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texts, notes and critics

Texts, notes and critics. RETRACING A UTOPIAN STAGE: FESTIVAL OF ARTS, SHIRAZ PERSEPOLIS (1967-1977). NOTES FROM LONDON / NOTAS DESDE LONDRES – Spanish version below. Curated by Vali Mahlouji. 21April – 04 Oct. Http:/ www.whitechapelgallery.org/exhibitions/utopian-stage-festival-arts-shiraz-persepolis/. Retracing a Utopian Stage. Merce Cunningham & co. performing, 1972. By Bijan Mofid, 1968. Karlheinz Stockhausen’s Mantra. On 2 September 1972. 8 junio, 2015. RYOJI IKEDA, SUPERSYMMERTRY. 23 April 31 May.

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Texts, notes and critics. RETRACING A UTOPIAN STAGE: FESTIVAL OF ARTS, SHIRAZ PERSEPOLIS (1967-1977). NOTES FROM LONDON / NOTAS DESDE LONDRES – Spanish version below. Curated by Vali Mahlouji. 21April – 04 Oct. Http:/ www.whitechapelgallery.org/exhibitions/utopian-stage-festival-arts-shiraz-persepolis/. Retracing a Utopian Stage. Merce Cunningham & co. performing, 1972. By Bijan Mofid, 1968. Karlheinz Stockhausen’s Mantra. On 2 September 1972. 8 junio, 2015. RYOJI IKEDA, SUPERSYMMERTRY. 23 April 31 May.
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texts, notes and critics | virginialazaroblog.wordpress.com Reviews

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Texts, notes and critics. RETRACING A UTOPIAN STAGE: FESTIVAL OF ARTS, SHIRAZ PERSEPOLIS (1967-1977). NOTES FROM LONDON / NOTAS DESDE LONDRES – Spanish version below. Curated by Vali Mahlouji. 21April – 04 Oct. Http:/ www.whitechapelgallery.org/exhibitions/utopian-stage-festival-arts-shiraz-persepolis/. Retracing a Utopian Stage. Merce Cunningham & co. performing, 1972. By Bijan Mofid, 1968. Karlheinz Stockhausen’s Mantra. On 2 September 1972. 8 junio, 2015. RYOJI IKEDA, SUPERSYMMERTRY. 23 April 31 May.

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About me | texts, notes and critics

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Texts, notes and critics. Introduce aquí tu comentario. Introduce tus datos o haz clic en un icono para iniciar sesión:. La dirección no se hará pública). Estás comentando usando tu cuenta de WordPress.com. ( Cerrar sesión. Estás comentando usando tu cuenta de Twitter. ( Cerrar sesión. Estás comentando usando tu cuenta de Facebook. ( Cerrar sesión. Estás comentando usando tu cuenta de Google . ( Cerrar sesión. Notificarme los nuevos comentarios por correo electrónico. Blog de WordPress.com.

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virginialazarovilla | texts, notes and critics

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Texts, notes and critics. Http:/ virginialazaro.tumblr.com. RETRACING A UTOPIAN STAGE: FESTIVAL OF ARTS, SHIRAZ PERSEPOLIS (1967-1977). NOTES FROM LONDON / NOTAS DESDE LONDRES – Spanish version below. Curated by Vali Mahlouji. 21April – 04 Oct. Http:/ www.whitechapelgallery.org/exhibitions/utopian-stage-festival-arts-shiraz-persepolis/. Retracing a Utopian Stage. Merce Cunningham & co. performing, 1972. By Bijan Mofid, 1968. Karlheinz Stockhausen’s Mantra. On 2 September 1972. 8 junio, 2015. 27 mayo, 2015.

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RETRACING A UTOPIAN STAGE: FESTIVAL OF ARTS, SHIRAZ – PERSEPOLIS (1967-1977) | texts, notes and critics

https://virginialazaroblog.wordpress.com/2015/06/08/retracing-a-utopian-stage-festival-of-arts-shiraz-persepolis-1967-1977

Texts, notes and critics. RETRACING A UTOPIAN STAGE: FESTIVAL OF ARTS, SHIRAZ PERSEPOLIS (1967-1977). NOTES FROM LONDON / NOTAS DESDE LONDRES – Spanish version below. Curated by Vali Mahlouji. 21April – 04 Oct. Http:/ www.whitechapelgallery.org/exhibitions/utopian-stage-festival-arts-shiraz-persepolis/. Retracing a Utopian Stage. Merce Cunningham & co. performing, 1972. By Bijan Mofid, 1968. Karlheinz Stockhausen’s Mantra. On 2 September 1972. 8 junio, 2015. RYOJI IKEDA, SUPERSYMMERTRY.

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DE LOS DISTINTOS EJES | texts, notes and critics

https://virginialazaroblog.wordpress.com/2015/03/03/de-los-distintos-ejes-suelos-i

Texts, notes and critics. DE LOS DISTINTOS EJES. Virginia Lázaro, Febrero 2015. 8230;) lo vertical no es sólo un eje neutral, una dimensión. Es una promesa, una narración. Puede enunciarse así: el estar erguido supone alcanzar un determinado modo de observación: el óptico; y obtener esta visión supone sublimar, elevar, purificar. Krauss, Rosalind: La transgresión está en el ojo del observador, en Creación, nº 6, Madrid, p. 32. Y que era pollock sino un artista – Dios todo poderoso? 3 marzo, 2015. Estás c...

5

RYOJI IKEDA, SUPERSYMMERTRY | texts, notes and critics

https://virginialazaroblog.wordpress.com/2015/05/27/ryoji-ikeda-supersymmetry

Texts, notes and critics. RYOJI IKEDA, SUPERSYMMERTRY. NOTES FROM LONDON / NOTAS DESDE LONDRES. Http:/ www.thevinylfactory.com. Ryoji Ikeda S upersymmetry. 23 April 31 May. The Vinyl Factory Space, Brewer Street Car Park, Londres, W1F 0LA. Ryoji Ikeda presenta hasta el 31 de Mayo Supersymmetry. No veíamos a Ikeda en Londres desde Spectra. Proyecto comisariado por Artangel. And tagged Art Angel. 27 mayo, 2015. DE LOS DISTINTOS EJES. Introduce aquí tu comentario. La dirección no se hará pública).

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texts, notes and critics

Texts, notes and critics. RETRACING A UTOPIAN STAGE: FESTIVAL OF ARTS, SHIRAZ PERSEPOLIS (1967-1977). NOTES FROM LONDON / NOTAS DESDE LONDRES – Spanish version below. Curated by Vali Mahlouji. 21April – 04 Oct. Http:/ www.whitechapelgallery.org/exhibitions/utopian-stage-festival-arts-shiraz-persepolis/. Retracing a Utopian Stage. Merce Cunningham & co. performing, 1972. By Bijan Mofid, 1968. Karlheinz Stockhausen’s Mantra. On 2 September 1972. 8 junio, 2015. RYOJI IKEDA, SUPERSYMMERTRY. 23 April 31 May.

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