stewartsstudio.blogspot.com

stewart's studio

Saturday, 22 February 2014. A thought from the train. What is it about conceptual art that so winds me up? It's almost irrational. Perhaps it is because I do not have the necessary kind of imagination. When I see an everyday object in a gallery, I see an everyday object. I don't see beyond that. It does not speak to me. It could be argued that its prominence is in part due to a mess-media built on, and hungry for, short term sensationalism, scandal and shock. Few art forms can so readily feed that maw.

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stewart's studio | stewartsstudio.blogspot.com Reviews

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Saturday, 22 February 2014. A thought from the train. What is it about conceptual art that so winds me up? It's almost irrational. Perhaps it is because I do not have the necessary kind of imagination. When I see an everyday object in a gallery, I see an everyday object. I don't see beyond that. It does not speak to me. It could be argued that its prominence is in part due to a mess-media built on, and hungry for, short term sensationalism, scandal and shock. Few art forms can so readily feed that maw.

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stewart's studio | stewartsstudio.blogspot.com Reviews

https://stewartsstudio.blogspot.com

Saturday, 22 February 2014. A thought from the train. What is it about conceptual art that so winds me up? It's almost irrational. Perhaps it is because I do not have the necessary kind of imagination. When I see an everyday object in a gallery, I see an everyday object. I don't see beyond that. It does not speak to me. It could be argued that its prominence is in part due to a mess-media built on, and hungry for, short term sensationalism, scandal and shock. Few art forms can so readily feed that maw.

INTERNAL PAGES

stewartsstudio.blogspot.com

1

stewart's studio: Never the same one twice

http://stewartsstudio.blogspot.com/2013/08/never-same-one-twice.html

Friday, 2 August 2013. Never the same one twice. 169; 2010 Craig Munro and Stewart Bremner. The dreams are of aeroplanes, although never the same one twice. They always crash and I, on the ground below watching them, try to avoid being hit. Sometimes it is just the one plane, sometimes the sky is full of them. They crash and explode, past the horizon, in the city, in a river or a school. Subscribe to: Post Comments (Atom). The somewhat lapsed studio blog of artist Stewart Bremner. My Society6 print shop.

2

stewart's studio: February 2014

http://stewartsstudio.blogspot.com/2014_02_01_archive.html

Saturday, 22 February 2014. A thought from the train. What is it about conceptual art that so winds me up? It's almost irrational. Perhaps it is because I do not have the necessary kind of imagination. When I see an everyday object in a gallery, I see an everyday object. I don't see beyond that. It does not speak to me. It could be argued that its prominence is in part due to a mess-media built on, and hungry for, short term sensationalism, scandal and shock. Few art forms can so readily feed that maw.

3

stewart's studio: June 2013

http://stewartsstudio.blogspot.com/2013_06_01_archive.html

Friday, 28 June 2013. Against a dark background. A few weeks ago author Iain Banks passed away, taken before his time by cancer. His work has been a part of my world for almost all of my adult life. He wrote and released a novel a year throughout his career and I am very sad that I no longer have that yearly marker to look forward to. Four drying limited edition prints of '51 Plymouth. It is a dark and rainy Friday afternoon, at the end of a week that has not been overly troubled by sunshine. Followi...

4

stewart's studio: The only constant

http://stewartsstudio.blogspot.com/2013/07/the-only-constant.html

Friday, 26 July 2013. I've only made one painting this year. It has been seven months and I have made one painting. At the beginning of the year, I took some time off after a very busy few months at the end of last year. However that was months ago and in another country and I'm home now and all I seem to do is watch my studio gather dust. There is a misconception, held by some, that an artist has to suffer to make art, that a happy artist does not work. (Van Gogh would almost certainly become an exa...

5

stewart's studio: A thought from the train

http://stewartsstudio.blogspot.com/2014/02/a-thought-from-train.html

Saturday, 22 February 2014. A thought from the train. What is it about conceptual art that so winds me up? It's almost irrational. Perhaps it is because I do not have the necessary kind of imagination. When I see an everyday object in a gallery, I see an everyday object. I don't see beyond that. It does not speak to me. It could be argued that its prominence is in part due to a mess-media built on, and hungry for, short term sensationalism, scandal and shock. Few art forms can so readily feed that maw.

