songstageandstory.blogspot.com

Song, Stage and Story

Song, Stage and Story. Tuesday, 16 June 2015. Rough For Opera #12, Cockpit Theatre. Home of Rough for Opera. Have been producing Rough for Opera. Does that sound a bit obvious, 'what the audience experience was'? Last night we saw three pieces. Richard Dodwell and Josh Spear's He/Himselfie. Attempted a treatment of the fascinating story of Crowhurst. S participation in the Sunday Times Golden Globe Race, a seafaring circumnavigation exercise that goes awry. Finally we saw a triptych of compositions f...

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Song, Stage and Story | songstageandstory.blogspot.com Reviews

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Song, Stage and Story. Tuesday, 16 June 2015. Rough For Opera #12, Cockpit Theatre. Home of Rough for Opera. Have been producing Rough for Opera. Does that sound a bit obvious, 'what the audience experience was'? Last night we saw three pieces. Richard Dodwell and Josh Spear's He/Himselfie. Attempted a treatment of the fascinating story of Crowhurst. S participation in the Sunday Times Golden Globe Race, a seafaring circumnavigation exercise that goes awry. Finally we saw a triptych of compositions f...

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2 second movement

3 the hermes experiment

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Song, Stage and Story | songstageandstory.blogspot.com Reviews

https://songstageandstory.blogspot.com

Song, Stage and Story. Tuesday, 16 June 2015. Rough For Opera #12, Cockpit Theatre. Home of Rough for Opera. Have been producing Rough for Opera. Does that sound a bit obvious, 'what the audience experience was'? Last night we saw three pieces. Richard Dodwell and Josh Spear's He/Himselfie. Attempted a treatment of the fascinating story of Crowhurst. S participation in the Sunday Times Golden Globe Race, a seafaring circumnavigation exercise that goes awry. Finally we saw a triptych of compositions f...

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songstageandstory.blogspot.com

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Song, Stage and Story: July 2014

http://www.songstageandstory.blogspot.com/2014_07_01_archive.html

Song, Stage and Story. Thursday, 24 July 2014. This article first appeared at auditionoracle.com. How do you perform at audition? Most of us will offer our audition pieces from memory. Of course, success at that audition will oblige us to committing a role to memory. If you know the music, it's easier to connect with the audience and makes for a better performance. If possible it's best to have learnt the music. So, how do you learn your music? 2 Do it at pitch. Be aware of how you learn and help yoursel...

2

Song, Stage and Story: August 2014

http://www.songstageandstory.blogspot.com/2014_08_01_archive.html

Song, Stage and Story. Saturday, 9 August 2014. Tete a Tete Opera Festival 2014. New year, new shoes as the unwritten novel has it. The Tete a Tete Opera Festival. Of very different but superb, state of the art theatres, a wide open foyer (without the Riverside Studio's bottleneck) and a space outside sheltered under an overhang. All this is tucked around the back of the converted Granary Complex which affords some relative quiet for al fresco. Either way, it got us all thinking about expectations and as...

3

Song, Stage and Story: Open Space Opera Conference with Improbable Theatre

http://www.songstageandstory.blogspot.com/2015/06/open-space-opera-conference-with.html

Song, Stage and Story. Monday, 8 June 2015. Open Space Opera Conference with Improbable Theatre. It was a beautifully sunny summer's day. So What Are We Going To Do About Opera. Seemed like it might be a rather pessimistic title for a weekend's discussion about the industry. Does opera really need digging out of a hole, or some sort of loving, American style 'intervention'? Or for a less formal view, just have a look at the Twitter activity of those attending, using the hashtag #DDOpera. The following da...

4

Song, Stage and Story: Betrayal, I Fagiolini, Village Underground

http://www.songstageandstory.blogspot.com/2015/05/betrayal-i-fagiolini-village-underground.html

Song, Stage and Story. Friday, 15 May 2015. Betrayal, I Fagiolini, Village Underground. I wanted to wait and see the live stream of I Fagiolini's latest project - Betrayal. A dramatised performance of 16th century Venetian composer Carlo Gesualdo's exotic, tortured madrigals - before trying to pin down my experience of it. But then the dancers engage and re-enactment begins. Seeing the production again via the live stream I was reminded of my fascination at how the sense of the performance quickly sh...

5

Song, Stage and Story: Rough For Opera #12, Cockpit Theatre

http://www.songstageandstory.blogspot.com/2015/06/rough-for-opera-12-cockpit-theatre.html

Song, Stage and Story. Tuesday, 16 June 2015. Rough For Opera #12, Cockpit Theatre. Home of Rough for Opera. Have been producing Rough for Opera. Does that sound a bit obvious, 'what the audience experience was'? Last night we saw three pieces. Richard Dodwell and Josh Spear's He/Himselfie. Attempted a treatment of the fascinating story of Crowhurst. S participation in the Sunday Times Golden Globe Race, a seafaring circumnavigation exercise that goes awry. Finally we saw a triptych of compositions f...

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songstageandstory.blogspot.com

Song, Stage and Story

Song, Stage and Story. Tuesday, 16 June 2015. Rough For Opera #12, Cockpit Theatre. Home of Rough for Opera. Have been producing Rough for Opera. Does that sound a bit obvious, 'what the audience experience was'? Last night we saw three pieces. Richard Dodwell and Josh Spear's He/Himselfie. Attempted a treatment of the fascinating story of Crowhurst. S participation in the Sunday Times Golden Globe Race, a seafaring circumnavigation exercise that goes awry. Finally we saw a triptych of compositions f...

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