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Tiffany Victoria Horan: Exaggeration: Part II Edited
http://tiffanyhoran.blogspot.com/2012/05/exaggeration-part-ii.html
Sunday, 27 May 2012. Exaggeration: Part II Edited. Betty was a square, a real drag. Surrounded by friends, he saw her, ignored her. She walked to the bar with intention, she bought his favourite drink. ‘Would you like ice? I obliged, unaware that this was going to be one of several pocket patting predicaments. He stared at me, our plates cleared of food, bottles empty. I blew him a kiss. Can the situationist theory of dérive allow us to better navigate and develop cultural institutions? Review of Graham ...
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Tiffany Victoria Horan: Anya Liftig Commentary
http://tiffanyhoran.blogspot.com/2012/03/anya-liftig-commentary.html
Wednesday, 28 March 2012. Commentary of Anya Liftig’s Performance 'Produce/Procreate'. Evening of performance presented by both Roves and Roams and OVADA. Written by Tiffany Horan. The audience were yet to take their seats; I watched Anya from the front row as she surveyed the room, removed her coat and sat down behind a large table covered in a blood red waterproof sheet. She moves the light towards it as though to say: do you like what you see? During the 1960s, an educational theorist published the re...
tiffanyhoran.blogspot.com
Tiffany Victoria Horan: Opinions and Intentions
http://tiffanyhoran.blogspot.com/2013/01/opinions-and-intentions.html
Thursday, 31 January 2013. I decided to rework and lengthen a previous post. Kant himself shows the way when he names ‘formlessness, the absence of form,’ as a possible index to the unpresentable.’. 8216;Mr Umanets said he had written on the painting, but insisted his aim was not to destroy or deface it.’. Would Rothko understand what this man was trying to achieve through his actions? How valuable is an artist’s work to the artist, if the artist is no longer living? London: Tate, 2008). Harrison, Charle...
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Tiffany Victoria Horan: Can the situationist theory of dérive allow us to better navigate and develop cultural institutions?
http://tiffanyhoran.blogspot.com/2013/06/can-situationist-theory-of-derive-allow.html
Sunday, 23 June 2013. Can the situationist theory of dérive allow us to better navigate and develop cultural institutions? This essay focuses primarily on the ways in which key situationist texts such as. The Theory of Dérive. The Society of The Spectacle. 8216;La dérive’ is French for ‘drift’ or ‘drifting’, and was described as being one of the situationists basic practises,. How could one distinguish the important painting from the lesser painting if there was too much choice in the supermarket museum,...
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Tiffany Victoria Horan: Placing Audiences in relation to ‘The lunatics are on the loose... Fluxus European Festivals 1962-1977’
http://tiffanyhoran.blogspot.com/2013/06/placing-audiences-in-relation-to.html
Saturday, 22 June 2013. Placing Audiences in relation to ‘The lunatics are on the loose. Fluxus European Festivals 1962-1977’. Figure 1: George Maciunas, Fluxus Manifesto, 1963. The exhibition I have chosen to use as a case study for this particular essay was shown at MOCAK Muzeum Sztuki Współczesnej w Krakowie. Museum of Contemporary Art in Kraków) on the 19. Of October 2012 until the 27. Figure 2: The lunatics are on the loose… Illustration Credit: Tiffany Horan, 2013. In my opinion the works here are ...
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Tiffany Victoria Horan: What is it?
http://tiffanyhoran.blogspot.com/2013/08/what-is-it.html
Thursday, 29 August 2013. This is an image, an enhanced photograph, a digital manipulation, a non-existent frame hung in a museum without walls. This is not a tangible work of art. This is a question. Can the situationist theory of dérive allow us to better navigate and develop cultural institutions? This essay focuses primarily on the ways in which key situationist texts such as The Theory of Dérive and The Society of The Spectacle by G. A Case Study on the Curatorial Studentship at Tate Liverpool.
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Tiffany Victoria Horan: The Non-Artist
http://tiffanyhoran.blogspot.com/2013/03/the-non-artist.html
Sunday, 10 March 2013. During the 1960s, an educational theorist published the results of a simple experiment: a group of five-year-old non-artists were asked to draw themselves playing; the same group were then asked to draw themselves again, two years later. I feel as though this study illustrates the differences between an artist and a non-artist in a way relevant to the sublime. Matter if it does or does not resemble the work of a child as it is irrelevant to them as a non-artist. Žižek, Slavoj,.
tiffanyhoran.blogspot.com
Tiffany Victoria Horan: A Case Study on the Curatorial Studentship at Tate Liverpool.
http://tiffanyhoran.blogspot.com/2014/01/a-case-study-on-curatorial-studentship.html
Wednesday, 8 January 2014. A Case Study on the Curatorial Studentship at Tate Liverpool. I intend to focus this exploratory case study on the institutional aspects of the Tate Liverpool Curatorial Studentship, with particular reference to ‘Glam! What is ‘Glam! The Performance of Style’? 8220;Glam, a visually extravagant pop style exploded across Britain during the years 1971–5. … Glam! The Performance of Style is the first exhibition to explore glam style and sensibility in-depth. The exhibition inve...
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Tiffany Victoria Horan: Graham Sutherland Review
http://tiffanyhoran.blogspot.com/2012/02/review-of-graham-sutherland-unfinished.html
Monday, 27 February 2012. Review of Graham Sutherland: An Unfinished World at Modern Art Oxford. Written by Tiffany Horan. An Unfinished World is a wonderful example of how a slightly over looked, once household name can be brought back to life, allowing the public to once again rediscover his genius and his contribution to twentieth century British art. 1 http:/ www.rovesandroams.com/2012/02/graham-sutherland-an-unfinished-world-at-modern-art-oxford/ (Accessed 27th February 2012). During the 1960s, an e...
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