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No Man's Tongue: Farewell No Man's Tongue
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General Rantings from a Perth-boy in. Saturday, September 15, 2012. Farewell No Man's Tongue. Thank you for visiting No Man's Tongue. Sadly, this site is no longer operative. To keep up with my essays and criticism, please visit my new site:. Henry F. Skerritt. Henry F. Skerritt. I LOVE the Snow White painting! Do you know of anywhere where I could buy a print? January 9, 2013 at 3:54 AM. Subscribe to: Post Comments (Atom). Henry F. Skerritt. View my complete profile. Friends and Worthy Adversaries.
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No Man's Tongue: Bob Gibson Tjungurrayi
http://nomanstongue.blogspot.com/2010/04/bob-gibson-tjungurrayi.html
General Rantings from a Perth-boy in. Monday, April 26, 2010. Bob Gibson Tjungarrayi was born at Papunya in 1974, before moving with his family to Tjukurla during the time of the homelands movement. The son of renowned artist Mary Gibson, Bob paints his ancestral stories with a raw intensity. His palette of wild hues reveals an unrestrained joy for experimentation, tempered with nostalgia as he recalls his father’s country around Patjarr and his mother’s country of Kulkuta. Henry F. Skerritt.
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No Man's Tongue: June 2009
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General Rantings from a Perth-boy in. Friday, June 12, 2009. Ancestral Power and the Aesthetic. Below is an extended version of a piece that was published in Crikey. Ancestral Power and the Aesthetic. Ian Potter Museum of Art, University of Melbourne. Last Wednesday, amidst relatively little fanfare, the Ian Potter Museum at the University of Melbourne launched Ancestral Power and the Aesthetic. If the works in Ancestral Power and the Aesthetic. Arriving in central Arnhem Land in 1935, Thomson immersed h...
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No Man's Tongue: May 2010
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General Rantings from a Perth-boy in. Sunday, May 30, 2010. A Contemporary Spirit: The Art of Graham Badari. Salt-water crocodile) and the more otherworldly Ngalyod (Rainbow Serpent). Badari believes wholeheartedly in the presence of these spirit beings; they are an intrinsic part of the cultural heritage that has informed his life. Henry F. Skerritt. Tuesday, May 25, 2010. Geographic Cosmology: The Art of Lucy Ward. In the jubilant glow of Ward’s paintings there is a reflection on her long life li...
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No Man's Tongue: August 2007
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General Rantings from a Perth-boy in. Monday, August 20, 2007. A Response to Mr O. Boot. So, first, here are Mr Boot's comments. Ii) You're not an exile, you're a migrant. Just like the Greeks, Italians, Vietnamese, Sudanese etc etc coming to Melbourne to seek a better like. It's good here. If you really want to assimilate you should go for Essendon or Collingood. Iii) Welcome to the 21st century. And here are my somewhat rushed, immediate responses. Dear Mr Boot,. You can be in exile for many reasons, b...
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No Man's Tongue: A Contemporary Spirit: The Art of Graham Badari
http://nomanstongue.blogspot.com/2010/05/contemporary-spirit-art-of-graham.html
General Rantings from a Perth-boy in. Sunday, May 30, 2010. A Contemporary Spirit: The Art of Graham Badari. Salt-water crocodile) and the more otherworldly Ngalyod (Rainbow Serpent). Badari believes wholeheartedly in the presence of these spirit beings; they are an intrinsic part of the cultural heritage that has informed his life. Henry F. Skerritt. Subscribe to: Post Comments (Atom). Henry F. Skerritt. View my complete profile. Friends and Worthy Adversaries. Melbourne Written Non-Objective Project.
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No Man's Tongue: March 2009
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General Rantings from a Perth-boy in. Monday, March 9, 2009. Kunoth Pwerle’s earliest works show a clear debt to his parents’ observational style. And yet, as Kunoth Pwerle gained confidence as an artist, he quickly abandoned their astute attention to detail in favour of a plastic freedom. As his parents’ work became more detailed and naturalistic, Kunoth Pwerle’s sculptures became more abstract, dispensing with all unnecessary representational elements. Henry F. Skerritt. Subscribe to: Posts (Atom).
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No Man's Tongue: Choosing Who Will Keep the Stories Strong: The Garrawurra Artists of Milingimbi
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General Rantings from a Perth-boy in. Wednesday, April 21, 2010. Choosing Who Will Keep the Stories Strong: The Garrawurra Artists of Milingimbi. The following article appeared in. Artlink, Vol 29, no. 3, 2009. Painted on the body during the Ngarra. The striking visual power of the Djirri-didi. But Durrng’s primary concern was always tradition and continuity, as opposed to any aspirations towards modernism. Although ‘modern’ in appearance, his designs adhered strictly to those paint...Yellow) in recollec...
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No Man's Tongue: December 2009
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General Rantings from a Perth-boy in. Sunday, December 13, 2009. Jean Baptiste Apuatimi and Maria Josette Orsto. Henry F. Skerritt. Subscribe to: Posts (Atom). Henry F. Skerritt. View my complete profile. Friends and Worthy Adversaries. Melbourne Written Non-Objective Project. Melbourne written objective project. Edward J. Grug III. Will Owen's Aboriginal Art an American Eye. Jean Baptiste Apuatimi and Maria Josette Orsto.
