willerstorfer.com

willerstorfer.com | Willerstorfer Font Foundry – Stefan Willerstorfer

Now available for desktop and web: Type family Sindelar. The highly legible text face for news and media design. Interview at FreeTypography’s Typography Blog. Recently I was interviewed at length by FreeTypography’s Typography Blog. If you are interested in learning more about my work and the motivation and values behind it, please head to FreeTypography. Among other things you can read about the [.]. Sindelar webfonts are now available for purchase. I Love Typography presents The making of Sindelar.

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willerstorfer.com | Willerstorfer Font Foundry – Stefan Willerstorfer | willerstorfer.com Reviews

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Now available for desktop and web: Type family Sindelar. The highly legible text face for news and media design. Interview at FreeTypography’s Typography Blog. Recently I was interviewed at length by FreeTypography’s Typography Blog. If you are interested in learning more about my work and the motivation and values behind it, please head to FreeTypography. Among other things you can read about the [.]. Sindelar webfonts are now available for purchase. I Love Typography presents The making of Sindelar.

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willerstorfer.com | Willerstorfer Font Foundry – Stefan Willerstorfer | willerstorfer.com Reviews

https://willerstorfer.com

Now available for desktop and web: Type family Sindelar. The highly legible text face for news and media design. Interview at FreeTypography’s Typography Blog. Recently I was interviewed at length by FreeTypography’s Typography Blog. If you are interested in learning more about my work and the motivation and values behind it, please head to FreeTypography. Among other things you can read about the [.]. Sindelar webfonts are now available for purchase. I Love Typography presents The making of Sindelar.

INTERNAL PAGES

willerstorfer.com

1

Our Work | Willerstorfer Font Foundry

http://www.willerstorfer.com/services.ehtml

Is a capable, contemporary text face addressing today’s news design requirements. Is a reliable workhorse for large, demanding design projects. Our work has been awarded the renowned. IF Design Award in Gold. Our work has been awarded the prestigious. Red Dot Award: Best of the Best. Our work has been awarded the coveted. Award winning type families. Our first two font releases, the award winning type families Acorde. The renowned iF Design Award in Gold,. And the coveted German Design Award. Our fonts h...

2

Blog | Willerstorfer Font Foundry

http://www.willerstorfer.com/blog.ehtml?id=35

Blog – Insights by Stefan Willerstorfer. January 30, 2015. Acorde/Sindelar Bundles are now available. Sindelar and Acorde complement each other perfectly. Thus many clients are interested in using both type families alongside one another. The Acorde/Sindelar Bundle. Reflects this demand and merges all 14 styles of Acorde and all 18 styles of Sindelar into an attractive bundle of 32 styles. All styles are fully equipped with a huge character set and numerous OpenType features. December 8, 2014. Sindelar i...

3

About Us | Willerstorfer Font Foundry

http://www.willerstorfer.com/profile.ehtml

We were honoured by winning the prestigious Red Dot Award: Best of the Best. We were honoured by winning the renowned. IF Design Award in Gold. Willerstorfer Font Foundry is one of Austria ’s leading and most successful type foundries based in Vienna. Our first two releases, the type families Acorde. The renowned iF Design Award in Gold,. The Communication Arts Award of Excellence,. And the coveted German Design Award. Addressing global and individual demands. And we are happy to provide them with advice...

4

Typographic Design | Picture Postcard Series | Willerstorfer Font Foundry

http://www.willerstorfer.com/postcards.ehtml

Book of Common Prayer. III The Making of . It is an exciting activity and a balance to everyday work to freely and spontaneously create collages with photo material. This series is a collection of picture postcards which were designed for different occasions at irregular intervals. All postcards are photographic collages and have a format of 148 x 105 mm (DIN A6). Stefan Willerstorfer shot the photographic material and chose it in accordance with the topic or the occasion.

5

Sindelar | Willerstorfer Font Foundry

http://www.willerstorfer.com/sindelar.ehtml

Font Family Designed by Stefan Willerstorfer, 2009 2014. Family for 675 add to cart. Up to 5 Computers. Up to 10 Computers. Up to 15 Computers. Up to 25 Computers. Up to 40 Computers. Up to 55 Computers. Up to 75 Computers. Up to 100 Computers. Up to 125 Computers. More: contact us at info(at)willerstorfer.com. More: contact us at info(at)willerstorfer.com. Up to 10K unique Visitors/mo. Up to 50K unique Visitors/mo. Up to 150K unique Visitors/mo. Up to 500K unique Visitors/mo. Up to 1M unique Visitors/mo.

