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Come Hell or High Water

Come Hell or High Water. Working out the kinks of being a generative artist. Wednesday, April 15, 2015. AEA Says I've Sinned. Two days ago, I got this email:. I also got one of these – then a hard copy letter – in 2007, when I produced and acted in the east coast premiere of Jane Martin’s FLAGS. Off-Broadway. (Weirdly, I haven’t received any in between, despite producing multiple shows I also acted in, which is the supposed trigger.). In 2007, I was amused and horrified. Now, in the midst of the. So, her...

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Come Hell or High Water. Working out the kinks of being a generative artist. Wednesday, April 15, 2015. AEA Says I've Sinned. Two days ago, I got this email:. I also got one of these – then a hard copy letter – in 2007, when I produced and acted in the east coast premiere of Jane Martin’s FLAGS. Off-Broadway. (Weirdly, I haven’t received any in between, despite producing multiple shows I also acted in, which is the supposed trigger.). In 2007, I was amused and horrified. Now, in the midst of the. So, her...
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Come Hell or High Water | steven-klein.blogspot.com Reviews

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Come Hell or High Water. Working out the kinks of being a generative artist. Wednesday, April 15, 2015. AEA Says I've Sinned. Two days ago, I got this email:. I also got one of these – then a hard copy letter – in 2007, when I produced and acted in the east coast premiere of Jane Martin’s FLAGS. Off-Broadway. (Weirdly, I haven’t received any in between, despite producing multiple shows I also acted in, which is the supposed trigger.). In 2007, I was amused and horrified. Now, in the midst of the. So, her...

INTERNAL PAGES

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1

Come Hell or High Water: March 2012

http://steven-klein.blogspot.com/2012_03_01_archive.html

Come Hell or High Water. Working out the kinks of being a generative artist. Thursday, March 29, 2012. Good v Popular, a Theory of Selling Out. When I left theater school and years of working on stage to head to LA, I had fears of “selling out.” Artistic integrity – I vaguely remember – was something we young folk talked and thought a lot about, and I feared LA’s business focus, as opposed to NY’s more womb-like creative community, might be a threat to mine. Goals for a creative project. Contrary to what...

2

Come Hell or High Water: The Golden Age of Documentary

http://steven-klein.blogspot.com/2014/05/the-golden-age-of-documentary.html

Come Hell or High Water. Working out the kinks of being a generative artist. Friday, May 30, 2014. The Golden Age of Documentary. Access to footage on subjects who are being filmed and photographed nearly constantly – by themselves, by friends, by co-workers, etc. – but who are not yet aware of what this ubiquitous footage might mean for them. Firefly: Theater and Films. Subscribe to: Post Comments (Atom). Firefly: Theater and Films. The Golden Age of Documentary. There was an error in this gadget.

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Come Hell or High Water: July 2014

http://steven-klein.blogspot.com/2014_07_01_archive.html

Come Hell or High Water. Working out the kinks of being a generative artist. Monday, July 28, 2014. Core Ideas from PRINT THE LEGEND. Two weeks ago, I had the pleasure of representing the. Team to lead a. Closing sessionat SXSW V2V. In prepping the presentation about our 3D Printing documentary, the team articulated some core messages of the film. In part so I always know where to find these notes, I present them here. ; ). What we witness in the film:. Interviews with Clay, Luis, et al. There was an err...

4

Come Hell or High Water: SXSW V2V Session

http://steven-klein.blogspot.com/2014/08/sxsw-v2v-session.html

Come Hell or High Water. Working out the kinks of being a generative artist. Wednesday, August 20, 2014. I'm honored and proud to have represented our PRINT THE LEGEND. Team at SXSW V2V. So, here's the video. Firefly: Theater and Films. Subscribe to: Post Comments (Atom). Firefly: Theater and Films. There was an error in this gadget.

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Come Hell or High Water: April 2012

http://steven-klein.blogspot.com/2012_04_01_archive.html

Come Hell or High Water. Working out the kinks of being a generative artist. Sunday, April 22, 2012. O, the Shame. First: anyone reading this should probably be listening to John Russo’s Up Next. Which explores the challenges, processes, and lives of artists who are “up next” as they/we build our careers. You’ll note in my episode that I mention the shame I feel about having a “day job,” despite my love of and pride for the business I’ve built. A business that frees me as an artist every day. O, the Shame.

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Finders Keepers | Firefly: Theater & Films

http://www.fireflyinc.com/finderskeepers

Contact & Mailing List. FINDERS KEEPERS a World Records Headquarters and Exhibit A production presented in association with Community Films. And Firefly is an amazing documentary that follows the stranger-than-fiction story of how one man’s mummified leg, lost in the plane crash that killed his father, brought purpose to another man, leading to a bizarre, law-bending custody battle that changed both their lives forever. See here for the New York Times article on the film. And produced by Ed Cunningham.

