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Trimotif | An ensemble with a Penchant for Tangents

a group of flute, oboe, bassoon, and piano/composer that explores musical expression absent the confines of a defined genre

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Phoebe Ray

388 E M●●●●●●● Street

Alt●●●ena , CA, 91001

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ph●●●●@caltech.edu

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Phoebe Ray

388 E M●●●●●●● Street

Alt●●●ena , CA, 91001

United States

1.62●●●●7396
ph●●●●@caltech.edu

View this contact

Phoebe Ray

388 E M●●●●●●● Street

Alt●●●ena , CA, 91001

United States

1.62●●●●7396
ph●●●●@caltech.edu

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Trimotif | An ensemble with a Penchant for Tangents | trimotif.com Reviews
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a group of flute, oboe, bassoon, and piano/composer that explores musical expression absent the confines of a defined genre
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1 trimotif
2 trimotive
3 trio
4 ensemble
5 crossover
6 third stream
7 tangents
8 penchant for tangents
9 winds
10 oboe
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david shostac,flute,phoebe ray,bassoon,bill cunliffe,piano/composer,and chris bleth,oboe,listen
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Trimotif | An ensemble with a Penchant for Tangents | trimotif.com Reviews

https://trimotif.com

a group of flute, oboe, bassoon, and piano/composer that explores musical expression absent the confines of a defined genre

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1

Trimotif | An ensemble with a Penchant for Tangents

http://www.trimotif.com/index.htm

Trimotif. an ensemble with a penchant for tangents. Is a group of flute, oboe, bassoon, and piano/composer that explores musical expression absent the confines of a defined genre. Our objective is a seamless fusion of classical music and jazz with improvisation as an integral part of our work. Bill Cunliffe, our pianist/ composer, frequently composes original works for the ensemble and we often add musical collaborators to the mix. Our programs cultivate a warm interactive atmosphere. Art by Joanne Topol.

2

Trimotif | An ensemble with a Penchant for Tangents

http://www.trimotif.com/gallery.htm

David, Chris, Bill and Phoebe at Boston Court Performing Arts Complex.

3

Trimotif | An ensemble with a Penchant for Tangents

http://www.trimotif.com/audio-par.htm

Nostalgia in Corcovado for flute, oboe, bassoon and piano. For flute, oboe, bassoon, and piano. Spontaneously improvised live at All Saints Jazz Vespers November 18, 2012. For flute, english horn, bassoon, and piano. Recorded live at All Saints Jazz Vespers November 18, 2012. For flute, bassoon, and piano. For flute, oboe, bassoon, and piano (arranged by Bill Cunliffe). For flute, oboe, bassoon, and piano. Trio for oboe, bassoon, and piano. Sonata in C Major for flute and piano. By Johann Sebastian Bach.

4

Trimotif | An ensemble with a Penchant for Tangents

http://www.trimotif.com/history.htm

The roots of Trimotif extend back 25 years when Phoebe Ray and Bill Cunliffe were students at the Eastman School of Music. Bill was in the Jazz Department and Phoebe in Instrumental Music. Bill’s career went off in the direction of big bands, jazz ensemble, composing, arranging, and improvising and Phoebe’s in the direction of orchestral and chamber music.

5

Trimotif | An ensemble with a Penchant for Tangents

http://www.trimotif.com/rep.htm

Cunliffe “Nostalgia in Corcovado”. For flute, oboe, bassoon, and piano*. For flute (or oboe), bassoon, and piano. Corea “Trio”. For flute, bassoon, and piano. Arranged by Bill Cunliffe for flute, oboe, bassoon, and piano*. Previn “Trio”. For oboe, bassoon, and piano. Poulenc “Trio”. For oboe, bassoon, and piano. Shostac Carmen Fantasy on themes from Bizet's Opera. For solo flute, bassoon, and piano*. Cunliffe “Epilogue”. For flute, oboe, bassoon, and piano*. Quantz “Trio Sonata in C Major”.

