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Celluloid in Black and White

A blog about black me and Old (read “white”) Hollywood

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Celluloid in Black and White | celluloidinblackandwhite.blogspot.com Reviews
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Celluloid in Black and White | celluloidinblackandwhite.blogspot.com Reviews

https://celluloidinblackandwhite.blogspot.com

A blog about black me and Old (read “white”) Hollywood

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Celluloid in Black and White: May 2013

http://celluloidinblackandwhite.blogspot.com/2013_05_01_archive.html

Celluloid in Black and White. A blog about black me and Old (read “white”) Hollywood. Monday, 27 May 2013. You Don't Like Black People? 8220;Of…of course I do” I stuttered as I pointed weakly to the pictures of Ella Fitzgerald (she was not a movie star, but oh that voice! Why was I holding these white screen icons up as my models of beauty, accomplishment, and decency? Why were my walls not covered with images of black icons, not just from the cinema, but from politics, history, and world affairs? I star...

2

Celluloid in Black and White: January 2015

http://celluloidinblackandwhite.blogspot.com/2015_01_01_archive.html

Celluloid in Black and White. A blog about black me and Old (read “white”) Hollywood. Sunday, 11 January 2015. Sidney Poitier, Mike Brown, and the Myth of Black Exceptionalism. You know what’s funny? I don’t even remember the first Sidney Poitier movie I saw. What I do remember is the feeling I had watching him move gracefully on my television screen: pride. He carried himself like a king. Heat of the Night. Into evidence as a visual depiction of America’s deep-rooted and violently intense fear of ...

3

Celluloid in Black and White: Sidney Poitier, Mike Brown, and the Myth of Black Exceptionalism

http://celluloidinblackandwhite.blogspot.com/2015/01/sidney-poitier-mike-brown-and-myth-of.html

Celluloid in Black and White. A blog about black me and Old (read “white”) Hollywood. Sunday, 11 January 2015. Sidney Poitier, Mike Brown, and the Myth of Black Exceptionalism. You know what’s funny? I don’t even remember the first Sidney Poitier movie I saw. What I do remember is the feeling I had watching him move gracefully on my television screen: pride. He carried himself like a king. Heat of the Night. Into evidence as a visual depiction of America’s deep-rooted and violently intense fear of ...

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