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Collected practitioner writing on screendance and moving image. Saturday, March 29, 2014. Motion Studies: Teaching 21st Century Screendance - Bellyflop. Bellyflop Magazine - March 2014. Commercial culture clearly tells us what dance on screen is. It’s Fred Astaire. And his famous quip that ‘either the camera will dance, or I will’, and it’s Beyonce and her palm-turning, high-cut Single Ladies. Dancing bodies as subject of camera gaze, with edits that fit to music. In Brighton, and Moves. It is arguably n...

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unspooled | unspooled-writing.blogspot.com Reviews

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Collected practitioner writing on screendance and moving image. Saturday, March 29, 2014. Motion Studies: Teaching 21st Century Screendance - Bellyflop. Bellyflop Magazine - March 2014. Commercial culture clearly tells us what dance on screen is. It’s Fred Astaire. And his famous quip that ‘either the camera will dance, or I will’, and it’s Beyonce and her palm-turning, high-cut Single Ladies. Dancing bodies as subject of camera gaze, with edits that fit to music. In Brighton, and Moves. It is arguably n...

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1 unspooled

2 maya deren

3 karen pearlman

4 erin brannigan

5 douglas rosenberg

6 simon ellis

7 and etienne jules marey

8 and norman mclaren

9 shirley clarke

10 yvonne rainer

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unspooled | unspooled-writing.blogspot.com Reviews

https://unspooled-writing.blogspot.com

Collected practitioner writing on screendance and moving image. Saturday, March 29, 2014. Motion Studies: Teaching 21st Century Screendance - Bellyflop. Bellyflop Magazine - March 2014. Commercial culture clearly tells us what dance on screen is. It’s Fred Astaire. And his famous quip that ‘either the camera will dance, or I will’, and it’s Beyonce and her palm-turning, high-cut Single Ladies. Dancing bodies as subject of camera gaze, with edits that fit to music. In Brighton, and Moves. It is arguably n...

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unspooled-writing.blogspot.com

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unspooled: On Teaching Screendance: Two-Way Traffic and Maya Deren’s Theory of Vertical Narrative Progression

http://unspooled-writing.blogspot.com/2010/01/on-teaching-screendance-two-way-traffic.html

Collected practitioner writing on screendance and moving image. Monday, January 18, 2010. On Teaching Screendance: Two-Way Traffic and Maya Deren’s Theory of Vertical Narrative Progression. Text of a paper presented at Exploring the The Screen as Site for Choreography, University of Bristol, in April 2009. Brakhage in McPherson, 2001, p.142). At The End Of The Sentence. Fellow Brighton-based artist Becky Edmunds’ professional background lies within the fields of improvised dance and live art, with a subs...

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unspooled: Outlying Areas

http://unspooled-writing.blogspot.com/2010/01/outlying-areas.html

Collected practitioner writing on screendance and moving image. Tuesday, January 19, 2010. Research project undertaken during November and December 2009 at Cambridge Central Library’s Mediatheque. Posted by Chirstinn Whyte at 12:09 AM. Subscribe to Post Comments [ Atom. View my complete profile. On Teaching Screendance: Two-Way Traffic and Maya . Hybrids: Becky Edmunds - Filmwaves. Archive Highlights: Dance on Screen - RealTime. Johanna Billing in RealTime. Practitioner writing - Becky Edmunds.

3

unspooled: Erin Brannigan’s Dancefilm

http://unspooled-writing.blogspot.com/2011/06/erin-brannigans-dancefilm.html

Collected practitioner writing on screendance and moving image. Tuesday, June 14, 2011. Review in Realtime 103 of Erin Brannigan’s Dancefilm: Choreography and the Moving Image. Http:/ www.realtimearts.net/article/issue103/10331. Posted by Chirstinn Whyte at 10:36 AM. Subscribe to Post Comments [ Atom. View my complete profile. The evolution of the ‘A’ word: Changing notions of. On Teaching Screendance: Two-Way Traffic and Maya . Hybrids: Becky Edmunds - Filmwaves. Johanna Billing in RealTime.

4

unspooled: July 2009

http://unspooled-writing.blogspot.com/2009_07_01_archive.html

Collected practitioner writing on screendance and moving image. Wednesday, July 15, 2009. Moves09 - Film International. Article on Moves09 from Film International. Moves09 Festival of Movement on Screen, Manchester - 23rd - 28th April 2009. Film International Summer 2009. 2008) combined stop-motion techniques, photographic portraiture and thoughtfully allusive voice-over with bursts of pop culture pacing. Posted by Chirstinn Whyte at 9:43 PM. View my complete profile. Erin Brannigan’s Dancefilm.

5

unspooled: October 2008

http://unspooled-writing.blogspot.com/2008_10_01_archive.html

Collected practitioner writing on screendance and moving image. Friday, October 10, 2008. Moves08 - Dance Theatre Journal Vol 23:1. Elsewhere, work by British-based artists Becky Edmunds and Alex Reuben featured prominently. Brighton-based Edmunds has spoken of previous work, such as Have You Started Dancing Yet? 1 Open Source Video Dance Symposium, held at the Findhorn Foundation in North East Scotland, November 2007. 2 Brian Massumi 2002 Parables for the Virtual London Duke University Press p.179.

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Collected practitioner writing on screendance and moving image. Saturday, March 29, 2014. Motion Studies: Teaching 21st Century Screendance - Bellyflop. Bellyflop Magazine - March 2014. Commercial culture clearly tells us what dance on screen is. It’s Fred Astaire. And his famous quip that ‘either the camera will dance, or I will’, and it’s Beyonce and her palm-turning, high-cut Single Ladies. Dancing bodies as subject of camera gaze, with edits that fit to music. In Brighton, and Moves. It is arguably n...

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Exploring the world's healthiest cultures to find a better way to live – and eat- in America. In theory, rice should be easy to cook. I always thought it was, but perhaps that’s because like many Americans, I have a bread-fixation. Bread was eaten with nearly every dinner in my house, and I was very familiar with…. Cooking in French: Planning. Baby Steps: Keeping Healthy Routines. June 8, 2015. I’ve been inspired by a recent trip to Mexico to pick things up where I left off. I know Mexico isn&#...It’s th...