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wjrcbrown on film | Blogging seriously about cinema and other things

Blogging seriously about cinema and other things

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wjrcbrown on film | Blogging seriously about cinema and other things | wjrcbrown.wordpress.com Reviews

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wjrcbrown | wjrcbrown on film

https://wjrcbrown.wordpress.com/author/wjrcbrown

Blogging seriously about cinema and other things. I am a Lecturer in Film at Roehampton University. I am a sort of filmmaker. Media, mud and the life of matter. January 8, 2016. I am feeling a bit deflated. So I decided to write something. This is the result. It owes much to David H. Fleming, with whom I am working on some of these ideas for the purposes of academic publishing to … Continue reading →. Adventures in Cinema 2015. January 1, 2016. Clouds of sils maria. Films of the year 2015. August 18, 2015.

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Plemya/The Tribe (Myroslav Slaboshpytskiy, Ukraine/Netherlands, 2014) | wjrcbrown on film

https://wjrcbrown.wordpress.com/2015/06/24/plemyathe-tribe-myroslav-slaboshpytskiy-ukrainenetherlands-2014

Blogging seriously about cinema and other things. Accidental Love (David O Russell, USA/UK, 2015). 52 Tuesdays (Sophie Hyde, Australia, 2013) →. Plemya/The Tribe (Myroslav Slaboshpytskiy, Ukraine/Netherlands, 2014). June 24, 2015. This is a brief review of. In order to accompany the introduction to the film that I made last night at the Ritzy Cinema in Brixton, London. I have been meaning to write about a number of the films I have introduced, but only now have had the chance. Often features long takes, ...

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wjrcbrown on film | Blogging seriously about cinema and other things | Page 2

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Blogging seriously about cinema and other things. Newer posts →. The Rock Face, or The End of Capitalism (Inspired partially by San Andreas, Brad Peyton, USA/Australia, 2015). June 4, 2015. Except for the fact that the Rock still somehow manages to be appealing when wooden. But maybe this is the point. Looking back, we might say that. Richard Kelly, France/Germany/USA, 2006) was the moment, now forgotten if ever seen at all by most people, when this genius of the labrador/retriever Rock was revealed (.

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Films | wjrcbrown on film

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Blogging seriously about cinema and other things. William has directed a few no- to low-budget feature films, including:-. Was listed among the Films of the Year 2009 in. Magazine by esteemed critic Jonathan Rosenbaum. It played CPH PIX 2010, as well as at the NorthWestFilmForum in Seattle, Washington, and at the opening of the ArtsEmerson Centre in Boston, Massachusetts. Was listed among the Films of the Year 2010 in. Played at FEST Film Festival in Portugal in 2013. China: A User’s Manual (Films).

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Publications | wjrcbrown on film

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Blogging seriously about cinema and other things. 2013: Supercinema: Film-Philosophy for the Digital Age. The book is a detailed exploration of the digital moving image, locating its place in film history and how film theory can help us to understand it. The book predominantly takes in contemporary special effects movies from around the globe, although it does pay attention to other developments in digital cinema. 2010: Moving People, Moving Images: Cinema and Trafficking in the New Europe. This essay of...

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Paul Sutton: March 2010

http://paulgsutton.blogspot.com/2010_03_01_archive.html

Principal Lecturer in Film. Tuesday, 16 March 2010. Moon (Duncan Jones 2009). As always, I'm way behind everyone else with my viewing. Anyway, I've finally had a chance to see Duncan Jones' debut, BAFTA award-winning feature, Moon. And what a debut! A really impressive film with an incredible performance - or should that be performances, plural - from Sam Rockwell. As Sam Bell, Rockwell is. The film. Reviewers of the film have made comparisons with Kubrick's classic 2001: A Space Odyssey. View my complet...

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Paul Sutton: Classics in the Walled Garden 2011

http://paulgsutton.blogspot.com/2011/07/classics-in-walled-garden-2011.html

Principal Lecturer in Film. Wednesday, 13 July 2011. Classics in the Walled Garden 2011. As usual there were lots of modern Ferraris, which I have to confess don't do a great deal for for me, but there was a very special looking Daytona Spyder bearing the registration plate '365 FER'. Subscribe to: Post Comments (Atom). London, United Kingdom. Principal Lecturer in Film at the University of Roehampton. View my complete profile. Review of Karen Lury, The Child in Film: Tears, Fears and Fairy Tales. Ed by ...

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Paul Sutton: A Wolf in Wolf's Clothing...

http://paulgsutton.blogspot.com/2011/10/wolf-in-wolfs-clothing.html

Principal Lecturer in Film. Sunday, 16 October 2011. A Wolf in Wolf's Clothing. With 320bhp available this old M3 is a seriously quick car but what really surprised me was its handling; despite its bulk it is really very impressive. There are a few things that need doing but for the most part these are cosmetic. Also because of its media history - it featured on Discovery's Wheeler Dealers. Subscribe to: Post Comments (Atom). London, United Kingdom. View my complete profile. Review of Gian Piero Brunetta,.

