rutika-keralapuppetry.blogspot.com
Pavakathakali... Glove Puppetry: What are glove puppets?
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Pavakathakali. Glove Puppetry. December 2, 2007. What are glove puppets? Puppets, whose head and hands are made of wood or any other material and remain covered with cloth on the other parts are called glove puppets. They are the simplest of all puppets. Subscribe to: Post Comments (Atom). 12th December: VISIT TO ITALIAN DESIGN EXHIBITION. Brief Description on Pavakathakali Puppets and it’. What is Pavakathakali or Pavakoothu? History of Glove Puppets:. What are glove puppets? View my complete profile.
rutika-keralapuppetry.blogspot.com
Pavakathakali... Glove Puppetry: Brief Description on Pavakathakali Puppets and it’s performance:
http://rutika-keralapuppetry.blogspot.com/2007/12/brief-description-on-pavakathakali.html
Pavakathakali. Glove Puppetry. December 2, 2007. Brief Description on Pavakathakali Puppets and it’s performance:. Between 30 and 60 centimeters high) weighing less than 2 kilograms, painted in various shades and adorned with gilded tin, transparent corals and peacock feathers. The conventions of kathakali character types in respect to costumes, headgear, make-up and color are followed in pavakathakali. A green face indicates a god, king or hero. Subscribe to: Post Comments (Atom). What are glove puppets?
rutika-keralapuppetry.blogspot.com
Pavakathakali... Glove Puppetry: History of Glove Puppets:
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Pavakathakali. Glove Puppetry. December 2, 2007. History of Glove Puppets:. Do not have a known history. This is primarily because nomads generally carry the puppets and put up performances in open space with hardly any set and minimum props. Kerala is the most popular in this kind of puppetry and it is known as Pavakathakali or Pavakoothu. Subscribe to: Post Comments (Atom). 12th December: VISIT TO ITALIAN DESIGN EXHIBITION. Brief Description on Pavakathakali Puppets and it’. History of Glove Puppets:.
saakshitabangaloredesign.blogspot.com
Design..Total Design: Project Introduction
http://saakshitabangaloredesign.blogspot.com/2007/11/project-introduction.html
Friday, November 23, 2007. The introduction we were given was to work on a real life project which is currently being developed in South India, but has not yet been made official; and will explore ways of presenting objects and artifacts using different mediums like photographs, film, sound recordings, music, etc. This project as I could see from first day required 5 main sub processes:. Researching on a certain object. Editing data to required(relevant) Information. Subscribe to: Post Comments (Atom).
rutika-keralapuppetry.blogspot.com
Pavakathakali... Glove Puppetry: December 2007
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Pavakathakali. Glove Puppetry. December 5, 2007. The main idea of the project was to find different ways of displaying the object. A More creative and interactive display. A display that would create curiosity and interest in the viewer. Keeping this in mind we had to do a display for a museum in Kerala. For this, my main objective was to have a relation among the objects to be displayed rather than placing them in isolation on shelves as display. I wanted to show hierarchy. House roof and conver ting.
bilhaworship.blogspot.com
DESIGN = DE - SÍGNIO: POR ONDE (RE) - COMENÇAR?
http://bilhaworship.blogspot.com/2009/09/propositions.html
DESIGN = DE - SÍGNIO. Contemporary = the simultaneous validity of co-existing cultures'. Friday, 11 September 2009. POR ONDE (RE) - COMENÇAR? DESIGN = DE- SIGN. Against the view of design as a form of ' styling. Ie as an activity concerned with shaping the external appearance. I propose the notion of ' DESIGNING FROM WITHIN'. See Gérard Mermoz . Bruce. This entails 'GIVING FORM' to either a specific IDEA. S or to a series of integrated. But this ' form giving. In the case of OBJECTS, the designer. The De...
bilhaworship.blogspot.com
DESIGN = DE - SÍGNIO: September 2009
http://bilhaworship.blogspot.com/2009_09_01_archive.html
DESIGN = DE - SÍGNIO. Contemporary = the simultaneous validity of co-existing cultures'. Friday, 18 September 2009. 100 OBJECTOS DE OUTRO CULTO. Which you regard as significant. And worthy of being published. And exhibited to represent the objects excluded from the category 'DESIGN' and its CULT; the equivalent of 'LA BILHA' or the metal POT made to make 'fios de ovos'. To present it with an ILLUSTRATION and a TEXT. Then write a short evaluation of its quality and significance as a cultural artefacts.
saakshitabangaloredesign.blogspot.com
Design..Total Design: November 2007
http://saakshitabangaloredesign.blogspot.com/2007_11_01_archive.html
Friday, November 23, 2007. The introduction we were given was to work on a real life project which is currently being developed in South India, but has not yet been made official; and will explore ways of presenting objects and artifacts using different mediums like photographs, film, sound recordings, music, etc. This project as I could see from first day required 5 main sub processes:. Researching on a certain object. Editing data to required(relevant) Information. Subscribe to: Posts (Atom).
rutika-keralapuppetry.blogspot.com
Pavakathakali... Glove Puppetry: Certain Pavakathakali Characters
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Pavakathakali. Glove Puppetry. December 5, 2007. Is divided into ‘Vella Tadi’ (White beard) such as Hanumana with white, black, red and green paints on face. ‘Chuvanna Tadi’ (Red beard) are for demons and kings like Ravana with red, black and white paint on face, with knobs on the forehead and tip of the nose. Is forest demoness with black make-up. Is a common villan character with red lines on either side of nose, white moustache, red and white colours over the eyebrows and white knobs as Chavanna Tadi.