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billcunliffe.com billcunliffe.com

Full Biography | Bill Cunliffe

http://www.billcunliffe.com/press/full-biography.html

Composer • Arranger • Pianist. Tuneful Tidings: The Best New Holiday Albums by Kirk Silsbee (Los Angeles Times). Bill Cunliffe: That Time of Year (2011) by C. Michael Bailey (All About Jazz). That Time of Year Review by Clark Griffin (Inside Jazz Magazine p.58) 2. Ace Octet in a Latin Groove by Don Heckman (Los Angeles Times). Spotlight: Bill Cunliffe by Ernie Rideout (Keyboard Magazine). A Fireside Chat with Bill Cunliffe. Winner of the 2009. For Best Instrumental Arrangement. Other recent releases incl...

billcunliffe.com billcunliffe.com

Archives 2009 | Bill Cunliffe

http://www.billcunliffe.com/archives/archives-2009

Composer • Arranger • Pianist. Tuneful Tidings: The Best New Holiday Albums by Kirk Silsbee (Los Angeles Times). Bill Cunliffe: That Time of Year (2011) by C. Michael Bailey (All About Jazz). That Time of Year Review by Clark Griffin (Inside Jazz Magazine p.58) 2. Ace Octet in a Latin Groove by Don Heckman (Los Angeles Times). Spotlight: Bill Cunliffe by Ernie Rideout (Keyboard Magazine). A Fireside Chat with Bill Cunliffe. Winner of the 2009. For Best Instrumental Arrangement. With the link to the left.

billcunliffe.wordpress.com billcunliffe.wordpress.com

Bill Cunliffe and the Grammy that got away | Bill Cunliffe's Blog

https://billcunliffe.wordpress.com/2011/02/20/bill-cunliffe-and-the-grammy-that-got-away

Bill Cunliffe's Blog. A Fireside Chat with Bill Cunliffe. A tribute to Oliver Nelson and The Blues and the Abstract Truth’. They say Italy doesn’t matter →. February 20, 2011 · 9:58 am. Bill Cunliffe and the Grammy that got away. Bill Cunliffe and his Grammy from 2010. Cunliffe lost his bid for two in a row to Billy Childs. This was a bittersweet year for me at the Grammys. I was there because the orchestral piece,. Fourth stream La Banda,. That I wrote for my friend, trumpeter Terell Stafford. The air w...

billcunliffe.com billcunliffe.com

Archives 2013 | Bill Cunliffe

http://www.billcunliffe.com/archives/archives-2013

Composer • Arranger • Pianist. Tuneful Tidings: The Best New Holiday Albums by Kirk Silsbee (Los Angeles Times). Bill Cunliffe: That Time of Year (2011) by C. Michael Bailey (All About Jazz). That Time of Year Review by Clark Griffin (Inside Jazz Magazine p.58) 2. Ace Octet in a Latin Groove by Don Heckman (Los Angeles Times). Spotlight: Bill Cunliffe by Ernie Rideout (Keyboard Magazine). A Fireside Chat with Bill Cunliffe. Winner of the 2009. For Best Instrumental Arrangement. Dec 27-29, 2013, at.

billcunliffe.wordpress.com billcunliffe.wordpress.com

Every picture tells a story | Bill Cunliffe's Blog

https://billcunliffe.wordpress.com/2012/06/10/bill-in-new-york

Bill Cunliffe's Blog. A Fireside Chat with Bill Cunliffe. Can a machine help you relax when you play? Oscar Peterson →. June 10, 2012 · 2:48 pm. Every picture tells a story. But the pizza. $2.75. I got the marinara, no cheese. Bit into the hot slice. Perfect crust, not too doughy, crispy, slightly burnt, with a delightfully light tomato aroma and a fresh, slightly sweet flavor. Ahhh. A little perfection in the heart of the big city. And there will be food. Only three more days. Waahh! Every picture tells...