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Projects | Firefly: Theater & Films

http://www.fireflyinc.com/projects

Contact & Mailing List. Kensho at the Bedfellow. KENSHO AT THE BEDFELLOW. Follows Dan Bender, playwright turned doorman at the Bedfellow Hotel, as the death of his little sister sends him reeling towards an illumination beyond his wildest comprehension. The 5th year of Unscreened. And 2nd year of the Unscreened Summer Series brought 8 new works to the stage! In this World Records Headquarters and Exhibit A documentary that premiered at Sundance. And sold to The Orchard. Two Firefly-commissioned, magic-fi...

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Make Believe documentary | Firefly: Theater & Films

http://www.fireflyinc.com/makebelieve

Contact & Mailing List. A coming of age journey set in the quirky subculture of magic, MAKE BELIEVE follows six of the world’s best young magicians as they battle for the title of Teen World Champion. MAKE BELIEVE is directed by Clay Tweel. Produced by Steven Klein. Co-produced and co-edited by Luis Lopez. Associate produced by Mary Rohlich. Shot by Richard Marcus. And executive produced by Ed Cunningham. The film is available on Netflix. The Audience Award at the Austin Festival. Among its great press.

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Completeness | Firefly: Theater & Films

http://www.fireflyinc.com/press

Contact & Mailing List. The Four of Us. The Problem With Percival. Lord Buckley in Los Angeles. Completeness Press Packet (PDF, 4 MB). Completeness Stills (Zip, 800 MB). To download individual photos, click on a thumbnail to enlarge it, and then right-click to save. A zipped folder of all photos is available above. Steven Klein and Emily Swallow. Steven Klein and Nicole Erb. Steven Klein and Nicole Erb. Steven Klein and Nicole Erb. Steven Klein and Nicole Erb. Steven Klein and Emily Swallow.

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Company History | Firefly: Theater & Films

http://www.fireflyinc.com/company

Contact & Mailing List. With equal footing in theater and film, Firefly has been telling compelling stories for more than 20 years. Founded in 1996 by actor. And producer Steven Klein. Firefly first focused solely on theater, and its productions have won dozens of awards for shows in Boston, Los Angeles, Philadelphia, Belfast, Off-West End London, and Off-Broadway. Firefly’s founder, Steven Klein, also speaks and writes often about the uncommon actor-producer path, including on his blog.

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The Four of Us | Firefly: Theater & Films

http://www.fireflyinc.com/thefourofus

Contact & Mailing List. The Four of Us. In the fall of 2008, Firefly introduced the work of playwright Itamar Moses. To Los Angeles with the premiere of THE FOUR OF US, presented in association with VS Theatre. Firefly’s production was directed by Michelle Tattenbaum. For press, click here. For the Los Angeles Times Sunday Calendar article on Itamar Moses and featuring the production, click here. BEST ACTOR IN A PLAY (Steven Klein). Best Play of the Year, Nominee. Best Playwright, Nominee (Itamar Moses).

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Clybourne Park | Firefly: Theater & Films

http://www.fireflyinc.com/clybournepark

Contact & Mailing List. Firefly teamed up with Off Square Theatre Company. In Jackson Hole, Wyoming, to present a sold-out staged reading of Pulitzer Prize and Tony Award-winner CLYBOURNE PARK, by Bruce Norris. The reading was directed by Michael Stahl-David.

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Unscreened 2013 | Firefly: Theater & Films

http://www.fireflyinc.com/press/unscreened2013

Contact & Mailing List. The Four of Us. The Problem With Percival. Lord Buckley in Los Angeles.

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Unscreened 2012 | Firefly: Theater & Films

http://www.fireflyinc.com/unscreened2012

Contact & Mailing List. And Firefly brought back UNSCREENED, presenting four new short plays by some of Hollywood’s fastest-rising writers. The 2012 UNSCREENED writers were Anna Christopher. WGA Award-winner Dahvi Waller. 8216;s short play, Independent Spirit Award-nominee Robbie Pickering. 8216;s, and Anna Christopher. Each directed their own. The cast featured Chris Klein. The sold-out run run garnered coverage from Flavorpill. And the LA Times.

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Come Hell or High Water. Working out the kinks of being a generative artist. Wednesday, April 15, 2015. AEA Says I've Sinned. Two days ago, I got this email:. I also got one of these – then a hard copy letter – in 2007, when I produced and acted in the east coast premiere of Jane Martin’s FLAGS. Off-Broadway. (Weirdly, I haven’t received any in between, despite producing multiple shows I also acted in, which is the supposed trigger.). In 2007, I was amused and horrified. Now, in the midst of the. So, her...

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