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La Nouvelle Vague (The French New Wave)

La Nouvelle Vague (The French New Wave). Thursday, December 11, 2008. Arthur Penn's Bonnie and Clyde: The Marriage of Technique and Theme. The opportunity to see Arthur. Penn's BONNIE and CLYDE in an unadulterated and contiguous. Snapshots of the real Bonnie and Clyde there is a magnificently complex opening shot that begins with a close up of Bonnie (Faye Dunaway. And determination has a thematic corollary. In the overall design of the picture; that is that Bonnie and Clyde will attempt something differ...

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La Nouvelle Vague (The French New Wave) | sonofgodard.blogspot.com Reviews
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La Nouvelle Vague (The French New Wave). Thursday, December 11, 2008. Arthur Penn's Bonnie and Clyde: The Marriage of Technique and Theme. The opportunity to see Arthur. Penn's BONNIE and CLYDE in an unadulterated and contiguous. Snapshots of the real Bonnie and Clyde there is a magnificently complex opening shot that begins with a close up of Bonnie (Faye Dunaway. And determination has a thematic corollary. In the overall design of the picture; that is that Bonnie and Clyde will attempt something differ...
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La Nouvelle Vague (The French New Wave) | sonofgodard.blogspot.com Reviews

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La Nouvelle Vague (The French New Wave). Thursday, December 11, 2008. Arthur Penn's Bonnie and Clyde: The Marriage of Technique and Theme. The opportunity to see Arthur. Penn's BONNIE and CLYDE in an unadulterated and contiguous. Snapshots of the real Bonnie and Clyde there is a magnificently complex opening shot that begins with a close up of Bonnie (Faye Dunaway. And determination has a thematic corollary. In the overall design of the picture; that is that Bonnie and Clyde will attempt something differ...

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La Nouvelle Vague (The French New Wave): September 2008

http://sonofgodard.blogspot.com/2008_09_01_archive.html

La Nouvelle Vague (The French New Wave). Tuesday, September 23, 2008. The Resnaisian Revolution- HIROSHIMA, MON AMOUR. In viewing Alain Resnais. Celebrated 1959 first feature, HIROSHIMA, MON AMOUR, after many, many years I have a chance now to give it a certain scrutiny. But I believe that Resnais. HIROSHIMA, MON AMOUR is just such a film. It is a film that reveals that dramatic ' temporality. Or the actual historical time represented in a story is arbitrary to the shyzhet. And others) could suspend one ...

2

La Nouvelle Vague (The French New Wave): Two or Three Things I Know About Him: The Misogynistic Tendencies in Godard's 60's Films?

http://sonofgodard.blogspot.com/2008/12/two-or-three-things-i-know-about-him.html

La Nouvelle Vague (The French New Wave). Monday, December 1, 2008. Two or Three Things I Know About Him: The Misogynistic Tendencies in Godard's 60's Films? We have been avoiding it like an 800 pound gorilla in the screening room. Although many of us ( Cineit. Two Weeks from Everywhere, Tlog. Have glibly acknowledged the misogynistic. Linked to Godard's use of the "Femme Fatale. And the portrait of the late 50's/early 60's woman's search for independence from patriarchal- familial. Placing her ambition a...

3

La Nouvelle Vague (The French New Wave): October 2008

http://sonofgodard.blogspot.com/2008_10_01_archive.html

La Nouvelle Vague (The French New Wave). Friday, October 31, 2008. Godard's Banned Film (The film we should have seen). Wednesday, October 22, 2008. My Least Favorite Godard Film. Un cadeau pour sa femme. Thursday, October 16, 2008. Jules and Jim, but not me. Contrary to the popular saying, the third time is not, I repeat, not the charm as far as it concerns Francois Truffaut's beloved film, JULES et. Werner) and his bff. That betrays real human emotions. Even if we concede. This thematic trait becomes a...

4

La Nouvelle Vague (The French New Wave): Godard/Meta-Narrative/Pierrot Le Fou

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La Nouvelle Vague (The French New Wave). Thursday, November 20, 2008. Another viewing of Godard's Pierrot Le Fou. He creates fantastic sequences where the characters Pierrot/Ferdinand (Jean-Paul Belmondo. Moi, Marianne" sequence of the film; a sequence that has always captivated my cinematic imagination from the first time I encountered it. The Meta-Narration begins with Marianne and Ferdinand speaking off screen about their characters:. Marianne: Marianne tells a story about. M: I knew some people.

5

La Nouvelle Vague (The French New Wave): November 2008

http://sonofgodard.blogspot.com/2008_11_01_archive.html

La Nouvelle Vague (The French New Wave). Saturday, November 22, 2008. Associational Narrative Form in Godard's MASCULIN/FEMININ. My initial reaction to MASCULIN. Henceforth simply M/F) after wrestling with the film in my head for several hours last night. Now. I believe that what Godard has accomplished within M/F is the exploration and expansion of a new type of cinematic narrational. Of shots, but instead at the level of mise. Vehemence against montage and his oversimplification of Eisenstein's concept...

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La Nouvelle Vague (The French New Wave)

La Nouvelle Vague (The French New Wave). Thursday, December 11, 2008. Arthur Penn's Bonnie and Clyde: The Marriage of Technique and Theme. The opportunity to see Arthur. Penn's BONNIE and CLYDE in an unadulterated and contiguous. Snapshots of the real Bonnie and Clyde there is a magnificently complex opening shot that begins with a close up of Bonnie (Faye Dunaway. And determination has a thematic corollary. In the overall design of the picture; that is that Bonnie and Clyde will attempt something differ...

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