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jenniferlibbyfay.blogspot.com

Jennifer Libby Fay: March 2012

http://jenniferlibbyfay.blogspot.com/2012_03_01_archive.html

Sunday, March 25, 2012. Autumn Etude • 21" x 14" • cloth, dye • ©2012 Jennifer Libby Fay. If it weren’t for my friends and fellow textile artists, Dotti Day. And Joanne Salz (who is, sadly websiteless), I would not be the artist (or person) I am today. Our friendship is supported by our desire to make art, our love of textiles and our passion (some would say obsession) for learning and inspiration. Dotti and I attended Marie-Therese Wisniowski’s workshop on Disperse Dyes. Is a fantastic resource. PRISCIL...

jenniferlibbyfay.blogspot.com

Jennifer Libby Fay: RUBICON: point of no return

http://jenniferlibbyfay.blogspot.com/2012/05/rubicon-point-of-no-return.html

Wednesday, May 23, 2012. RUBICON: point of no return. Overture for Today • 22" x 22" • cloth, dye • ©2012 Jennifer Libby Fay. I have tried, a few times, to describe the process I usually go through when I choose a theme for a body of work—I don’t really know where the seed thought for a concept comes from. It feels like a nudge, from the universe, from God, from my unconscious, or even the collective unconscious? Bohemian Grove • 21" x 13" • cloth, dye • ©2012 Jennifer Libby Fay. May 2 - June 1. As Alyso...

jenniferlibbyfay.blogspot.com

Jennifer Libby Fay: January 2011

http://jenniferlibbyfay.blogspot.com/2011_01_01_archive.html

Wednesday, January 26, 2011. Winter Sunset Scarf • 10" x 72" • ©2010 Jennifer Libby Fay. On the morning of Christmas Eve there was only had one errand left. We were on our way to the Fed Ex substation to pick up the case of wine I'd ordered from Hafner Vineyard. One of our favorite California wineries. Do you want to stop for coffee? What I WANT, I replied, is a REAL bagel, with REAL cream cheese, and LOX with a slice of tomato and some capers. THAT'S what I WANT.". No, that can't possibly be. Dee Mallon...

steven-heaton.blogspot.com

Studio Journal: June 2012

http://steven-heaton.blogspot.com/2012_06_01_archive.html

Steven Heaton; Artist, Director of Cross Street Arts and Gallery. Saturday, 30 June 2012. Flying by the seat of your pants - Kat Button. 8220;Flying by the seat of your pants” previewed & christened the newly established ‘Cross Street Gallery” in Standish on June 16. To a delighted crowd of art lovers from far and wide. In the corner a photograph of a sunken trolley, lost in a barnacled abandonment, it is then realised and brought back to life, covered in a colourful creeping array of pseudo underwater l...

steven-heaton.blogspot.com

Studio Journal: April 2012

http://steven-heaton.blogspot.com/2012_04_01_archive.html

Steven Heaton; Artist, Director of Cross Street Arts and Gallery. Thursday, 5 April 2012. Subscribe to: Posts (Atom). The World Without Us (USA 2011). Time Pieces; Peter Scott Gallery, Lancaster 2011. View my complete profile. Megan Chapman's Studio Blog. Jazz Green : Artist Journal. A thought from the train. Watermark template. Powered by Blogger.

steven-heaton.blogspot.com

Studio Journal: October 2012

http://steven-heaton.blogspot.com/2012_10_01_archive.html

Steven Heaton; Artist, Director of Cross Street Arts and Gallery. Thursday, 4 October 2012. Welcome to the Emporium. Paula and Jane's Emporium of Curious Objects. Preview 4th October 7:00 - 9:00pm. In their installation Paula and Jane's Emporium of Curious Objects artists Jane Fairhurst and Paula Fenwick celebrate the seemingly arbitrary nature of the collections of objects found in cabinets of curiousities of the eras of the Renaissance and Enlightenment. Of their collections and their artwork. Time Pie...