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patrick-drake.blogspot.com

Patrick Drake's graphic process: THE MAKING OF A TYPEFACE

http://patrick-drake.blogspot.com/2010/10/making-of-typeface.html

Sunday, October 24, 2010. THE MAKING OF A TYPEFACE. Which shows a little insight in the creation of a contemporary typeface. I found the most interesting part in which he talks about the necessity for a corporate typeface to not only be usable by designers in a corporate identity but also the typeface needs to be easily used by non-designer employees. 5 years is a long time to spend on refining of a typeface and the commitment obviously pays off. Subscribe to: Post Comments (Atom). MINIMAL VS. EMPTY.

ikern.com

Collaboration < iKern: type metrics and engineering – spacing (autospacing) and kerning (autokerning) for type designers

http://ikern.com/k1/collaboration

Journal & News. Is my opinion that type designers don’t lose control on their typefaces if someone else does the metrics. Designing shapes and letterfitting can be independent, even if connected, tasks because they have independent goals. Glyphs have to be good. Spacing and kerning have to be right. Separating these tasks means: everyone doing what he can do best. Giangiorgio Fuga, Giò Fuga Type. Well, Igino’s Ikern “Type Design Service” has proved to be essential for a definitive fine ...Our fonts grew ...

cdn.ilovetypography.com

fonts, typefaces and all things typographical — I love Typography (ILT)

http://cdn.ilovetypography.com/2010/10/10/the-making-of-acorde-2

The making of Acorde. MADE POSSIBLE WITH THE SUPPORT OF. October 10, 2010. After five years of intensive work, my type family Acorde. Is finally on the market. It is a reliable workhorse for large, demanding design projects. The typeface’s name is derived from. Sign typeface. However, Acorde is not only suitable for corporate design programmes but for information design and editorial design too. Overview of Acorde. The type family consists of 14 styles, with 925 glyphs per font. One of the goals I set wh...

patrick-drake.blogspot.com

Patrick Drake's graphic process: October 2010

http://patrick-drake.blogspot.com/2010_10_01_archive.html

Sunday, October 24, 2010. THE MAKING OF A TYPEFACE. Which shows a little insight in the creation of a contemporary typeface. I found the most interesting part in which he talks about the necessity for a corporate typeface to not only be usable by designers in a corporate identity but also the typeface needs to be easily used by non-designer employees. 5 years is a long time to spend on refining of a typeface and the commitment obviously pays off. Friday, October 22, 2010. MINIMAL VS. EMPTY. My portfolio ...

glyphsapp.com

Sketching | Glyphs

https://www.glyphsapp.com/tutorials/sketching

Create – Produce – Release. Font Editing for Everyone. By Rainer Erich Scheichelbauer. But many theorists will insist that even if you try to abstract by the means of different tools, it is still the broad nib you are abstracting from. So, in this tutorial, I will focus on the broad-nib pen. Start With the n. Simulating a Broad-Nibbed Pen. But chances are, you will not have a broad-nib pen on you when you have that great idea for that letter. So, we will have to fake it. The characteristics of wr...The w...

ilovetypography.com

Fonts, typefaces and all things typographical — I love Typography (ILT)

http://ilovetypography.com/page/15

Name plate typeface: Tungsten Rounded. MADE POSSIBLE WITH THE SUPPORT OF. MADE POSSIBLE WITH THE SUPPORT OF. November 5, 2010. November 5, 2010. On drawing with type. November 2, 2010. Part 2: Readability, affability, authority. When their words are put into print, writers want the text to be inviting and welcoming, so that readers will read what they have written. And they also want the text to have an aura of credibility, so it will be taken seriously and maybe even accepted. October 27, 2010. When des...

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willerstorfer.com | Willerstorfer Font Foundry – Stefan Willerstorfer

Now available for desktop and web: Type family Sindelar. The highly legible text face for news and media design. Interview at FreeTypography’s Typography Blog. Recently I was interviewed at length by FreeTypography’s Typography Blog. If you are interested in learning more about my work and the motivation and values behind it, please head to FreeTypography. Among other things you can read about the [.]. Sindelar webfonts are now available for purchase. I Love Typography presents The making of Sindelar.

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