get started:. Read the unsweetened TV manifesto. Write your own creative writing piece or get your hands on a copy of unsweetened (available from ARC. Or Performance release form. Write a treatment and shot list and start making your production! Read the ‘How to’ section for help with this. Export your file for the web (.swf, .mov etc). Review, edit and pilot it with a test group. Showr...

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Winter Is | unsweetened TV

https://unsweetenedtv.wordpress.com/2007/10/28/winter-is-2

The way TV should be. Winter Is October 28, 2007. 8212; unsweetenedtv @ 9:00 am. Here’s a simple video we made using only windows movie maker to show that you don’t need to be an aspiring directer or even know how to use complicated video editing software, all you need is your computer and it’s default video editing software, and away you go! Vodpod videos no longer available. Read the full text…. Tomatoes that taste like frost. And crumble in your mouth like snowballs. The metallic kiss of morning coffee.

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art : a digital critique, by digital means // jessica fenlon

OBJECT EFFECTS ON BEHAVIOR. This text, written by art historian Claire Bishop, was published as a column in ArtForum's September 2012 issue. Mouse over the text to discover the holographic response. Visit my blog for 300 words about this project. Claire Bishop on Contemporary Art and New Media. Published in artForum, September 2012. WHATEVER HAPPENED TO DIGITAL ART? But somehow the venture never really gained traction - which is not to say that digital media have failed to infiltrate contemporary art.

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