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Paul Sutton: February 2011

http://paulgsutton.blogspot.com/2011_02_01_archive.html

Principal Lecturer in Film. Friday, 25 February 2011. Earlier this week I was lucky enough to be invited to a private screening of Grant Gee's latest film, Patience (After Sebald). The film is a reflective essay on the influence of the writings of the novelist and scholar W. G. Sebald but more specifically it is an attempt to follow in Sebald's footsteps, both literally and metaphorically. The film takes as its direct inspiration Sebald's The Rings of Saturn. And Gee in Patience. 1991) and The Pillow Book.

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Paul Sutton: Silverstone Classic 2011

http://paulgsutton.blogspot.com/2011/10/silverstone-classic-2011.html

Principal Lecturer in Film. Sunday, 16 October 2011. Classic and Sport Car. S James Elliott wondered after this year's Silverstone Classic whether others had enjoyed the event as much as he had (see ' I loved the Silverstone Classic, but did you? Meant that we were parked up with the VIPs and were ferried to the heart of the event courtesy of a fleet of brand new Jaguars. In a moment of real nostalgia I came across the half-scale type 35B Bugatti made by Tula Engineering. London, United Kingdom. Review o...

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Paul Sutton: July 2009

http://paulgsutton.blogspot.com/2009_07_01_archive.html

Principal Lecturer in Film. Wednesday, 29 July 2009. Classics on the Common. Outpost (Steve Barker 2008 UK). Ridley Scott 1979), The Fog. John Carpenter 1980) and The Keep. Michael Mann 1983) is clear, as is the potential comparison with a film like Neil Marshall's Dog Soldiers. 2002) or his more recent The Descent. The fear of the dark, the hidden, the unknown, remains, whatever the political context; ultimately, these primordial fears long precede the current 'war on terrror'. Tuesday, 28 July 2009.

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Paul Sutton: July 2010

http://paulgsutton.blogspot.com/2010_07_01_archive.html

Principal Lecturer in Film. Thursday, 29 July 2010. Classics on the Common 2010: Report. Well, it started out beautifully - white cloud with some occasional sunshine but as the afternoon wore on into evening the clouds darkened and by about half past seven the rain began to come down in earnest, sending many drivers to their cars to either put hoods up or make a dash for home. So, once again things turned had soggy! Tuesday, 27 July 2010. Marcos 3 Litre V6 (1969). All the heat from that big engine, which...

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Who We Are (Behind the Camera) | begstealborrowfilms

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En Attendant Godard (2009). The New Hope (2015). Ur: The End of Civilization in 90 Tableaux (2015). The Benefit of Doubt (in production). China: A User’s Manual (Films) (2013). Letters to Ariadne (2016). Music Videos and Shorts. Screenplays and other writings. Who We Are (Behind the Camera). Who We Are (The Talent). Making zero budget films. Who We Are (Behind the Camera). Writer, director, editor, producer. William thinks he’s like Jean-Luc Godard. Supercinema: Film-Philosophy for the Digital Age. Tom o...

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Paul Sutton: May 2010

http://paulgsutton.blogspot.com/2010_05_01_archive.html

Principal Lecturer in Film. Friday, 14 May 2010. Making my Marque DVD. My documentary on Marcos cars is now available to purchase via Jem Marsh's website ( here. Subscribe to: Posts (Atom). London, United Kingdom. Principal Lecturer in Film at the University of Roehampton. View my complete profile. Review of David Bordwell and Kristin Thompson, Minding Movies: Observations on the Art, Craft and Business of Filmmaking. Review of Karen Lury, The Child in Film: Tears, Fears and Fairy Tales. 463, 353-9 (2005).

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Paul Sutton: October 2011

http://paulgsutton.blogspot.com/2011_10_01_archive.html

Principal Lecturer in Film. Sunday, 16 October 2011. A Wolf in Wolf's Clothing. With 320bhp available this old M3 is a seriously quick car but what really surprised me was its handling; despite its bulk it is really very impressive. There are a few things that need doing but for the most part these are cosmetic. Also because of its media history - it featured on Discovery's Wheeler Dealers. Classic and Sport Car. That my father helped to set up in the early 1970s. I also remember the mini grand prix.

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wjrcbrown on film | Blogging seriously about cinema and other things

Blogging seriously about cinema and other things. Plemya/The Tribe (Myroslav Slaboshpytskiy, Ukraine/Netherlands, 2014). June 24, 2015. This is a brief review of. In order to accompany the introduction to the film that I made last night at the Ritzy Cinema in Brixton, London. I have been meaning to write about a number of the films I have introduced, but only now have had the chance. Developing on from Slaboshpytskiy’s. Ukraine, 2010) – which can be seen here. Often features long takes, or sequence shots...

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Blogs by wjrcbrown from Cinema Salon (from Ning) | Just another WordPress.com site

Blogs by wjrcbrown from Cinema Salon (from Ning). Just another WordPress.com site. Slumdog Millionaire (Danny Boyle/Loveleen Tandan, UK/USA, 2008). April 7, 2012. From what I understand, there are major differences between Vikas Swarup’s novel, Q&A. And the film based upon it, namely Danny Boyle and Loveleen Tandan’s Slumdog Millionaire. Raj Kapoor, India, 1951), one of the all-time classics of Indian cinema. This needs explaining. Slumdog Millionaire. Is a film that would claim not to flinch from showin...

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