billcunliffe.com billcunliffe.com

Store | Bill Cunliffe

http://www.billcunliffe.com/store

Composer • Arranger • Pianist. Tuneful Tidings: The Best New Holiday Albums by Kirk Silsbee (Los Angeles Times). Bill Cunliffe: That Time of Year (2011) by C. Michael Bailey (All About Jazz). That Time of Year Review by Clark Griffin (Inside Jazz Magazine p.58) 2. Ace Octet in a Latin Groove by Don Heckman (Los Angeles Times). Spotlight: Bill Cunliffe by Ernie Rideout (Keyboard Magazine). A Fireside Chat with Bill Cunliffe. Winner of the 2009. For Best Instrumental Arrangement.

billcunliffe.com billcunliffe.com

Archives | Bill Cunliffe

http://www.billcunliffe.com/archives

Composer • Arranger • Pianist. Tuneful Tidings: The Best New Holiday Albums by Kirk Silsbee (Los Angeles Times). Bill Cunliffe: That Time of Year (2011) by C. Michael Bailey (All About Jazz). That Time of Year Review by Clark Griffin (Inside Jazz Magazine p.58) 2. Ace Octet in a Latin Groove by Don Heckman (Los Angeles Times). Spotlight: Bill Cunliffe by Ernie Rideout (Keyboard Magazine). A Fireside Chat with Bill Cunliffe. Winner of the 2009. For Best Instrumental Arrangement.

billcunliffejazzpianoworkshop.wordpress.com billcunliffejazzpianoworkshop.wordpress.com

Melodic Concepts for Jazz Piano: Volume 3 « Jazz Piano Workshop

https://billcunliffejazzpianoworkshop.wordpress.com/2013/08/06/melodic-concepts-for-jazz-piano-volume-3

A Fireside Chat with Bill Cunliffe. Melodic Concepts for Jazz Piano: Volume 3. We always ask students to learn their scales, and this is, of course, indispensable for developing as a jazz improviser. To really know a scale, and use it in a musical way, it’s really useful, and potentially fun, to learn them with commonly employed intervals before we try to insert them into tunes that we are playing. I also enjoy the locrian #2 scale (natural minor with a lowered 5th) used on the minor 7 b5 chord. You coul...

billcunliffejazzpianoworkshop.wordpress.com billcunliffejazzpianoworkshop.wordpress.com

Melodic Concepts for Jazz Piano: Volume 1 « Jazz Piano Workshop

https://billcunliffejazzpianoworkshop.wordpress.com/2013/08/08/melodic-concepts-for-jazz-piano-vol-1

A Fireside Chat with Bill Cunliffe. Melodic Concepts for Jazz Piano: Volume 1. The first thing I wanted, once I had learned a few licks, or melodic patterns, was to have hip lines. You need to be able to run the changes without thinking too much. Here are some steps to help you get started. First of all, play through the tune using standard (spelled from bottom up) 3-7-9 and 7-3-5 voicings, and playing the root in the right hand. Do this in as many keys as possible, hopefully all 12! And tagged jazz piano.

billcunliffejazzpianoworkshop.wordpress.com billcunliffejazzpianoworkshop.wordpress.com

Basics of Accompanying Singers « Jazz Piano Workshop

https://billcunliffejazzpianoworkshop.wordpress.com/2013/07/10/basics-of-accompanying-singers

A Fireside Chat with Bill Cunliffe. Basics of Accompanying Singers. This entry was posted in Basics of Accompanying Singers. And tagged jazz piano. Jazz Harmony for Piano. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.

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Trimotif | An ensemble with a Penchant for Tangents

Trimotif. an ensemble with a penchant for tangents. Is a group of flute, oboe, bassoon, and piano/composer that explores musical expression absent the confines of a defined genre. Our objective is a seamless fusion of classical music and jazz with improvisation as an integral part of our work. Bill Cunliffe, our pianist/ composer, frequently composes original works for the ensemble and we often add musical collaborators to the mix. Our programs cultivate a warm interactive atmosphere. Art by Joanne Topol.

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