jenniferlibbyfay.blogspot.com

Jennifer Libby Fay: Do Your Work

http://jenniferlibbyfay.blogspot.com/2012/12/do-your-work.html

Thursday, December 20, 2012. Feeling disconnected and out of sorts, I decided to make this a “windfall walk”. I learned about windfall walks a couple of years ago from the textile artist, India Flint. At a Surface Design Association. Sometimes I collect only photographs, or my thoughts. Eucalyptus seed pods • Bodega, California • ©2012 Jennifer Libby Fay. I have the good fortune to work with my friend Dotti Day. Isn’t it beautiful? Dotti Day • Shibori Scarf detail • ©2012 Dotti Day. This past week Dotti ...

jenniferlibbyfay.blogspot.com

Jennifer Libby Fay: Peters Valley • Day One

http://jenniferlibbyfay.blogspot.com/2012/08/peters-valley-day-one.html

Wednesday, August 22, 2012. Peters Valley • Day One. I should be concentrating on what workshop instructor, Lisa Grey. Is saying about mixing dye, but all I can think about are the ticks. Yes, ticks, as in Deer Ticks, the kind that carry Lyme’s disease. I am in New Jersey at Peters Valley Craft Center. Attending a workshop called, Disperse Dyes: Reinventing the Wheel. I’m here at Lisa’s invitation as her guest and also because this is what I do. Making Art Makes a Difference. Our first day Lisa covered e...

steven-heaton.blogspot.com

Studio Journal: May 2012

http://steven-heaton.blogspot.com/2012_05_01_archive.html

Steven Heaton; Artist, Director of Cross Street Arts and Gallery. Friday, 4 May 2012. Art on a card; 2012. Art on a card; (cultural olympiad) exhibition; 2012. Collect a couple of postcards from the box. Do art on them. Drop them back in the box. I took a couple; picked two colours of the olympic rings (yellow and red). Drew the rings/loops (very roughly! In water based acrylics and added oil. Subscribe to: Posts (Atom). The World Without Us (USA 2011). Time Pieces; Peter Scott Gallery, Lancaster 2011.

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The STEWART STORY

Thursday, June 11, 2009. Posted by Sassy "T". I've had several friends REMIND ME "how long it's been since I posted on my BLOG so I have committed to "Posting" at least once a week or more from here on out! You can find me on Facebook at the following: Teresa Doland Stewart. Hope to talk to you soon at either one."T". Posted by Sassy "T". Sunday, October 5, 2008. Follow-up on Dad's Accident 10/5/08. Did I tell you guys about my MOM? 8221; cuz he didn’t know if it was just a dream! Posted by Sassy "T".

stewartsstruggles.blogspot.com

the new ussr [illustrated]

The new ussr [illustrated]. Reveries, reminiscence, reflections. Sunday, March 14, 2010. For a continuation of this blog. Posted by Stewart @ 8:27 AM. Thursday, March 04, 2010. Be kind, for everyone you meet is fighting a hard battle' [P lato, apparently]. It’s a particular problem, perhaps, of individualism, the myth of the auto-didact, the Nietzschean Ubermensch. It seems to be a search for somewhere to belong. Even a mental place in which to belong. A way of thinking that is mine, and also sha...I don...

stewartsstruggles2.blogspot.com

the new ussr [illustrated]

The new ussr [illustrated]. Reflections and reveries from the Urbane Society of Sceptical Romantics. Friday, May 13, 2011. Another last post - I'm moving to a new site. At the daunting WordPress. Not that blogger has failed me particularly - I rather feel that I've failed it in not being able to attract readers. Anyway, we'll see what a new start can do. I'll try to rescue all the stuff from my old blogs, which will no doubt be closed down eventually. Stewart, aka Luigi. Links to this post. So romanticis...

stewartsstudio.blogspot.com

stewart's studio

Saturday, 22 February 2014. A thought from the train. What is it about conceptual art that so winds me up? It's almost irrational. Perhaps it is because I do not have the necessary kind of imagination. When I see an everyday object in a gallery, I see an everyday object. I don't see beyond that. It does not speak to me. It could be argued that its prominence is in part due to a mess-media built on, and hungry for, short term sensationalism, scandal and shock. Few art forms can so readily feed that maw.

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