voicings.co.uk voicings.co.uk

voicings.co.uk

Voice coach, vocal coach, voice coaching, vocal coaching

London voice coach Marj McDaid, 20 years experience. Individuals, groups and corporations. Precise physiological and phonetic techniques within a holistic approach to breath, voice and psyche, deriving from Estill, Grof, Wolfssohn, Gestalt. Prepares actors for auditions, coaches theatre companies and individuals with accents and safe use of music theatre singing techniques.

http://voicings.co.uk/

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Voice coach, vocal coach, voice coaching, vocal coaching | voicings.co.uk Reviews
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London voice coach Marj McDaid, 20 years experience. Individuals, groups and corporations. Precise physiological and phonetic techniques within a holistic approach to breath, voice and psyche, deriving from Estill, Grof, Wolfssohn, Gestalt. Prepares actors for auditions, coaches theatre companies and individuals with accents and safe use of music theatre singing techniques.
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Voice coach, vocal coach, voice coaching, vocal coaching | voicings.co.uk Reviews

https://voicings.co.uk

London voice coach Marj McDaid, 20 years experience. Individuals, groups and corporations. Precise physiological and phonetic techniques within a holistic approach to breath, voice and psyche, deriving from Estill, Grof, Wolfssohn, Gestalt. Prepares actors for auditions, coaches theatre companies and individuals with accents and safe use of music theatre singing techniques.

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voicings.co.uk voicings.co.uk
1

Singing - Voicings - Marj McDaid - versatile voice coaching

http://voicings.co.uk/voice_coaching_singing.htm

Choirs: Vocal technique, consistency and style - how to achieve what the conductor wants. Singer song-writers: Do justice to your creativity. Style Transition: Classical singers need specific technical guidance to work in other styles. Auditions: When you've learnt your song, learn how to deliver it.

2

About Marj McDaid - versatile voice coaching

http://voicings.co.uk/about_marj_mcdaid.htm

Marj McDaid's voice work is designed for all those who have the need or the urge to express themselves vocally in speech or singing: creatively, assertively, informatively, in their work, their leisure or their relationships. Despite the underlying need for authenticity, the voice we use needs to be appropriate to the situation.

3

Voice coach, vocal coach, voice coaching, vocal coaching

http://voicings.co.uk/index.htm

What I like to hear around me are people who sound vital and authentic. So that is what I aspire to facilitate through my teaching. For my part this means, on the one hand, taking account of the whole person - not just the voice - and on the other, imparting very specific techniques and feedback. On the part of the learner it requires some impetus for change, some work and some play. I see myself very much like an athletics coach, but for the voice. By East Midlands Internet Ltd.

4

Voice Coaching Sessions - Voicings - Marj McDaid - versatile voice coaching

http://voicings.co.uk/voice_coaching_sessions.htm

Individuals: Sessions are usually one hour, in Stoke Newington or (by arrangement) elsewhere. Groups: Small groups may be accommodated in our own premises. Larger groups need to provide their own venue and to last at least 2 hours. Expenses will be charged. Corporate: Voicings may be booked by the day or by the half day to work with groups or individuals as referred by Line Managers or Human Resources departments. Travelling expenses may apply.

5

Speech - Voicings - Marj McDaid - versatile voice coaching

http://voicings.co.uk/voice_coaching_speech.htm

Voice in the business world: Better fulfilment of individual and corporate objectives. Women: Assertiveness and the glass ceiling. Teachers: Be heard without damaging your voice. Broadcast journalists: Deliver more than just a well-written report. Accent modification: If you feel your accent isn't doing you any favours. Theatre companies: Amateur and professional: dialect accents, heightened styles. Auditions: One chance to be convincing - accent and character.

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What I like to hear around me are people who sound vital and authentic. So that is what I aspire to facilitate through my teaching. For my part this means, on the one hand, taking account of the whole person - not just the voice - and on the other, imparting very specific techniques and feedback. On the part of the learner it requires some impetus for change, some work and some play. I see myself very much like an athletics coach, but for the voice. By East Midlands Internet Ltd.

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